Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Butler, Lynn Edwards; Swack, Jeanne | Madison in May: The American Bach Society Holds its Biennial Meeting May 7-9, 2010. |
BachNotesABS |
| 12 | Winter 2010 |
3-9 |
|
| 2. | Swack, Jeanne | Modular Structure and the Recognition of Ritornello in Bach's Brandenburg Concertos. |
BachPerspectives |
4 | | 1999 |
33-53 |
|
| 3. | Swack, Jeanne | A Comparison of Bach's and Telemann's Use of the Ouverture as Theological Signifier. |
BachPerspectives |
6 | | 2007 |
99-135 |
|
| 4. | Swack, Jeanne | J. S. Bach's A major flute sonata BWV 1032 revisited. |
BachStud |
2 | | 1995 |
154-174 |
|
| 5. | Swack, Jeanne | The Solo Sonatas of Georg Philipp Telemann: A Study of the Sources and Musical Style. |
diss. |
| | 1988 |
|
|
| 6. | Swack, Jeanne | Quantz and the Sonata in E flat major for flute and cembalo, BWV 1031. |
EarlyM |
23 | 1 | Feb 1995 |
31-53 |
|
| 7. | Swack, Jeanne R. | On the Origins of the Sonate auf Concertenart. |
JAMSoc |
46 | 3 | Autumn 1993 |
369-414 |
|
| 8. | Swack, Jeanne | The French ouverture as theological signifier in Telemann's 'Jesus sei mein erstes Wort' and 'Christ ist erstanden von der Marter alle'. |
[p]ABS_Houston |
| | Apr 2002 |
|
|
| 9. | Swack, Jeanne | Formal Paradigms, Movement Types, and National Styles in Telemann's Frankfurt Cantata Cycles. |
[p]ABS_Wisconsin |
| | May 2010 |
|
|
| 10. | Swack, Jeanne | Quantz and the Sonata in E-Flat Major for Flute and Cembalo, BWV 1031. |
[p]AMS_Chicago |
| | Nov 1991 |
|
|
| 11. | Swack, Jeanne | 'Telemann's Chorus': Vocal Forces in Telemann's Frankfurt Cantatas and the Implications for the 'One on a Part' Controversy. |
[p]AMS_Kansas |
| | Nov 1999 |
|
|
| 12. | Swack, Jeanne | Anti-Judaism and The Lutheran Cantata: The Cantatas for Judica Sunday of Georg Philipp Telemann. |
[p]AMS_Quebec |
| | Nov 2007 |
|
|
| 13. | Swack, Jeanne | Anti-Judaism and the Lutheran Cantata: the Cantatas for Judica Sunday of Georg Philipp Telemann. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 14. | Swack, Jeanne | Text and genre in selected cantatas of Georg Philipp Telemann. |
StMaterMw |
49 | | 2008 |
159-197 |
|
| 15. | Swack, Jeanne | Johann Ernst von Sachsen-Weimar als Auftraggeber: Bemerkungen zum Stil der Six Sonates a Violon seul (1715) von Georg Philipp Telemann. |
TelemannKonfBer |
10 | | 1997 |
53-70 |
|
| 16. | Swack, Jeanne | Die Sonatensammlung als Katalog: Nationalstile und Satztypen in den 'XII Solos, à Violon où Traversiere, avec la Basse chiffrée' (1734) von Georg Philipp Telemann |
TelemannKonfBer |
11 | | 2006 |
77-98 |
|
| 17. | Swack, Jeanne | 'Telemanns Chor': Aufführungspraxis und Stimmensätze in Telemanns Frankfurter Kantaten |
TelemannKonfBer |
13 | | 2007 |
295-314 |
|
| 18. | Swack, Jeanne | Antijudaismus in Telemanns Kantate zum Sonntag Judica 'Der Kern verdammter Sünder' TVWV 1:303. |
TelemannKonfBer |
16 | | 2011 |
256-278 |
|