Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Hurford, Peter; Williams, Peter F. | Approaches to Bach Performance and Scholarship, then, now, next |
|
| | Nov-Dec 2000 |
|
|
| 2. | Williams, Peter F. | Figured Bass Accompaniment. |
|
| | 1970 |
117, 131p |
|
| 3. | Williams, Peter F. | Playing the organ works of Bach: Some case studies. |
|
| | 1987 |
128p |
|
| 4. | Williams, Peter F. | A New History of the Organ from the Greeks to the Present Day. |
|
| | 1980 |
233p |
|
| 5. | Williams, Peter F. | The Chromatic Fourth. During Four Centuries of Music. |
|
| | 1998 |
272p |
|
| 6. | Williams, Peter F. | The European Organ 1450-1850. |
|
| | 1966 |
336p |
|
| 7. | Williams, Peter F. | The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.) |
|
| | 1980 |
357p |
|
| 8. | Williams, Peter F. | Johann Sebastian Bachs Orgelwerke. Band 3: Liturgie, Kompositionstechnik, Instrumente und Aufführungspraxis. |
|
| | 2000 |
365p |
|
| 9. | Williams, Peter F.; Owen, Barbara | The Organ. |
|
| | 1988 |
438p |
|
| 10. | Williams, Peter F. | Johann Sebastian Bachs Orgelwerke 1. Präludien, Toccaten, Fantasien, Fugen, Sonaten, Concerti und Einzelwerke. |
|
| | 1996 |
441p |
|
| 11. | Williams, Peter F. | Johann Sebastian Bachs Orgelwerke. Band 2: Choralbearbeitungen. |
|
| | 1998 |
476p |
|
| 12. | Williams, Peter F. | J. S. Bach: Ein Leben in der Musik. |
|
| | 2008 |
575p |
|
| 13. | Williams, Peter F. | The Life of Bach. |
|
| | 2004 |
viii,219p |
|
| 14. | Williams, Peter F. | The Organ Music of J. S. Bach. Second Edition. |
|
| | 2003 |
x, 624p |
|
| 15. | Williams, Peter F. | J.S. Bach: A Life in Music. |
|
| | 2007 |
xi, 405p |
|
| 16. | Williams, Peter F. | The Organ Music of J. S. Bach. I: Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 etc). |
|
1 | | 1980 |
365p |
|
| 17. | Williams, Peter F. | The Organ Music of J. S. Bach. III: A Background. |
|
3 | | 1984 |
309p |
|
| 18. | Williams, Peter F. | Suggestions for Playing the Works of J. S. Bach--I. |
AmerOrganist(2) |
17 | 1 | Jan 1983 |
45-47 |
|
| 19. | Williams, Peter F. | Suggestions for Playing the Works of J. S. Bach-II. Harpsichord versus Organ in Six Trio Sonatas. |
AmerOrganist(2) |
17 | 3 | Mar 1983 |
50-52 |
|
| 20. | Williams, Peter F. | Suggestions for Playing the Works of J. S. Bach--III. BWV 565: A Toccata in d Minor for Organ by J. S. Bach? |
AmerOrganist(2) |
17 | 9 | Sep 1983 |
42-47 |
|
| 21. | Williams, Peter F. | Suggestions for Playing the Works of Bach--IV. Motifs in the Passacaglia. |
AmerOrganist(2) |
18 | 2 | Feb 1984 |
38-39 |
|
| 22. | Williams, Peter F. | Suggestions for Playing the Works of Bach--V. Motifs in the Orgelbüchlein. |
AmerOrganist(2) |
18 | 9 | Sep 1984 |
44-45 |
|
| 23. | Williams, Peter F. | Some Tercentenary Questions for the Performer. |
AmerOrganist(2) |
19 | 1 | Jan 1985 |
42-46 |
|
| 24. | Williams, Peter F. | Suggestions for Playing the Works of Bach--VI: The Larger Chorals of Clavier-übung III. |
AmerOrganist(2) |
19 | 2 | Feb 1985 |
56-57 |
|
| 25. | Williams, Peter F. | Suggestions for Playing the Works of Bach--VII: The Smaller Pieces of Clavier-übung III. |
AmerOrganist(2) |
19 | 3 | Mar 1985 |
118-119 |
|
| 26. | Williams, Peter F. | Suggestions for Playing the Works of Bach--VIII: Certain Early Preludes and Fugues: BWV 531 and 549. |
AmerOrganist(2) |
19 | 4 | Apr 1985 |
82-84 |
|
| 27. | Williams, Peter F. | Suggestions for Playing the Works of Bach--IX: The Italian music. |
