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Bach Printed Music Database Search Result |
Author : Rifkin, JoshuaYour search has generated the following results ...
Max number of results shown : 300
Output sorted : serially (table)
| Type | List | Author  | Title[further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Rifkin, Joshua | The Passion according to Saint Matthew BWV 244. | ||||||
 | 2. | Rifkin, Joshua | Blinding Us with Science? Man, Machine and the Mass in B Minor. | 18cM | 8 | 1 | 77-91 | ||
| | 3. | Rifkin, Joshua | Minimalism: A reply. | AmerChoralReview | 26 | 1 | 24 | ||
| | 4. | Rifkin, Joshua | The Emperor's Headgear: A Brief Response to Don Smithers. | Bach | 30 | 1 | 70-73 | ||
| | 5. | Rifkin, Joshua | Ein langsamer Konzertsatz Johann Sebastian Bachs. | BachJb | 64 | 140-147 | |||
| | 6. | Rifkin, Joshua | Ein Dokument zum Doppelaccompagnement im 18. Jahrhundert? | BachJb | 75 | 227-229 | |||
| | 7. | Rifkin, Joshua | Besetzung -- Entstehung -- Überlieferung: Bemerkungen zur Ouvertüre BWV 1068. | BachJb | 83 | 169-176 | |||
| | 8. | Rifkin, Joshua | Zur Bearbeitungsgeschichte der Kantate 'Wachet! betet! betet! wachet!' (BWV 70). | BachJb | 85 | 127-132 | |||
| | 9. | Rifkin, Joshua | Siegesjubel und Satzfehler. Zum Problem von 'Nun ist das Heil und die Kraft' (BWV 50). | BachJb | 86 | 67-86 | |||
| | 10. | Rifkin, Joshua | Notenformen und Nachtragsstimmen - Zur Chronologie der Kantaten 'Die Himmel erzählen die Ehre Gottes' BWV 76 und 'Also hat Gott die Welt geliebt' BWV 68. | BachJb | 94 | 203-228 | |||
| | 11. | Rifkin, Joshua | Chorliste und Chorgröße bei Johann Sebastian Bach : Neue Überlegungen zu einem alten Thema. | BachJb | 98 | 121-143 | |||
| | 12. | Marshall, Robert L.; Rifkin, Joshua | In Memoriam: Alfred Dürr (March 3, 1918-April 7, 2011). | BachNotesABS | 15 | 1-4 | |||
| | 13. | Rifkin, Joshua | The 'B-Minor Flute Suite' Deconstructed. New Light on Bach's Ouverture BWV 1067. | BachPerspectives | 6 | 1-98 | |||
| | 14. | Rifkin, Joshua | Some questions of performance in J. S. Bach's Trauerode. | BachStud | 2 | 119-153 | |||
| | 15. | Rifkin, Joshua | '... wobey aber die Singstimmen hinlänglich besetzt seyn müssen...'. Zum Credo der h-Moll-Messe in der Aufführung Carl Philipp Emanuel Bachs. | BachTage_Berlin | 104-116 | ||||
| | 16. | Rifkin, Joshua | Bachs Chor: Ein vorläufiger Bericht. | BaslerJbHistMpraxis | 9 | 141-156 | |||
| | 17. | Rifkin, Joshua | '... Wobey aber die Singstimmen hinlänglich besetzt seyn müssen...'. Zum Credo der h-Moll-Messe in der Aufführung Carl Philipp Emanuel Bachs. | BaslerJbHistMpraxis | 9 | 157-172 | |||
| | 18. | Rifkin, Joshua | Kilka zagadnien wykonawczych w Trauerode J.S. Bacha. | Canor | 6 | 1: 16 | 3-19 | ||
| | 19. | Rifkin, Joshua | Bach's Chorus: A preliminary report. | [ce]BaroqueComposers | 503-509 | ||||
| | 20. | Rifkin, Joshua | Bach's chorus: A preliminary report. | [ce]BaroqueMusic | 477-485 | ||||
| | 21. | Rifkin, Joshua | Zelenkas Chor: Der Blick von 1725. | [ce]ProvokationTradition | 241-268 | ||||
| | 22. | Rifkin, Joshua | Rethinking Editions: Mass, Missa, and Monument Culture. | [ce]RethinkingBach | 289-313 | ||||
| | 23. | [Bruno, Malcolm; Rifkin, Joshua] | Under the surface. | ChoirOrgan | 12 | 5 | 20-23 | ||
 | 24. | Rifkin, Joshua | Bach's Mass, Bach's Missa, and the Arrogance of Editing. | [cr]Belfast2007 | 1 | [supplement 2] | 14p | ||
| | 25. | Rifkin, Joshua | Verlorene Quellen, verlorene Werke - Miszellen zu Bachs Instrumentalkomposition. | DortmundBachF | 1 | 59-75 | |||
| | 26. | Rifkin, Joshua | Klangpracht und Stilauffassung. Zu den Trompeten der Ouvertüre BWV 1069. | DortmundBachF | 2 | 327-345 | |||
| | 27. | Rifkin, Joshua | Zur Aufführungspraxis: Einleitung. | DortmundBachF | 3 | 325-327 | |||
 | 28. | Rifkin, Joshua | Bach's Choral Ideal. | DortmundBachF | 5 | 66p | |||
| | 29. | Rifkin, Joshua | Bach's 'Orchestre'. | EarlyM | 14 | 4 | 566-567 | ||
 | 30. | Rifkin, Joshua | The Bach Compendium. | EarlyM | 17 | 1 | 79-88 | ||
