Bach Printed Music Database

Bach Printed Music Database
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List	Author	Title[further info ]	Series	Vol	No	Year	Pages
		[]
1.	Tomita, Yo	Bachfest Leipzig 2005. Bach und die Zukunft - Bach and the Future. 29 April - 8 May 2005. Review.				20 Jun 2005
2.	Tomita, Yo	The Six Partitas (BWV 825-830).				2002
3.	Tomita, Yo	Editing Bach's Well-Tempered Clavier, Part 2.				Jun 2006
4.	Tomita, Yo	Bachfest Leipzig 2004. Bach und die Romantik - Bach and the Age of Romanticism. 14 - 23 May 2004. Review.				11 Jul 2004
5.	Tomita, Yo	The Inventions and Sinfonias (BWV 772-801).				1999
6.	Tomita, Yo	The 'Goldberg' Variations (BWV 988).				1997
7.	Tomita, Yo	The French Suites (BWV 812-817).				2003
8.	Tomita, Yo	The Clavier-Übung II (BWV 971 and 831)				2006
9.	Tomita, Yo	Bachfest Leipzig 2008. Bach und seine Söhne - Bach and his sons. 13 June - 22 June 2008. Review.				14 Aug 2008
10.	Tomita, Yo	Bachfest Leipzig 2003. 23 May-1 June. Review.				29 Jun 2003
11.	Tomita, Yo	The Well-Tempered Clavier, Book 1 (BWV 846-869).				1996
12.	Tomita, Yo	Surviving copies of the Wesley/Horn '48'.				2005
13.	Tomita, Yo	The Simrock Edition of the Well-Tempered Clavier II.				2005
14.	Tomita, Yo	Stages of revision of the Wesley/Horn '48' title-page plate.				2004
15.	Tomita, Yo	Clavier-Übung III ('The German Organ Mass')				2000
16.	Niitsuma, Masahiro; Schomaker, Lambert; Oosten, Jean-Paul van; Tomita, Yo	Writer Identification in Old Music Manuscripts Using Contour-Hinge Feature and Dimensionality Reduction with an Autoencoder.				2013	555-562
17.	Tomita, Yo	J. S. Bach's 'Das Wohltemperierte Clavier II': A Critical Commentary. Vol. I: Autograph Manuscripts.				1993	iv, 146p
18.	Tomita, Yo (ed.)	Das Wohltemperierte Klavier ; Teil II / Johann Sebastian Bach.				2007	xiii, 164p
19.	Tomita, Yo (ed.)	Das Wohltemperierte Klavier ; Teil II / Johann Sebastian Bach.				2007	xvii, 164p
20.	Tomita, Yo	J. S. Bach's 'Das Wohltemperierte Clavier II': A Critical Commentary. Vol.II. All the Extant Manuscripts.				1995	xxx, 1001p
21.	Tomita, Yo	Select Bibliography.	AmerBachSocNL			Spring 2001	6-7
22.	Tomita, Yo	Select Bibliography.	AmerBachSocNL			Spring 2003	6-7
23.	Tomita, Yo	Select Bibliography.	AmerBachSocNL			Spring 2002	6-7
24.	Tomita, Yo	The Sources of J. S. Bach's Well-Tempered Clavier II in Vienna 1777-1801.	Bach	29	2	Fall-Winter 1998	8-79
25.	Tomita, Yo	Bach and His Early Drafts: Some Observations on Little Known Early Versions of Well-Tempered Clavier II and the Goldberg Variations from the Manfred Gorke Collection.	Bach	30	2	1999	49-72
26.	Tomita, Yo	Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration.	Bach	32	1	2001	17-43
27.	Ebata, Nobuaki; Tomita, Yo; Mills, Ian	Mendelssohn and The Schübler Chorales (BWV 645-650): A New Source found in the Riemenschneider Bach Institute Collection.	Bach	44	1	2013	1-45
28.	Tomita, Yo	J. S. Bachs Flötensonate in h-Moll BWV3 1030.2 und Johann Gottlieb Goldberg.	BachJb	109		2023	207-214
29.	Tomita, Yo	Das Wohltemperierte Clavier in England. Abschriften aus dem Besitz von Charles Burney und Friedrich Wilhelm Marpurg.	BachJb	85		1999	143-149
