Bach Printed Music Database Search Result

Author : Smithers, Don L.
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Smithers, Don L.	The Music and History of the Baroque Trumpet before 1721.				1973	323p
	2.	Smithers, Don L.	The Original Circumstances in the Performance of Bach's Leipzig Church Cantatas, 'Wegen seiner Sonn- und Festtägigen Amts-Verrichtungen'.	Bach	26	1-2	1995	28-47
	3.	Smithers, Don L.	Anomalies of Tonart and Stimmton in the first version of Bach's Magnificat (BWV 243a).	Bach	27	2	Fall-Winter 1996	1-59
	4.	Smithers, Don L.	The Emperors' New Clothes Reappraised; or Bach's Musical Resources Revealed.	Bach	28	1-2	1997	1-81
	5.	Smithers, Don L.	Gottfried Reiches Ansehen und sein Einfluß auf die Musik Johann Sebastian Bachs.	BachJb	73		1987	113-150
	6.	Smithers, Don L.	Die Verwendung der Blechblasinstrumente bei J. S. Bach unter besonderer Berücksichtigung der Tromba da tirarsi. Kritische Anmerkungen zum gleichnamigen Aufsatz von Thomas G. MacCracken.	BachJb	76		1990	37-51
	7.	Smithers, Don L.	Abiding discrepancies between historical fact and present-day practice in performances of music by J. S. Bach.	BeitrBachF	2		1983	36-45
	8.	Smithers, Don L.	The Original Circumstances in the Performance of Bach's Leipzig Church Cantatas, 'wegen seiner Sonn- und Festtägigen Amts-Verrichtungen'.	ContributStudMDance	19		1992	111-126
	9.	Smithers, Don L.	The baroque trumpet after 1721: Some preliminary observations. Part one: Science and Practice.	EarlyM	5	2	Apr 1977	177-183
	10.	Smithers, Don L.	The baroque trumpet after 1721: Some preliminary observations. Part Two: Function and Use.	EarlyM	6	3	Jul 1978	356-361
	11.	Smithers, Don L.	Bach, Reiche and the Leipzig Collegia Musica.	HistBrassSocJ	2		1990	1-51
	12.	Smithers, Don L.	Number and Symbolism in Bach's B-minor Mass.	[p]AMS_NewYorkState			Apr 1972
	13.	Smithers, Don L.	Playing the Baroque Trumpet: Research into the history and physics of this largely forgotten instrument is revealing its secrets, enabling modern trumpeters to play it as the musicians of the 17th and 18th centuries did.	ScientificAmer	254	4	1986	108-115