| | 31. | Rifkin, Joshua | From Weimar to Leipzig: concertists and ripientists in Bach's 'Ich hatte viel Bekümmernis'. | EarlyM | 24 | 4 | 583-603 | ||
| | 32. | Rifkin, Joshua | Bassoons, violins and voices: a response to Ton Koopman. | EarlyM | 25 | 2 | 303-307 | ||
| | 33. | Rifkin, Joshua | Page turns, players and ripieno parts: more questions of scoring in Bach's vocal music. | EarlyM | 25 | 4 | 728-731, 733-734 | ||
| | 34. | Rifkin, Joshua | Bach's Chorus: A neverending story? | EarlyM | 26 | 2 | 380-381 | ||
| | 35. | Rifkin, Joshua | Bach's chorus: not again! | EarlyM | 27 | 2 | 350 | ||
| | 36. | Rifkin, Joshua | Bach's chorus: some new parts, some new questions. | EarlyM | 31 | 4 | 573-580 | ||
| | 37. | Rifkin, Joshua | Bach's chorus: Against the wall. | EarlyM | 38 | 3 | 437-439 | ||
| | 38. | Rifkin, Joshua | Bach's chorus: more of the same. | EarlyM | 40 | 1 | 165-166 | ||
| | 39. | Rifkin, Joshua | Schering's wacky theory. | EarlyMAmer | 5 | 3 | 48 | ||
 | 40. | Rifkin, Joshua; Dürr, Alfred (eds.) | Messe h-moll für Singstimme und Orchester ; BWV 232 / Johann Sebastian Bach. | EdBreitkopf | 8700 | 228p | |||
| | 41. | Rifkin, Joshua | The Violins in Bach's St. John Passion. | [fs]Brainard | 307-332 | ||||
| | 42. | Rifkin, Joshua | Ein Arpeggio und seine Folgen: Die Matthäuspassion zwischen Bach, Mendelssohn und uns. | [fs]Rickenbacher | 79-91 | ||||
| | 43. | Rifkin, Joshua | The chronology of Bach's Saint Matthew Passion. | GarlandLibHistWestM | 8 | 232-259 | |||
| | 44. | Rifkin, Joshua | Bach's 'choruses': The record amplified. | HiFi | 32 | 12 Spec. Suppl | |||
| | 45. | Rifkin, Joshua | Bach's 'choruses': Less than they seem? | HiFi | 32 | 9 | 42-44 | ||
| | 46. | Rifkin, Joshua | Bach's Chorus: Some Red Herrings [Points of View] | JMcolResearch | 14 | 3-4 | 223-234 | ||
| | 47. | Rifkin, Joshua | Bach no Kumon, Watashi no Kuto = Bach's Struggle ... and Mine. | KunitachiColMResearchInstBul | 24 | 125-144 | |||
| | 48. | Rifkin, Joshua | Eine schwierige Stelle in der h-Moll-Messe. | LeipzigerBeitrBachF | 5 | 321-331 | |||
| | 49. | Rifkin, Joshua | The Chronology of Bach's Saint Matthew Passion. | MQ | 61 | 3 | 360-387 | ||
| | 50. | Rifkin, Joshua | Bach's Chorus: A preliminary report. | MTimes | 123 | 1677 | 747-751, 753-754 | ||
| | 51. | Rifkin, Joshua | Bach's Chorus: A response to Robert Marshall. | MTimes | 124 | 1681 | 161-162 | ||
| | 52. | Rifkin, Joshua; Dürr, Alfred (ed.) | Messe in h-moll. BWV 232 / J. S. Bach. | OrchBib | 5363 | 17 St | |||
| | 53. | Rifkin, Joshua | Bach's violins. | [p]ABS_Yale | |||||
| | 54. | Rifkin, Joshua | Bach's Chorus. | [p]AMS_Boston | |||||
| | 55. | Rifkin, Joshua | The Chronology of Bach's St. Matthew Passion. | [p]AMS_GreaterNewYork | |||||
| | 56. | Rifkin, Joshua | Bach's Struggle ... and Mine. | [p]AMS_NewEngland | |||||
| | 57. | Rifkin, Joshua | Bach's Choral Ideal. | [p]AMS_NewEngland | |||||
| | 58. | Rifkin, Joshua | Bach's Choir (A Work in Progress). | [p]AMS_NewEngland | |||||
| | 59. | Rifkin, Joshua (ed.) | Messe h-moll ; Mass in B minor. BWV 232 / Johann Sebastian Bach. | PartBib | 5303 | xxv, 253p | |||
| | 60. | Rifkin, Joshua (ed.) | Messe h-moll ; Mass in B minor. BWV 232 / Johann Sebastian Bach (1685-1750). | PartBib | 5363 | xviii, 273p | |||
| | 61. | Rifkin, Joshua | Blinding Us with Science? Man, Machine, and the Mass in B Minor. | [p]BICB_Belfast | |||||
| | 62. | Rifkin, Joshua | Zum Gattungsbegriff und zur Gattungsgeschichte des Scherzo bei Bach. | [p]BS_Dortmund | |||||
| | 63. | Rifkin, Joshua | Bach und die 'französische Art'. Gedanken zu den Ouvertueren BWV 1066-1069. | [p]BS_Dortmund | |||||
| | 64. | Rifkin, Joshua | More (and Less) on Bach's Orchestra. | PerformPractReview | 4 | 1 | 5-13 | ||
| | 65. | Rifkin, Joshua | The Impossible Text: A Postmodern Edition of the B minor Mass? | [p]IS_Oxford | |||||
| | 66. | Rifkin, Joshua | Bach's Choral Ideal. | [p]RMA_Cambridge | |||||
| | 67. | Rifkin, Joshua | Eine schwierige Stelle in der h-Moll-Messe. | [p]WK_Leipzig | |||||
| | 68. | Rifkin, Joshua | Blinding us with Science? Man, Machine and the Mass in B minor. | UnderstandingBach | 5 | 49-63 |