30.	Kovacevic, Tanja; [Kovaèeviæ]; Tomita, Yo	Neue Quellen zu Johann Sebastian Bachs Violinsoli (BWV 1001-1006). Zur Rekonstruktion eines wichtigen Überlieferungszweigs.	BachJb	95		2009	49-74
31.	Tomita, Yo	'Bach and His Sons' Bachfest Leipzig 2008.	BachNotesABS		10	Fall 2008	8-9
32.	Tomita, Yo	The Bachfest Leipzig 2009 -- A Review.	BachNotesABS		12	Winter 2010	1-2
33.	Tomita, Yo	Songs Both New and Old -- A Review of the Bachfest Leipzig 2012.	BachNotesABS		17	Fall 2012	1-5
34.	Tomita, Yo	Challenging Virtuality: A Response to Ruth Tatlow.	BachNotesABS		18	Spring 2013	3-6
35.	Tomita, Yo	Bachfest Leipzig 2004.	BachNotesABS		2	Fall 2004	5
36.	Tomita, Yo	In Memoriam: Alison Jayne Dunlop (1985-2013)	BachNotesABS		20	Spring 2014	6-7
37.	Tomita, Yo	'So herrlich stehst du, liebe Stadt!': Report on Bachfest Leipzig 12-21 June 2015.	BachNotesABS		23	Fall 2015	8-11
38.	Tomita, Yo	Review -- 'Geheimnisse der Harmonie': Bachfest Leipzig 2016.	BachNotesABS		25	Fall 2016	9-11
39.	Tomita, Yo	Bachfest Leipzig 2018: Cycles ; A Conference Report.	BachNotesABS		29	Fall 2018	[1]-3
40.	Tomita, Yo	Hof-Compositeur Bach: A Review of Bachfest Leipzig 2019.	BachNotesABS		31	Fall 2019	11-14
41.	Tomita, Yo	Report: Bachfest Leipzig 2022.	BachNotesABS		37	Fall 2022	2-7
42.	Tomita, Yo	Bachfest Leipzig 2005: 'Bach und die Zukunft'.	BachNotesABS		4	Fall 2005	7
43.	Tomita, Yo	Bachfest Leipzig 2006: 'Von Bach zu Mozart'. May 27 to June 5.	BachNotesABS		6	Fall 2006	15
44.	Tomita, Yo	'Most ingenious, most learned, and yet practicable work': The English reception of Bach's The Well-Tempered Clavier in the first half of the nineteenth century as seen through the editions published in London.	BachNotesABS		7	Spring 2007	1-12
45.	Tomita, Yo	Bachfest Leipzig 2010.	BachNotesLBS			Autumn 2010	[2-3]
46.	Tomita, Yo	Leipzig, a City of Festivals. Bachfest'05- a view from the pew.	BachNotesLBS			Sep 2005	[3-4]
47.	Tomita, Yo	Bachfest Leipzig 2019 - A report	BachNotesLBS			Autumn 2019	[3]
48.	Tomita, Yo	Bachfest Leipzig 2004.	BachNotesLBS			Sep 2004	[3]
49.	Tomita, Yo	Leipzig's Bachfest sines again: an appreciation.	BachNotesLBS			Autumn 2012	[3]
50.	Tomita, Yo	Leipzig's Bachfest [2013] enthrals.	BachNotesLBS			Autumn 2013	[3]
51.	Tomita, Yo	Bachfest Leipzig 2008.	BachNotesLBS			Sep 2008	[3]
52.	Tomita, Yo	Bachfest Leipzig '06 -- Another View from the Stalls.	BachNotesLBS			Sep 2006	[4]
53.	Tomita, Yo	Bachfest Leipzig 2015: 'So herrlich stehst du, liebe Stadt!' -- A Report	BachNotesLBS			Autumn 2015	[4]
54.	Tomita, Yo	Bachfest Leipzig 2009. An appreciation.	BachNotesLBS			Sep 2009	[4]
55.	Tomita, Yo	Bachfest Leipzig 2016, a review from the pews.	BachNotesLBS			Autumn 2016	[5]
56.	Tomita, Yo	Bachfest Leipzig 2018: a review.	BachNotesLBS			Autumn 2018	[6]
57.	Tomita, Yo	'London Jihitsufu' to 'Heikinritsu Clavier Kyokushu'.	BachZenshu	12		Jul 1998	64-83
58.	Tomita, Yo	J. S. Bach no Kantata no Kenkyushi o megutte.	BCJ		100	Feb 2013	34-37
59.	Tomita, Yo	Program Notes. [BWV 232]	BCJ		120	Nov 2016	12-17
60.	Tomita, Yo	Program Notes. [BWV 1046-1051]	BCJ		135	Nov 2019	12-19
61.	Tomita, Yo	Program Notes. [BWV 1063, 1060, 1064, 535, 30]	BCJ		147	Mar 2022	14-19
62.	Tomita, Yo	Kangengaku Kumikyoku o megutte.	BCJ		61	Oct 2003	16-18
