Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Rathey, Markus | Bach-Renaissance, Protestantismus und nationale Identität im deutschen Bürgertum des 19. Jahrhunderts. |
|
| | 2003 |
177-190 |
|
| 2. | Rathey, Markus | Ai no Uta. Bach no Seigaku Sakuhin. |
|
| | 2017 |
224p |
|
| 3. | Rathey, Markus | Bach's Major Vocal Works: Music, Drama, Liturgy. |
|
| | 2016 |
x, 234p |
|
| 4. | Rathey, Markus | Bach in the world: music, society, and representation in Bach's cantatas. |
|
| | 2023 |
x, 290p |
|
| 5. | Rathey, Markus | Johann Rudolph Ahle. 1625-1673. Lebensweg und Schaffen. |
|
| | 1999 |
xii, 643p |
|
| 6. | Rathey, Markus | Johann Sebastian Bach's Christmas Oratorio: Music, Theology, Culture. |
|
| | 2016 |
xiv, 414p |
|
| 7. | Rathey, Markus | Mozart, Kirnberger and the Idea of Musical Purity: Revisiting Two Sketches from 1782. |
18cM |
13 | 2 | Sep 2016 |
235-252 |
|
| 8. | Rathey, Markus | Celebrating Patriotism: Carl Philipp Emanuel Bach's Compositions for the Militia in Hamburg. |
18cM |
4 | 2 | Sep 2007 |
265-283 |
|
| 9. | Rathey, Markus | Carl Philipp Emanuel Bach und der hamburgische Reisediskurs im 18. Jahrhundert. |
AfKulturGes |
86 | 1 | 2004 |
163-178 |
|
| 10. | Rathey, Markus | Carl Philipp Emanuel Bachs Donnerode: Zur politischen Funktion des 'Erhabenen' in der zweiten Hälfte des 18. Jahrhunderts. |
AfMw |
66 | 4 | 2009 |
286-305 |
|
| 11. | Rathey, Markus | Daniel Stoppes 'Der Clavierspieler auf dem Thurme'. Eine unbeachtete Quelle zur literarischen Bach-Rezeption in der Mitte des 18. Jahrhunderts. |
ArsOrgani |
57 | 4 | Dec 2009 |
246-247 |
|
| 12. | Rathey, Markus | Two Unlikely Sisters: The 'Cross' and the 'Crosses' in BWV 12 and 69a. |
Bach |
38 | 1 | 2007 |
1-44 |
|
| 13. | Rathey, Markus | Johann Sebastian Bach's Passions: Recent Publications and Trends in Current Scholarship. |
Bach |
43 | 1 | 2012 |
65-83 |
|
| 14. | Rathey, Markus | The Chorale Cantata in Leipzig: The Collaboration between Schelle and Carpzov in 1689-1690 and Bach's Chorale Cantata Cycle. |
Bach |
43 | 2 | 2012 |
46-92 |
|
| 15. | Rathey, Markus | A Divided Country - A Divided Bach: The Cantor-Kapellmeister Controversy and the Cold War. |
Bach |
47 | 2 | 2016 |
1-26 |
|
| 16. | Rathey, Markus | Memory, Morals, and Contemplation in Leipzig Passion Texts from the 1720s: A New Perspective on J. S. Bach's St. John Passion from 1724. |
Bach |
51 | 1 | 2020 |
44-69 |
|
| 17. | Rathey, Markus | Always Problems with the Passion: A Contested Passion Performance in 1739 and the History of the Donkey. |
Bach |
55 | 2 | 2024 |
197-221 |
|
| 18. | Rathey, Markus | Der zweite Leipziger Jahrgang -- Choralkantaten. |
BachHandb |
1 | 1 | 2012 |
331-449 |
|
| 19. | Rathey, Markus | Die Temperierung der Divi Blasii-Orgel in Mühlhausen. |
BachJb |
87 | | 2001 |
163-171 |
|
| 20. | Rathey, Markus | Ästhetik eines 'Fragments' -- Anmerkungen zur Tradition des Schlußsatzes der Kantate 'Nun komm der Heiden Heiland' BWV 61. |
BachJb |
88 | | 2002 |
105-117 |
|
| 21. | Rathey, Markus | Zur Aufführungs- und Bearbeitungsgeschichte der Bürgerkapitänsmusiken Carl Philipp Emanuel Bachs. |
BachJb |
90 | | 2004 |
169-198 |
|
| 22. | Rathey, Markus | Weimar, Gotha oder Leipzig. Zur Chronologie der Arie 'Himmel, reiße' in der zweiten Fassung der Johannes-Passion (BWV 245/11+). |
BachJb |
91 | | 2005 |
291-300 |
|
| 23. | Rathey, Markus | Zur Datierung einiger Vokalwerke Bachs in den Jahren 1707 und 1708. |
BachJb |
92 | | 2006 |
65-92 |
|
