Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Shabalina, Tatiana | Georg Riedel (1676-1738), the 'East Prussian Bach': New Findings in St. Petersburg. |
Bach |
52 | 2 | 2021 |
159-195 |
|
| 2. | Shabalina, Tatiana | Manuscript score No. 4500 in St Petersburg: a new source of the B-minor Mass. |
[ce]ExploringBMM |
| | 2013 |
186-214 |
|
| 3. | Shabalina, Tatiana [Shabalina, Tat'jana] | Manuscript score No. 4500 in St. Petersburg: A new source of the B-minor Mass. |
[cr]Belfast2007 |
1 | | 2007 |
207-225 |
|
| 4. | Shabalina, Tatiana [Shabalina, Tat'jana] | Reception History of the Mass in B minor in Russia. |
[cr]Belfast2007 |
1 | | 2007 |
309-321 |
|
| 5. | Shabalina, Tatiana [Shabalina, Tat'jana] | A Discovery in St Petersburg. |
Humanitas |
8 | 2 | Oct 2006 |
70-82 |
|
| 6. | Shabalina, Tatiana [Shabalina, Tat'jana] | Texte zur Music by J. S. Bach and his Contemporaries: J. A. Załuski and his Role in their Preservation. |
[p]BICB_Belfast |
| | Jul 2010 |
|
|
| 7. | Shabalina, Tatiana [Shabalina, Tat'jana] | Bach's Parody Process: Observations from the Early Leipzig Manuscripts. |
[p]BICB_Salzburg |
| | Jul 2014 |
|
|
| 8. | Shabalina, Tatiana | Activities around the composer's desk: the roles of Bach and his copyists in parody production. |
[p]BNUK_Cambridge |
| | Jul 2015 |
|
|
| 9. | Shabalina, Tatiana [Shabalina, Tat'jana] | Recent Discoveries in St. Petersburg and their Meaning for Understanding Bach. |
[p]BNUK_Oxford |
| | Jan 2009 |
|
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| 10. | Shabalina, Tatiana | Discoveries in St Petersburg: New Perspectives on Bach and Poland. |
[p]BNUK_Warsaw |
| | Jul 2013 |
|
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| 11. | Shabalina, Tatiana | Activities around the Composer's Desk: The Roles of Bach and his Copyists in Parody Production. |
UnderstandingBach |
11 | | 2016 |
9-38 |
|
| 12. | Shabalina, Tatiana [Shabalina, Tat'jana] | Recent Discoveries in St Petersburg and their Meaning for the Understanding of Bach's Cantatas. |
UnderstandingBach |
4 | | 2009 |
77-99 |
|
| 13. | Shabalina, Tatiana | Discoveries in St Petersburg: New Perspectives on Bach and Poland. |
UnderstandingBach |
9 | | 2014 |
25-48 |
|