63.	Tomita, Yo	Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration.	[ce]BaroqueComposers			2011	465-491
64.	Tomita, Yo	Introduction.	[ce]BaroqueComposers			2011	xv-xxxvii
65.	Tomita, Yo (ed.)	Bach.	[ce]BaroqueComposers			2011	xxxvii, 574p
66.	Tomita, Yo	Bach, Johann Sebastian (b. Eisenach, 21 Mar. 1685; d. Leipzig, 28 July 1750)	[ce]CambridgeMozartEncyclopedia			2006	38-41
67.	Tomita, Yo	The Dawn of the English Bach Awakening Manifested in Sources of the '48'.	[ce]EnglishBachAwakening			2004	35-167
68.	Tomita, Yo	Pursuit of Perfection: Stages of Revision of the Wesley/Horn '48'.	[ce]EnglishBachAwakening			2004	341-377
69.	Tomita, Yo	Samuel Wesley as Analyst of Bach's Fugues.	[ce]EnglishBachAwakening			2004	379-402
70.	Tomita, Yo; Leaver, Robin A.; Smaczny, Jan (eds.)	Exploring Bach's B-minor Mass.	[ce]ExploringBMM			2013	xxix, 314p
71.	Tomita, Yo	'Most ingenious, most learned, and yet practicable work': The English Reception of Bach's Well-Tempered Clavier in the First Half of the Nineteenth Century seen through the Editions Published in London.	[ce]Piano19CBritishCulture			2007	33-67
72.	Tomita, Yo	Manuscripts.	[ce]RoutledgeResearchCompanion			2017	47-88
73.	Tomita, Yo	Bach, The Font: inline Music Graphics for Databases and Spreadsheets.	ComputingMcol	9		1993-94	61-64
74.	Tomita, Yo	The Passions as a Source of Inspiration? A Hypothesis on the Origin and Musical Aim of Well-Tempered Clavier II.	ContextBachStud	8		2018	225-242
75.	Tomita, Yo; Crean, Elise; Mills, Ian (eds.)	International Symposium: Understanding Bach's B-minor Mass. Discussion Book 1. Full Papers by the Speakers at the Symposium on 2, 3 and 4 November 2007.	[cr]Belfast2007	1		2007	x, 356p
76.	Tomita, Yo; Kovacevic, Tanja; [Kovaèeviæ] (eds.)	International Symposium: Understanding Bach's B-minor Mass. Discussion Book 2. Resource Book.	[cr]Belfast2007	2		2007	357-511p
77.	[Kovacevic, Tanja; Tomita, Yo; Leaver, Robin A.]	B-minor Mass: Select Bibliography.	[cr]Belfast2007	2		2007	492-504
78.	Tomita, Yo	Breaking the Limits: Some Preliminary Considerations on Introducing an e-Science Model to Source Studies.	[cr]Shizuoka2002			2004	233-237
79.	Tomita, Yo	Aspects of the Reception of Bach's Well-Tempered Clavier in Chopin's Time: An Overview of Print and Manuscript Sources.	[cr]Warsaw2017			2019	171-196
80.	Tomita, Yo	The Well-Tempered Clavier II and Pianoforte Performance. Appreciation of Bach's profound compositional level - Theological and philosophical Speculation.	diss.			1986	86p
81.	Tomita, Yo	J. S. Bach's Well-Tempered Clavier, Book II: A Study of its Aim, Historical Significance and Compiling Process.	diss.			1990	xv, 317, 88, 608, 45p
82.	Tomita, Yo	Streben nach Korrektheit: Samuel Wesley als Herausgeber von Bachs Klavierwerken.	DortmundBachF	6		2003	87-103
83.	Tomita, Yo	Deciphering the performance hints hidden in J. S. Bach's quaver beams.	EarlyM	44	1	Feb 2016	89-104
84.	Windram, Heather F.; Charlston, Terence; Tomita, Yo; Howe, Christopher J.	A phylogenetic analysis of two preludes from J. S. Bach's Well-Tempered Clavier II.	EarlyM	50	3	Aug 2022	373-393