AmerOrganist(2) |
19 | 5 | May 1985 |
74-75 |
|
| 28. | Williams, Peter F. | Suggestions for Playing the Works of Bach--X: The Transcriptions. |
AmerOrganist(2) |
19 | 6 | Jun 1985 |
44-46 |
|
| 29. | Williams, Peter F. | Suggestions for Playing the Works of J. S. Bach--XI: Chorale Fughettas. |
AmerOrganist(2) |
19 | 7 | Jul 1985 |
56-58 |
|
| 30. | Williams, Peter F. | Suggestions for Playing the Works of Bach--XII: Stylistic Allusions in Certain Mature Preludes. |
AmerOrganist(2) |
19 | 8 | Aug 1985 |
38-40 |
|
| 31. | Williams, Peter F. | Suggestions for Playing the Works of J. S. Bach--XIII: Manual Changing in Certain Fugues. |
AmerOrganist(2) |
19 | 9 | Sep 1985 |
62-64 |
|
| 32. | Williams, Peter F. | Suggestions for Playing the Works of Bach--XIV: Dividing Solo Lines Between the Hands; Clues to Articulation? |
AmerOrganist(2) |
19 | 10 | Oct 1985 |
117-119 |
|
| 33. | Williams, Peter F. | Suggestions for Playing the Works of Bach--XV: Some Issues Raised in Certain Early Chorales. |
AmerOrganist(2) |
19 | 11 | Nov 1985 |
91-93 |
|
| 34. | Williams, Peter F. | Suggestions for Playing the Works of Bach--XVI: More Organ Works by J. S. Bach? |
AmerOrganist(2) |
19 | 12 | Dec 1985 |
60-62 |
|
| 35. | Williams, Peter F. | Bach's Organ Chorales from the Neumeister Collection. First Edition and Recordings. A Feature Review. |
AmerOrganist(2) |
20 | 6 | Jun 1986 |
63-64 |
|
| 36. | Williams, Peter F. | J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? |
BachJb |
68 | | 1982 |
131-142 |
|
| 37. | Williams, Peter F. | Noch einmal: J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? |
BachJb |
72 | | 1986 |
123-125 |
|
| 38. | Williams, Peter F. | Public Executions and the Bach Passions. |
BachNotesABS |
| 2 | Fall 2004 |
1-4 |
|
| 39. | Williams, Peter F. | French overture conventions in the hands of the young Bach and Handel. |
BachStud |
1 | | 1989 |
183-193 |
|
| 40. | Williams, Peter F. | Két esettanulmány az előadói gyakorlat és a notáció részleteinek témaköréből; 1. J. S. Bach és a 2/4 metrum; 2. J. S. Bach és a balkéz-jobbkéz megosztás. |
BachTanulmanyok |
4 | | 1995 |
5-41; 25-41 |
|
| 41. | Williams, Peter F. | The Snares and Delusions of Musical Rhetoric: Some Examples from recent writings on J. S. Bach. |
BaslerJbHistMpraxis |
| [Sonderband] | 1983 |
230-240 |
|
| 42. | Williams, Peter F. | Johann Sebastian Bach and the Basso Continuo. |
BaslerJbHistMpraxis |
18 | | 1994 |
67-86 |
|
| 43. | Williams, Peter F. | Bach Organ Music. |
BBCMGuides |
20 | | 1972 |
71p |
|
| 44. | Williams, Peter F. | Playing and studying Bach: Where next? |
BIOSJ |
24 | | 2000 |
80-92 |
|
| 45. | Williams, Peter F. | Bach: The Goldberg Variations. |
CambridgeMHandb |
| | 2001 |
101p |
|
| 46. | Williams, Peter F. | Orugan Kyoku. |
[ce]BachJiten |
| | 1996 |
294-298 |
|
| 47. | Williams, Peter F. | 'Figurae' in the Keyboard Works of Scarlatti, Handel and Bach: An Introduction. |
[ce]BHSTercentenaryEssays |
| | 1985 |
327-346 |
|
| 48. | Williams, Peter F. | Bach, Handel, Scarlatti Tercentenary Essays. |
[ce]BHSTercentenaryEssays |
| | 1985 |
xiv, 363p |
|
| 49. | Williams, Peter F. | Are we any closer to understanding Bach, the organist and organ-composer? |
[ce]IAOMillenniumBook |
| | 2000 |
1-14 |
|
| 50. | Williams, Peter F. | The Snares and Delusions of Notation: Bach's Early Organ Works. |
[ce]JSBOrganist |
| | 1986 |
274-294 |
