Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Walker, Paul | Fugue in the Sixteenth Century. |
|
| | 2020 |
384p |
|
| 2. | Walker, Diane Parr; Walker, Paul | German Sacred Polyphonic Vocal Music between Schütz and Bach: Sources and Critical Editions. |
|
| | 1992 |
xxxv, 434p |
|
| 3. | Walker, Paul | Die Entstehung der Permutationsfuge. |
BachJb |
75 | | 1989 |
21-41 |
|
| 4. | Walker, Paul | American Bach Society Biennial Conference 7-10 April 2016 University of Notre Dame. |
BachNotesABS |
| 23 | Fall 2015 |
6 |
|
| 5. | Walker, Paul | Fugue in the Music-Rhetorical Analogy and Rhetoric in the Development of Fugue. |
BachPerspectives |
4 | | 1999 |
159-179 |
|
| 6. | Walker, Paul | Rhetoric, the ricercar, and J. S. Bach's Musical Offering. |
BachStud |
2 | | 1995 |
175-191 |
|
| 7. | Walker, Paul (ed.) | Sacred Works for Five Voices and Instruments, Part 3 / Dieterich Buxtehude. |
BuxtehudeCW |
12 | | 2018 |
xx, 411p |
|
| 8. | Walker, Paul | Miscellanea: Sacred Works for Five and/or Six Voices and Instruments, Occasional Works, Canons, Dubia / Dieterich Buxtehude. |
BuxtehudeCW |
13 | | 2018 |
xviii, 269p |
|
| 9. | Walker, Paul (ed.) | Church, Stage, and Studio: Music and Its Contexts in Seventeenth-Century Germany. |
[ce]ChurchStageStudio |
| | 1990 |
396p |
|
| 10. | Walker, Paul | Counterpoint, Canons and the Late Works. |
[ce]RoutledgeResearchCompanion |
| | 2017 |
377-397 |
|
| 11. | Walker, Paul | Bach's Use of Fugue in the Stile Antico Vocal Writing of the B-Minor Mass. |
[cr]Belfast2007 |
2 | | 2007 |
368-386 |
|
| 12. | Walker, Paul | Die Fuge in den Vokalwerken von Dieterich Buxtehude und Nicolaus Bruhns. |
[cr]Lübeck2000 |
| | 2002 |
256-271 |
|
| 13. | Walker, Paul | Zur Geschichte des Kontrasubjekts und zu seinem Gebrauch in den frühesten Klavier- und Orgelfugen Johann Sebastian Bachs. |
[cr]Rostock1990 |
| | 1995 |
48-69 |
|
| 14. | Walker, Paul Mark | Fugue in German Theory from Dressler to Mattheson. |
diss. |
| | 1987 |
x, 664p |
|
| 15. | Walker, Paul | Fingering, Bach and the Wegweiser. |
EarlyKStudNL |
1 | 3 | 1985 |
1-5 |
|
| 16. | Walker, Paul Mark | Theories of Fugue from the Age of Josquin to the Age of Bach. |
EastmanStudM |
13 | | 2000 |
485p |
|
| 17. | Walker, Paul | Bach's Use of Fugue in the Stile Antico Vocal Writing of the B-Minor Mass. |
[p]ABS_Leipzig |
| | May 2006 |
|
|
| 18. | Walker, Diane Parr; Walker, Paul | Sources of German Polyphonic Vocal Music Between Schütz and Bach: A Report on Work in Progress. |
[p]AMS_Capital |
| | Apr 1986 |
|
|
| 19. | Walker, Paul | From Renaissance Fuga to Baroque Fugue: The Role of the 'Sweelinck Theory Manuscripts'. |
[p]AMS_Vancouver |
| | Nov 1985 |
|
|
| 20. | Walker, Paul | Die Fuge in den Vokalwerken von Buxtehude und Bruhns. |
[p]ISK_Luebeck |
| | Apr 2000 |
|
|
| 21. | Walker, Paul | From Renaissance 'Fuga' to Baroque Fugue: The Role of the 'Sweelinck Theory Manuscripts'. |
SchützJb |
7-8 | | 1985-86 |
93-104 |
|
| 22. | Walker, Paul | The origin of the permutation fugue. |
StudHistM(NY) |
3 | | 1993 |
51-91 |
|