85.	Tomita, Yo	Revisiting the reception of J. S. Bach's Well-Tempered Clavier II in pre-Classical Vienna.	[fs]Gillen			2017	318-359
86.	Tomita, Yo	Reading Soul from Manuscripts: Some Observations on Performance Issues in J. S. Bach's Habits of Writing His Music.	[fs]Hogwood70			2011	13-40
87.	Tomita, Yo	Bach and Dresden: A New Hypothesis on the Origin of the Goldberg Variations (BWV 988).	[fs]Leaver65			2007	169-191
88.	Fujinami, Tsutomu; Tomita, Yo	Heikinritsu Clavier Kyokushu Dai-2-Kan no Shukofu ni kansuru Database Kochiku to sono Riyo.	IPSJSIGNotes	100		Oct 2002	21-26
89.	Tomita, Yo	Bach's Credo in England: an early history.	IrishMStud	8		2004	205-227
90.	Leahy, Anne; Tomita, Yo (eds.)	Bach Studies from Dublin: Selected papers presented at the ninth biennial conference on Baroque music, held at Trinity College Dublin from 12th to 16th July 2000.	IrishMStud	8		2004	270p
91.	Niitsuma, Masahiro; Fujinami, Tsutomu; Tomita, Yo	The Intersection of Computational Analysis and Music Manuscripts: A New Model for Bach Source Studies of the 21st Century.	ISMIR	10		2009	519-523
92.	Niitsuma, Masahiro; Tomita, Yo	Classifying Bach's Handwritten C-Clefs.	ISMIR	12		2011	417-422
93.	Tomita, Yo	Bach no Jihitsufu kara Wareware wa Nani o manaberu ka. Ensosha to Kenkyusha no Eien no Kadai.	KunitachiColMResearchInstBul	21		Mar 2009	159-174
94.	Tomita, Yo	Orijinaru Shiryo kara manabu Bach no 'Partita' Dai-2-ban to Dai-6-ban.	KunitachiColMResearchInstBul	22		Mar 2010	107-131
95.	Tomita, Yo	'Goldberg Hensokyoku' no Seiritsu wo megutte: Gendai ni okeru Pianist e no Ichiteigen.	KunitachiColMResearchInstBul	23		Mar 2011	91-115
96.	Tomita, Yo	'Rotancho Misakyoku' to Bach Kenkyu: Sakuhin no Densho to Gakufu Henshushi kara miru Kenkyujo no Shomondai.	KunitachiColMResearchInstBul	24		Mar 2012	145-182
97.	Tomita, Yo	Gibt es bisher unbekannte Kanons von Bach? Ergebnisse jüngster Forschungen zur Frühzeit der Bach-Bewegung in England.	LeipzigerBeitrBachF	5		2002	497-519
98.	Tomita, Yo	Bach Reception in Pre-Classical Vienna: Baron van Swieten's Circle Edits the 'Well-Tempered Clavier' II.	MLetters	81	3	Aug 2000	364-391
99.	Tomita, Yo	Analysing Bach's ink through a glass darkly.	MTimes	139	1865	Winter 1998	37-38, 40-42
100.	Tomita, Yo	Bachfest Leipzig.	NEMANL	6	2	Autumn 2022	79-87
101.	Higuchi, Ryuichi; Kobayashi, Yoshitake; Beißwenger, Kirsten; Tomita, Yo; Sato, Nozomi; Isoyama, Tadashi	Roundtable 1: Bach Kenkyu to 21 Seiki.	OngakuGaku	51	3	2005	233-235
102.	Tomita, Yo	Bach Kenkyu no atarashii Keiko to Shorai ni kanshite no Ichikosatsu.	OngakuGaku	51	3	2005	234
103.	Tomita, Yo	Deciphering J. S. Bach's Performance Hints in his autograph manuscripts.	[p]1ICHKM_Edinburgh			Jul 2011
104.	Tomita, Yo	On-line Bach Bibliography: a brief introduction and demonstration.	[p]ABS_Houston			Apr 2002
105.	Tomita, Yo	'Most ingenious, most learned, and yet practicable work': The English reception of Bach's Well-Tempered Clavier in the first half of the nineteenth century seen through the editions published in London.	[p]ABS_Leipzig			May 2006
106.	Tomita, Yo	Bach's Credo in England: an early history.	[p]BCB_Dublin			Jul 2000
107.	Tomita, Yo	Hitherto unknown musical transcription of Psalms in Bach's Well-Tempered Clavier, Book II? The old question revisited	[p]BCB_Exeter			Jul 1998
