Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Schulze, Hans-Joachim | Johann Christoph Bach (1671-1721), 'Organist und Schul Collega in Ohrdruf', Johann Sebastian Bachs erster Lehrer |
[ce]BaroqueComposers |
| | 2011 |
3-29 |
|
| 2. | Junghans, Wilhelm Ch. | Johann Sebastian Bach als Schüler der Partikularschule zu St. Michaelis in Lüneburg, oder Lüneburg eine Pflegstätte kirchlicher Musik. |
[ce]BaroqueComposers |
| | 2011 |
31-74 |
|
| 3. | Minear, Paul S. | The Musician Versus the Grammarian: An Early Storm Warning. |
[ce]BaroqueComposers |
| | 2011 |
75-86 |
|
| 4. | Buelow, George J. | In Defence of J. A. Scheibe against J. S. Bach. |
[ce]BaroqueComposers |
| | 2011 |
87-102 |
|
| 5. | Trautmann, Christoph | J. S. Bach: new Light on His Faith. |
[ce]BaroqueComposers |
| | 2011 |
103-114 |
|
| 6. | Leaver, Robin A. | Motive and Motif in the Church Music of Johann Sebastian Bach. |
[ce]BaroqueComposers |
| | 2011 |
115-124 |
|
| 7. | Dürr, Alfred | Zum Wandel des Bach-Bildes. Zu Friedrich Blumes Mainzer Vortrag. |
[ce]BaroqueComposers |
| | 2011 |
127-134 |
|
| 8. | Blume, Friedrich | Antwort von Friedrich Blume. |
[ce]BaroqueComposers |
| | 2011 |
135-138 |
|
| 9. | Mendel, Arthur | Persönliches zur Geschichte der Jüngeren Bach-Forschung. ('A Personal Message Concerning the History of Recent Bach Scholarship'). |
[ce]BaroqueComposers |
| | 2011 |
139-147 |
|
| 10. | Herz, Gerhard | Yoshitake Kobayashi's Article 'On the Chronology of the last phase of Bach's Work - Compositions and Performances: 1736 to 1750' - An Analysis with Translated Portions of the Original Text'. |
[ce]BaroqueComposers |
| | 2011 |
149-171 |
|
| 11. | Dürr, Alfred | Bach's Chorale Cantatas. |
[ce]BaroqueComposers |
| | 2011 |
175-184 |
|
| 12. | Hobohm, Wolf | Neue 'Texte zur Leipziger Kirchen-Music'. |
[ce]BaroqueComposers |
| | 2011 |
185-212 |
|
| 13. | Häfner, Klaus | Der Picander-Jahrgang. |
[ce]BaroqueComposers |
| | 2011 |
213-256 |
|
| 14. | Scheide, William H. | Bach und der Picander-Jahrgang - Eine Erwiderung. |
[ce]BaroqueComposers |
| | 2011 |
257-261 |
|
| 15. | Häfner, Klaus | Picander, der Textdichter von Bachs viertem Kantatenjahrgang. Ein neuer Hinweis. |
[ce]BaroqueComposers |
| | 2011 |
263-269 |
|
| 16. | Scheide, William H. | Eindeutigkeit und Mehrdeutigkeit in Picanders Kantatenjahrgangs-Vorbemerkung und im Werkverzeichnis des Nekrologs auf Johann Sebastian Bach. |
[ce]BaroqueComposers |
| | 2011 |
271-275 |
|
| 17. | Mendel, Arthur | Traces of the pre-history of Bach's St. John and St. Matthew Passions. |
[ce]BaroqueComposers |
| | 2011 |
277-294 |
|
| 18. | Wolff, Christoph | 'Et Incarnatus' and 'Crucifixus': The Earliest and Latest Settings of Bach's B-minor Mass. |
[ce]BaroqueComposers |
| | 2011 |
295-305 |
|
| 19. | Dadelsen, Georg von | Friedrich Smend's Edition of the B-minor Mass by J. S. Bach. |
[ce]BaroqueComposers |
| | 2011 |
307-327 |
|
| 20. | Kobayashi, Yoshitake | Universality in Bach's B Minor Mass: A Portrait of Bach in His Final Years. |
[ce]BaroqueComposers |
| | 2011 |
329-345 |
|
| 21. | Dürr, Alfred | Zur Parodiefrage in Bachs h-Moll-Messe: Eine Bestandsaufnahme. |
[ce]BaroqueComposers |
| | 2011 |
347-368 |
|
| 22. | Schulze, Hans-Joachim | The Parody Process in Bach's Music: An Old Problem Reconsidered. |
[ce]BaroqueComposers |
| | 2011 |
369-383 |
|
| 23. | Leaver, Robin A. | Parody and Theological Consistency: Notes on Bach's A-Major Mass. |
[ce]BaroqueComposers |
| | 2011 |
385-398 |
|
| 24. | Marshall, Robert L. | Bach the Progressive: Observations on His Later Works. |
[ce]BaroqueComposers |
| | 2011 |
399-443 |
|
| 25. | Neumann, Frederick | Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. |
[ce]BaroqueComposers |
| | 2011 |
445-458 |
|
| 26. | Marshall, Robert L. | Postscript [to 'Bach the Progressive'] |
[ce]BaroqueComposers |
| | 2011 |
459-463 |
|
| 27. | Tomita, Yo | Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration. |
[ce]BaroqueComposers |
| | 2011 |
465-491 |
|
| 28. | Dürr, Alfred | Performance practice of Bach's cantatas: Original performance material; original rehearsals; original performance forces; original performance style, conclusions for modern performance. |
[ce]BaroqueComposers |
| | 2011 |
495-502 |
|
| 29. | Rifkin, Joshua | Bach's Chorus: A preliminary report. |
[ce]BaroqueComposers |
| | 2011 |
503-509 |
|
| 30. | Rasch, Rudolf | Does 'Well-Tempered' mean 'Equal-Tempered'? |
[ce]BaroqueComposers |
| | 2011 |
511-528 |
|
| 31. | Neumann, Frederick | Some Performance Problems of Bach's Unaccompanied Violin and Cello Works. |
[ce]BaroqueComposers |
| | 2011 |
529-558 |
|
| 32. | Tomita, Yo | Introduction. |
[ce]BaroqueComposers |
| | 2011 |
xv-xxxvii |
|
| 33. | Tomita, Yo (ed.) | Bach. |
[ce]BaroqueComposers |
| | 2011 |
xxxvii, 574p |
|