| 24. | Rathey, Markus | Bachs Besuch in Potsdam und dessen Rezeption in der Münchner Presse. |
BachJb |
97 | | 2011 |
269-271 |
|
| 25. | Rathey, Markus | Zur Entstehungsgeschichte von Bachs Universitätsmusik 'Gloria in Excelsis Deo' BWV 191. |
BachJb |
99 | | 2013 |
319-328 |
|
| 26. | Rathey, Markus | American Bach Society Biennial Conference 26-29 April 2018 Yale University. |
BachNotesABS |
| 27 | Fall 2017 |
5-6 |
|
| 27. | Rathey, Markus | Bach's Christmas Oratorio and the Mystical Theology of Bernard of Clairvaux. |
BachPerspectives |
12 | | 2018 |
84-103 |
|
| 28. | Rathey, Markus | Drama and Discourse: The Form and Function of Chorale Tropes in Bach's Oratorios. |
BachPerspectives |
8 | | 2011 |
42-68 |
|
| 29. | Rathey, Markus | Bach no Sezoku Kantata -- Gikyoku to Shinwa no Aida ni. |
BCJ |
| 94 | Jul 2011 |
26-31 |
|
| 30. | Rathey, Markus | Die Instrumentalkompositionen Johann Rudolf Ahles im Kontext studentischen Musizierens in Erfurt. |
[ce]ErfurtMkulturBarock |
| | 2000 |
43-55 |
|
| 31. | Rathey, Markus (ed.) | Johann Georg Ahle, Schriften zur Musik. |
[ce]JGAhle |
| | 2007 |
394p |
|
| 32. | Rathey, Markus | Schools. |
[ce]RoutledgeResearchCompanion |
| | 2017 |
116-141 |
|
| 33. | Rathey, Markus | Individual and communal freedom and the performance history of the St Matthew Passion by Bach and Mendelssohn. |
[ce]TheologyMusicModernity |
| | 2021 |
147-179 |
|
| 34. | Begbie, Jeremy S.; Chua, Daniel K.L.; Rathey, Markus (eds.) | Theology, music, and modernity: Struggles for freedom. |
[ce]TheologyMusicModernity |
| | 2021 |
xii, 385p |
|
| 35. | Rathey, Markus | Christmas 1723. Johann Sebastian Bach's Artistic Evolution. |
ChoralJ |
48 | 1 | Jul 2007 |
14-23 |
|
| 36. | Rathey, Markus | Between stage and choir loft: Church music and opera in Leipzig before Bach. |
ChoralJ |
61 | 1 | Aug 2020 |
28-40 |
|
| 37. | Rathey, Markus | Johann Sebastian Bach's Mass in B Minor: The Greatest Artwork of All Times and All People. |
Colloquium |
2 | | Autumn 2005 |
59-75 |
|
| 38. | Rathey, Markus | Johann Sebastian Bach's St. John Passion from 1725: A Liturgical Interpretation. |
Colloquium |
4 | | Autumn 2007 |
123-139 |
|
| 39. | Rathey, Markus | In Honor of God and the City: Strategies of Theological and Symbolic Communication in Bach's Cantata Gott ist mein König (BWV 71). |
ContextBachStud |
8 | | 2018 |
3-22 |
|
| 40. | Rathey, Markus | Defining the self: Carl Philipp Emanuel Bach's autobiography as an attempt at self-fashioning in the middle of the eighteenth century. |
[cr]Bethlehem2014 |
| | 2016 |
170-190 |
|
| 41. | Rathey, Markus | Instrumentaler Satz und Orchesterbehandlung in den Köthener Glückwunschkantaten. |
CöthenerBachH |
11 | | 2003 |
116-135 |
|
| 42. | Rathey, Markus | 'Singet dem Herrn ein neues Lied' (BWV 190). Johann Sebastian Bachs Auseinandersetzung mit dem Te Deum laudamus. |
DortmundBachF |
3 | | 2002 |
287-301 |
|
| 43. | Rathey, Markus | Rehearsal for the opera--remarks on a lost composition by Johann Kuhnau from 1683. |
EarlyM |
42 | 3 | Aug 2014 |
409-420 |
|
| 44. | Rathey, Markus | Printing, politics and 'a well-regulated church music': a new perspective on J. S. Bach's Mühlhausen cantatas. |
EarlyM |
44 | 3 | Aug 2016 |
449-460 |
|
| 45. | Rathey, Markus | Buxtehude and the Dance of Death: The Chorale Partita auf meinen lieben Gott (BuxWV 179) and the Ars Moriendi in the Seventeenth Century. |
EarlyMHist |
29 | | 2010 |
161-188 |
|
| 46. | Rathey, Markus | Schelle, Carpzov und die Tradition der Choralkantate in Leipzig. |
JbStaatInstMf |