108.	Tomita, Yo	The Bach competition of 1801: the battle against time and correctness as seen in the first complete editions of the Well-Tempered Clavier.	[p]BCB_Logrono			Jul 2002
109.	Tomita, Yo	The Well-Tempered Clavier in Pre-Classical Vienna: A New Source and Its Implication.	[p]BICB_Belfast			Jul 2010
110.	Tomita, Yo	Towards the accurate understanding of J. C. Altnickol's copies of Bach's works.	[p]BICB_Canterbury			Jul 2016
111.	Tomita, Yo	Reading Soul from Manuscripts: Observations on Performance Issues in J.S. Bach's Habits of Writing his Music.	[p]BICB_Leeds			Jul 2008
112.	Tomita, Yo	Re-examining the role of Kirnberger in the compilation and dissemination of Bach's Well-Tempered Clavier II.	[p]BICB_Manchester			Jul 2004
113.	Tomita, Yo	Revisiting Altnickol's 1744 Copy of the Well-Tempered Clavier, Book II.	[p]BICB_Salzburg			Jul 2014
114.	Tomita, Yo	Veiled aspects of Bach Reception in the 19th century exposed through a macro-level examination of prints.	[p]BICB_Southampton			Jul 2012
115.	Tomita, Yo	Reconstructing Bach's conjugal conversation. Re-assessing the contribution and the musicological value of the work of Anna Magdalena Bach.	[p]BICB_Warsaw			Jul 2006
116.	Tomita, Yo	The Bach reception in the first half of the nineteenth-century England seen through the manuscript and printed sources of the Well-Tempered Clavier.	[p]BICM19C_Nottingham			Jul 2005
117.	Tomita, Yo	A new light shed on the origin of Mozart's KV 404a and 405 through the recent source study of J. S. Bach's Well-Tempered Clavier II.	[p]BMC_London			Apr 1996
118.	Tomita, Yo; Schulenberg, David; Lewis, Daniel Martyn	Bach's quaver notation and performance implications.	[p]BNUK_Cambridge			Jul 2017
119.	Butt, John; Tomita, Yo; Marissen, Michael; Varwig, Bettina	Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig.	[p]BNUK_Cambridge			Jul 2015
120.	Tomita, Yo; Blanken, Christine; Hausmann, Christiane	New Online Resources for Bach Scholarship.	[p]BNUK_Cambridge			Jul 2015
121.	Tomita, Yo	The Implications of Bach's Introduction of New Fugal Techniques and Procedures in the Well-Tempered Clavier Book Two.	[p]BNUK_Edinburgh			Aug 2011
122.	Tomita, Yo	Anna Magdalena as Bach's Copyist.	[p]BNUK_Oxford			Jan 2008
123.	Tomita, Yo	Struggle for correctness: Samuel Wesley as an editor of Bach's keyboard works.	[p]BS_Dortmund			Jan-Feb 2002
124.	Tomita, Yo	Reading performance implications from J. S. Bach's eighth-note beams.	[p]HPI_Bloomington			May 2016
125.	Tomita, Yo	The translation of twenty-four most recent musical thoughts?: a new hypothesis on the origin of the Well-Tempered Clavier II.	[p]IATB_Eisenach			Mar 2002
126.	Tomita, Yo	Setting up Research Resources for the Future: The On-line Bach Bibliography Project and International Collaboration.	[p]IBS_Utrecht			Sep 2000
127.	Tomita, Yo; Fujinami, Tsutomu	Managing a text-critical database of J.S. Bach's 'Well-Tempered Clavier II' with XML and a relational database.	[p]IMS_Leuven			Aug 2002
128.	Tomita, Yo; Blanken, Christine; Rettinghaus, Klaus; Ebata, Nobuaki	Towards the Development of the Next Generation of Online Resources for Bach Scholarship.	[p]IMS_Tokyo			Mar 2017