|
| 51. | Williams, Peter F. | Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'? |
[ce]KeyboardInBaroqueEurope |
| | 2003 |
140-156 |
|
| 52. | Williams, Peter F. | Johann Sebastian Bachs Sonate in g-moll (BWV 1029)... ein siebtes Brandenburgisches Konzert? |
Concerto |
2 | 4 | Jun 1985 |
41-48 |
|
| 53. | Williams, Peter F. | Considérations sur la nouvelle mesure ŕ 2/4 au début du XVIIIe sičcle. |
[cr]Metz1994 |
| | 1996 |
85-98 |
|
| 54. | Williams, Peter F. | Need Organists Pay Attention to Theorists of Rhetoric? |
Diapason |
73 | 4:869 | Apr 1982 |
3-4 |
|
| 55. | Williams, Peter F. | Some further Thoughts. |
DortmundBachF |
6 | | 2003 |
371-388 |
|
| 56. | Williams, Peter F. | Hints for performance in J. S. Bach's 'Clavierübung' prints. |
EarlyKeyboardJ |
5 | | 1986-87 |
29-44 |
|
| 57. | Williams, Peter F. | J. S. Bach's Well-tempered Clavier: A new approach. |
EarlyM |
11 | 1, 3 | Jan, Jul 1983 |
46-52; 332-339 |
|
| 58. | Williams, Peter F. | J. S. Bach: Mass in B minor. |
EarlyM |
12 | 1 | Feb 1984 |
137,139,141 |
|
| 59. | Williams, Peter F. | Bach's G minor Sonata for viola da gamba and harpsichord BWV 1029: A seventh Brandenburg Concerto? |
EarlyM |
12 | 3 | Aug 1984 |
345-354 |
|
| 60. | Williams, Peter F. | A chaconne by Georg Böhm: a note on German composers and French styles. |
EarlyM |
17 | 1 | Feb 1989 |
43-54 |
|
| 61. | Williams, Peter F. | Two case studies in performance practice and the details of notation: 1. J. S. Bach and 2/4 Time. |
EarlyM |
21 | 4 | Nov 1993 |
613-622 |
|
| 62. | Williams, Peter F. | Two case studies in performance practice and the details of notation: 2: J. S. Bach and left-hand-right-hand distribution. |
EarlyM |
22 | 1 | Feb 1994 |
101-113 |
|
| 63. | Williams, Peter F. | BWV 565: A toccata in D minor for Organ by J.S. Bach? |
EarlyM |
9 | 3 | Jul 1981 |
330-337 |
|
| 64. | Williams, Peter F. (ed.) | Musicalisches Opfer, BWV 1079 / Johann Sebastian Bach. |
EdEulenburg |
1390 | | 1986 |
xxxviii, 51p |
|
| 65. | Williams, Peter F. (ed.) | Kunst der Fuge / Johann Sebastian Bach. |
EdEulenburg |
1391 | | 1986 |
xlvi, 138p |
|
| 66. | Williams, Peter F. | Towards a close reading of Carl Philipp Emanuel Bach. |
FestschriftSer |
13 | | 1994 |
143-156 |
|
| 67. | Williams, Peter F. | The Acquisitive Minds of Handel & Bach: Some Reflections on the Nature of 'Influences' |
[fs]Fisk |
| | 1986 |
267-282 |
|
| 68. | Williams, Peter F. | Some observations on three keyboard-composers: Frescobaldi, J.S. Bach and Domenico Scarlatti. |
[fs]Owen |
| | 2005 |
53-71 |
|
| 69. | Williams, Peter F. | Recent questionable approaches to J. S. Bach. |
[fs]Tagliavini70 |
| | 2001 |
553-572 |
|
| 70. | Williams, Peter F. | The music of J.S. Bach: excerpts from the writings of Peter Williams. |
[fs]Williams70 |
| | 2007 |
371-381 |
|
| 71. | Williams, Peter F. | The Musical Aims of J. S. Bach's 'Clavierübung III'. |
[gs]Dart |
| | 1981 |
259-278 |
|
| 72. | Williams, Peter F. | Was Johann Sebastian Bach an Organ Expert or an Acquisitive Reader of Andreas Werckmeister? |
JAmerMInstrSoc |
11 | | 1985 |
38-54 |
|
| 73. | Williams, Peter F. | J. S. Bach and English Organ Music. |
MLetters |
44 | 2 | Apr 1963 |
140-151 |
|
| 74. | Williams, Peter F. | Basso continuo on the Organ. |
MLetters |
50 | 1, 2 | Jan; Apr 1969 |
136-152; 230-245 |
|
| 75. | Williams, Peter F. | The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750. |
MQ |