2011 | | 2011 |
185-210 |
|
| 47. | Rathey, Markus | The 'theology' of Bach's Cöthen cantatas: Rethinking the dichotomy of sacred versus secular. |
JMcolResearch |
35 | 4 | 2016 |
275-298 |
|
| 48. | Rathey, Markus | Ein unbekanntes Mühlhäuser Musikalienverzeichnis aus dem Jahre 1617. |
Mf |
51 | 1 | Jan-Mar 1998 |
63-69 |
|
| 49. | Rathey, Markus | selbst schauen: die verdienstvolle Plattform 'Bach digital'. |
MKirche |
92 | 4 | Jul-Aug 2022 |
279 |
|
| 50. | Rathey, Markus | Bach und Vogler - Überlegungen zu einem schwierigen Verhältnis und zur musikalischen Mythenbildung. |
MtArbgMittRheinMges |
| 78 | 2004 |
55-64 |
|
| 51. | Rathey, Markus | Between Heine, Werner, and Bach: Two quotations in Mendelssohn's Fifth Symphony op. 107. |
MTimes |
154 | 1922 | Spring 2013 |
57-68 |
|
| 52. | Rathey, Markus | Zwischen 'schuldloser Freude' und 'höherer Schönheit': Einige unbekannte Quellen zur ästhetischen und literarischen Rezeption Carl Philipp Emanuel und Johann Sebastian Bachs in der zweiten Hälfte des 18. Jahrhunderts. |
MÄsth |
16 | 64 | Oct 2012 |
42-52 |
|
| 53. | Rathey, Markus | Textsyntax und Prosodie in der Aufklärung und bei Johann Sebastian Bach. |
MÄsth |
8 | 30 | 2004 |
24-39 |
|
| 54. | Rathey, Markus | Vier Bußtage und ein Todesfall - Neue Erkenntnisse zu Johann Sebastian Bachs Kompositionen für Mühlhausen. |
MühlhäuserBeitr |
30 | | 2007 |
155-162 |
|
| 55. | Rathey, Markus | Zwischen nationaler Emphase und religiöser Innerlichkeit. Fritz Volbachs Interpretation der Kantate 'Ein feste Burg ist unser Gott' (BWV 80). |
NMwJb |
12 | | 2004 |
107-128 |
|
| 56. | Rathey, Markus | Funktion und Struktur -- Zur Zyklusbildung in Dietrich Buxtehudes Choralvariationen. |
NMwJb |
16 | | 2008 |
91-112 |
|
| 57. | Rathey, Markus | Traditions of organ music and organ playing in Mühlhausen in the seventeenth century and in the times of Johann Sebastian Bach. |
OrganYb |
45 | | 2016 |
111-131 |
|
| 58. | Rathey, Markus | Chorale-Tropus and Dramatic Coherence in Bach's Oratorios. |
[p]ABS_Bethlehem |
| | May 2008 |
|
|
| 59. | Rathey, Markus | Images and imaginations: Fritz Volbach's view of Johann Sebastian Bach. |
[p]ABS_NewBrunswick |
| | Apr 2004 |
|
|
| 60. | Rathey, Markus | A Leipzig Christmas Music from 1685. Traditions and Transformations of Christmas before Bach's Christmas Oratorio. |
[p]BICB_Belfast |
| | Jul 2010 |
|
|
| 61. | Rathey, Markus | The Function of Compositional Revisions in the Christmas Oratorio. |
[p]BNUK_Warsaw |
| | Jul 2013 |
|
|
| 62. | Rathey, Markus | Mühlhausens orgelmusikalisches Leben zur Zeit des jungen Bach. |
[p]BS_Dortmund |
| | Jan-Feb 2002 |
|
|
| 63. | Rathey, Markus | 'Singet dem Herrn ein neues Lied' (BWV 190). Johann Sebastian Bachs Auseinandersetzung mit dem Te Deum laudamus. |
[p]BS_Dortmund |
| | Jan-Feb 2000 |
|
|
| 64. | Rathey, Markus | Piety and Moral Values in Carl Philipp Emanuel Bach's Oratorios. |
[p]FMCS_Baylor |
| | Feb-Mar 2008 |
|
|
| 65. | Rathey, Markus | Bach, Schelle and the Tradition of the Chorale Cantata in Leipzig. |
[p]FMCS_NotreDame |
| | Feb 2009 |
|
|
| 66. | Rathey, Markus | Gender Identities in the Christmas Oratorio and its Secular Models. |
[p]Women_Yale |
| | Oct 2009 |
|
|
| 67. | Rathey, Markus | Johann Sebastian Bach's St. Matthew Passion and the Catholic tradition. |
SacredM |
146 | 1 | Spring 2019 |
50-59 |
|
| 68. | Rathey, Markus | Kommunikation und Diskurs: die Bürgerkapitänsmusiken Carl Philipp Emanuel Bachs. |
StMaterMw |
55 | | 2009 |
viii, 295p |
|