129.	Tomita, Yo	Exploring J. S. Bach's musical thinking and performance intentions through the examination of his quaver-beam notation.	[p]IMS_Tokyo			Mar 2017
130.	Tomita, Yo	Reading Inspiration from Autograph Manuscripts: Musicologist's Advice to Performers on the second Book of the '48'.	[p]JSBRI_Birmingham			May 1997
131.	Tomita, Yo	19-seiki no Shuppanfu kara miru Bach Juyo no Shoyoso.	[p]MSJ_Tokyo			Nov 2011
132.	Tomita, Yo	Bach Botsugo 50-nenkan ni okeru Mubanso Violin no tame no Sonata to Partita no Densho to Juyo ni kanshite.	[p]MSJ_Tokyo			Oct 2008
133.	Tomita, Yo	1780nendai Wien to 'Heikinritsu Klavier Kyokushu' Dai-2-Kan. Shiryo Densho kara kaimamiru fukuzatsu de unique na Juyoshi.	[p]MSJ_Tokyo			Feb 1997
134.	Tomita, Yo	Bahha no Sakkyoku Katei to Enso e no Hinto o 8-bun Onpu no Renko kara yomitoku.	[p]MSJ_Tokyo			Nov 2015
135.	Higuchi, Ryuichi; Kobayashi, Yoshitake; Beißwenger, Kirsten; Tomita, Yo; Sato, Nozomi; Isoyama, Tadashi	Roundtable 'Bach Kenkyu to 21Seiki'.	[p]MSJ_Tokyo			Oct 2005
136.	Niitsuma, Masahiro; Tomita, Yo	The Intersection of Computational Analysis and Music Manuscripts: A New Model for Bach Source Studies of the 21st Century.	[p]MwW_Belfast			Dec 2009
137.	Tomita, Yo	The Well-Tempered Clavier in Pre-Classical Vienna: A New Source and Its Implication.	[p]MwW_Belfast			Dec 2009
138.	Tomita, Yo	J. S. Bach's Well-Tempered Clavier II in Vienna, 1777-1801: A Unique Reception History.	[p]RMA_Belfast			May 1996
139.	Tomita, Yo	Some considerations on current methods of studying Bach's autograph manuscripts with particular reference to isolating his revisions through the analysis of ink: an interim report.	[p]RMA_Belfast			May 1998
140.	Tomita, Yo	Samuel Wesley as analyst of Bach's fugues.	[p]RMA_Dublin			May 2002
141.	Tomita, Yo	Assessing a text-critical database using AI techniques.	[p]RMA_London			Nov 1996
142.	Tomita, Yo	Transmission of Bach's WTC in England during the Second Half of the Eighteenth Century.	[p]RMA_Waterford			May 1999
143.	Tomita, Yo	Bachowskie przebudzenie Mozarta - studium kontekstu.	PrzegladMuzykologiczny	7		2009	191-223
144.	Tomita, Yo	Recently discovered sources of Bach's Well-Tempered Clavier and their implication.	[p]SMI_Belfast			May 2004
145.	Tomita, Yo	Pursuit of perfection: stages of revision in Wesley and Horn's 'New and Correct' edition of Bach's '48'.	[p]SMI_Maynooth			May 2003
146.	Tomita, Yo	Hitherto unknown Bach canons? Some findings from recent research into the dawn of the Bach movement in England.	[p]WK_Leipzig			Jan 2000
147.	Tomita, Yo	Anna Magdalena as Bach's Copyist.	[p]Women_Yale			Oct 2009
148.	Tomita, Yo	Anna Magdalena as Bach's Copyist.	UnderstandingBach	2		2007	59-76
149.	Tomita, Yo	The Implications of Bach's Introduction of New Fugal Techniques and Procedures in the Well-Tempered Clavier, Book Two.	UnderstandingBach	6		2011	35-50
150.	Tomita, Yo	Veiled Aspects of Bach Reception in the long Nineteenth Century Exposed through a Macro-examination of Printed Music: with Particular Focus on The Well-Tempered Clavier.	UnderstandingBach	7		2012	29-53

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