Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Smith, Timothy A. | Bach's Mass in B Minor as Musical Icon. |
|
| | 1996 |
|
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| 2. | Smith, Timothy A. | Was Bach a Rationalist, Pietist, Neither, or Both? |
|
| | 1996 |
|
|
| 3. | Smith, Timothy A. | Intentionality and Meaningfulness in Bach's Cyclical Works. |
|
| | 1996 |
|
|
| 4. | Smith, Timothy A. | Trinitarian and Catechistic Connotations of the Clavier-Übung III |
|
| | 1997 |
|
|
| 5. | Smith, Timothy A. | 'Circulatio' as Tonal Morpheme in the Liturgical Music of J. S. Bach |
|
| | 1998 |
|
|
| 6. | Smith, Timothy A. | Fugues of the Well-Tempered Clavier. |
|
| | 2002 |
|
|
| 7. | Smith, Timothy A. | Bach Fan Thrills to Discovery of Lost 1724 Pages. |
|
| | 31 Aug 2008 |
|
|
| 8. | Smith, Timothy A. | More Evidence of Numeral-Logical Design in Bach's St.Matthew Passion. |
Bach |
17 | 2 | Apr 1986 |
24-30 |
|
| 9. | Smith, Timothy A. | That 'Crown of Thorns'. |
Bach |
28 | 1-2 | 1997 |
144-150 |
|
| 10. | Smith, Timothy A. | Fugues Without Words: A Hearing of Four Fugues from The Well-Tempered Clavier as Passion Music. |
Bach |
40 | 2 | 2009 |
44-65 |
|
| 11. | Smith, Timothy A. | Fugues without Words: a hearing of four fugues from the Well-Tempered Clavier as passion music. |
[p]SMA_Glasgow |
| | Apr 2009 |
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