Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Marshall, Robert L. | Prologue. The Century of Bach and Mozart as a Music-Historical Epoch: A Different Argument for the Proposition. |
[ce]Marshall |
| | 2019 |
1-8, 261 |
|
| 2. | Marshall, Robert L. | Bach, Johann Sebastian. |
[ce]Marshall |
| | 1989 |
3-20 |
|
| 3. | Marshall, Robert L. | Young Man Bach: Toward a Twenty-First-Century Bach Biography. |
[ce]Marshall |
| | 2019 |
9-29, 261-266 |
|
| 4. | Marshall, Robert L. | Bach the Progressive: Observations on His Later Works. |
[ce]Marshall |
| | 1989 |
23-58, 295-303 |
|
| 5. | Marshall, Robert L. | The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons. |
[ce]Marshall |
| | 2019 |
30-37, 266-268 |
|
| 6. | Marshall, Robert L. | Bach and Luther. |
[ce]Marshall |
| | 2019 |
38-55, 268-269 |
|
| 7. | Marshall, Robert L. | Redeeming the St. John Passion--and J. S. Bach. |
[ce]Marshall |
| | 2019 |
56-64, 269-270 |
|
| 8. | Marshall, Robert L. | Bach's Orchestre. |
[ce]Marshall |
| | 1989 |
59-63, 303 |
|
| 9. | Marshall, Robert L. | Bach's Keyboard Music. |
[ce]Marshall |
| | 2019 |
65-113, 270-276 |
|
| 10. | Marshall, Robert L. | On Bach's Universality. |
[ce]Marshall |
| | 1989 |
65-79, 303-304 |
|
| 11. | Marshall, Robert L. | 'Composing Scores' and 'Fair Copies'. |
[ce]Marshall |
| | 1989 |
83-110, 304-305 |
|
| 12. | Marshall, Robert L. | The Sketches. |
[ce]Marshall |
| | 1989 |
111-129, 305-308 |
|
| 13. | Marshall, Robert L. | The Minimalist and Traditionalist Approaches to Performing Bach's Choral Music: Some Further Thoughts |
[ce]Marshall |
| | 2019 |
114-120, 276-277 |
|
| 14. | Marshall, Robert L. | Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. |
[ce]Marshall |
| | 2019 |
121-129, 277-278 |
|
| 15. | Marshall, Robert L. | Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. |
[ce]Marshall |
| | 2019 |
130-147, 278-279 |
|
| 16. | Marshall, Robert L. | The Autograph Score of Herr, gehe nicht ins Gericht, BWV 105. |
[ce]Marshall |
| | 1989 |
131-142 |
|
| 17. | Marshall, Robert L. | The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken,' BWV 105/3. |
[ce]Marshall |
| | 1989 |
143-159, 308-312 |
|
| 18. | Marshall, Robert L. | Bach at the Boundaries of Music History: Preliminary Reflections on the B-Minor Mass and the Late-Style Paradigm. |
[ce]Marshall |
| | 2019 |
148-155, 279-280 |
|
| 19. | Marshall, Robert L. | Father and Sons: Confronting a Uniquely Daunting Paternal Legacy. |
[ce]Marshall |
| | 2019 |
156-173, 280-284 |
|
| 20. | Marshall, Robert L. | On the Origin of the Magnificat: A Lutheran Composer's Challenge. |
[ce]Marshall |
| | 1989 |
161-173, 312-313 |
|
| 21. | Marshall, Robert L. | Johann Christian Bach and Eros. |
[ce]Marshall |
| | 2019 |
174-185, 284-286 |
|
| 22. | Marshall, Robert L. | The Mass in B Minor: The Autograph Scores and the Compositional Process. |
[ce]Marshall |
| | 1989 |
175-189, 313-314 |
|
| 23. | Marshall, Robert L. | Bach and Mozart: Styles of Musical Genius. |
[ce]Marshall |
| | 2019 |
186-196, 286-289 |
|
| 24. | Marshall, Robert L. | The Autograph Fair Copies of the Fantasia per il Cembalo, BWV 906. |
[ce]Marshall |
| | 1989 |
193-200, 314-316 |
|
| 25. | Marshall, Robert L. | Mozart and Amadeus. |
[ce]Marshall |
| | 2019 |
197-211, 289-292 |
|
| 26. | Marshall, Robert L. | The Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology. |
[ce]Marshall |
| | 1989 |
201-225, 316-328 |
|
| 27. | Marshall, Robert L. | Bach and Mozart's Artistic Maturity. |
[ce]Marshall |
| | 2019 |
212-237, 292-294 |
|
| 28. | Marshall, Robert L. | 'Authentic' Performance: Musical Text, Performing Forces, Performance Style (A Review Essay). |
[ce]Marshall |
| | 1989 |
229-239, 328-331 |
|
| 29. | Marshall, Robert L. | Mozart's Unfinished: Some Lessons of the Fragments |
[ce]Marshall |
| | 2019 |
238-251, 294-296 |
|
| 30. | Marshall, Robert L. | 'Editore traditore': Suspicious Performance Indications in the Bach Sources. |
[ce]Marshall |
| | 1989 |
241-254, 331-333 |
|
| 31. | Marshall, Robert L. | Had Mozart Lived Longer: Some Cautious (and Incautious) Speculations. |
[ce]Marshall |
| | 2019 |
252-259, 296-298 |
|
| 32. | Marshall, Robert L. | Tempo and Dynamics: The Original Terminology. |
[ce]Marshall |
| | 1989 |
255-269, 333-337 |
|
| 33. | Marshall, Robert L. | Organ or 'Klavier'? Instrumental Prescriptions in the Sources of the Keyboard Works. |
[ce]Marshall |
| | 1989 |
271-293, 337-339 |
|
| 34. | Marshall, Robert L. | Bach and Mozart: Essays on the Enigma of Genius. |
[ce]Marshall |
| | 2019 |
xxi, 331p |
|
| 35. | Marshall, Robert L. | The Music of Johann Sebastian Bach. The Sources, The Style, The Significance. |
[ce]Marshall |
| | 1989 |
xxiii, 375p |
|