54 | 4 | Oct 1968 |
503-523 |
|
| 76. | Williams, Peter F. | Witting and Unwitting Allusion in Certain Keyboard Music of J. S. Bach. |
MQ |
84 | 4 | Winter 2000 |
756-775 |
|
| 77. | Williams, Peter F. | Why do we need a new book on Bach's Organ Music? |
MReview |
38 | 4 | 1977 |
249-257 |
|
| 78. | Williams, Peter F. | Bach at Edinburgh. |
MTimes |
104 | 1449 | Nov 1963 |
815 |
|
| 79. | Williams, Peter F. | Bach Thoughts from Edinburgh. |
MTimes |
106 | 1472 | Oct 1965 |
771-772 |
|
| 80. | Williams, Peter F. | The Organs of Saxony. |
MTimes |
111 | 1533 | Nov 1970 |
1141-1143 |
|
| 81. | Williams, Peter F. | The French Silbermann. |
MTimes |
112 | 1535 | Jan 1971 |
77-78 |
|
| 82. | Williams, Peter F. | Bach Recitatives. |
MTimes |
115 | 1579 | Sep 1974 |
747 |
|
| 83. | Williams, Peter F. | Bach's Seven Fughette. |
MTimes |
116 | 1589 | Jul 1975 |
653, 655, 657 |
|
| 84. | Williams, Peter F. | Figurenlehre from Monteverdi to Wagner. 1: What is 'Figurenlehre'? |
MTimes |
120 | 1636 | Jun 1979 |
476-479 |
|
| 85. | Williams, Peter F. | Figurenlehre from Monteverdi to Wagner. 2: The chromatic 4th continued. |
MTimes |
120 | 1637 | Jul 1979 |
571-573 |
|
| 86. | Williams, Peter F. | Figurenlehre from Monteverdi to Wagner. 3: The suspirans. |
MTimes |
120 | 1638 | Aug 1979 |
648-650 |
|
| 87. | Williams, Peter F. | Figurenlehre from Monteverdi to Wagner. 4: 'Orfeo' and 'Meistersinger'. |
MTimes |
120 | 1640 | Oct 1979 |
816-818 |
|
| 88. | Williams, Peter F. | Encounters with the Chromatic Fourth ... or, More on Figurenlehre. |
MTimes |
126 | 1707-1708 | May-Jun 1985 |
276-278; 339-343 |
|
| 89. | Williams, Peter F. | New Bach? [on recently discovered chorales] |
MTimes |
126 | 1710 | Aug 1985 |
452 |
|
| 90. | Williams, Peter F. | Stop Press: Some questions about JS Bach and his organ music. |
MTimes |
141 | 1870 | Spring 2000 |
34-40 |
|
| 91. | Williams, Peter F. | Sui generis: some fashionable uses to which Bach is put. |
MTimes |
141 | 1871 | Summer 2000 |
8, 10, 12-15 |
|
| 92. | Williams, Peter F. | Decoding Bach 2: Clouds of witness. |
MTimes |
141 | 1872 | Autumn 2000 |
13-15 |
|
| 93. | Williams, Peter F. | Another book on JS Bach? |
MTimes |
157 | 1934 | Spring 2016 |
5-18 |
|
| 94. | Williams, Peter F. | Johann Sebastian Bach's ideal organ. |
OrganistsReview |
94 | 2 | May 2008 |
7-13 |
|
| 95. | Williams, Peter F. | Further on Changing Manuals in Works of J. S. Bach. |
OrganYb |
29 | | 2000 |
75-90 |
|
| 96. | Williams, Peter F. | More on the question, Is there a 'Toccata and Fugue in D minor for Organ' by J. S. Bach? |
OrganYb |
33 | | 2004 |
139-143 |
|
| 97. | Williams, Peter F. | Again: Was J.S. Bach an expert on organs? |
OrganYb |
36 | | 2007 |
86-105 |
|
| 98. | Williams, Peter F. | 2/4 Time and J. S. Bach. |
[p]AMS_Southeast |
| | Mar 1988 |
|
|
| 99. | Williams, Peter F. | J. S. Bach y la distribución entre las manos derecha e izquierda. |
Quodlibet |
| 18 | Oct 2000 |
68-84 |
|
| 100. | Williams, Peter F. | J.S. Bach y el compás de 2/4. |
Quodlibet |
| 5 | Jun 1996 |
3-18 |
|
| 101. | Williams, Peter F. | Can editions of Bach or Scarlatti be entirely trusted? |
RCOJ |
| 1 | 2007 |
18-28 |
|
| 102. | Williams, Peter F. | Some thoughts on Italian elements in certain music of Johann Sebastian Bach. |
Recercare |
11 | | 1999 |
185-198 |
|
| 103. | Williams, Peter F. | Frescobaldi's Fiori musicali and Bach. |
Recercare |
24 | 1-2 | 2012 |
|
|