Bach Printed Music Database Search Result

Series : ^[p]ABS_Leipzig$
Max number of results shown : 300
Output sorted : serially (table)

Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Leaver, Robin A.	The C.P.E. Bach 1790 Verzeichniß: What do the Pictures Exhibit?	[p]ABS_Leipzig			May 2006
	2.	Elferen, Isabella van	'Und ging hinaus, und weinete bitterlich': Music crossing Social Borders in C.P.E. Bach's Passions.	[p]ABS_Leipzig			May 2006
	3.	Maul, Michael	Leipzig Church Music in the Shadow of Johann Sebastian Bach-Insights into the Cantatas of Johann Gottlieb Görner and Balthasar Schott.	[p]ABS_Leipzig			May 2006
	4.	Walker, Paul	Bach's Use of Fugue in the Stile Antico Vocal Writing of the B-Minor Mass.	[p]ABS_Leipzig			May 2006
	5.	Erickson, Raymond	Leipzig Theologians and the Early Enlightenment: A new avenue to the issue of Bach and the Jews.	[p]ABS_Leipzig			May 2006
	6.	Ellis, Mark	Ritornello and Variation Processes in the Music of J. S. Bach.	[p]ABS_Leipzig			May 2006
	7.	Wollny, Peter	Thoughts on Bach's Leipzig Cantatas.	[p]ABS_Leipzig			May 2006
	8.	Hartinger, Anselm	Bach and Zelenka: New light on the Musical Relationship between Two Contemporaries.	[p]ABS_Leipzig			May 2006
	9.	Paczkowski, Szymon	Bach and the Story of an 'Aria tempo di Polonaise' for Joachim Friedrich Flemming.	[p]ABS_Leipzig			May 2006
	10.	Kenote, Marie Herseth	Bach on the Border of Styles: A Fresh Look at the Controversies Surrounding the Autograph Manuscript of BWV 1032.	[p]ABS_Leipzig			May 2006
	11.	Talle, Andrew	Two Catholic Bach Enthusiasts from Eighteenth-Century Fulda: Johann Heinrich Fischer and Fructuosus Roeder.	[p]ABS_Leipzig			May 2006
	12.	Tomita, Yo	'Most ingenious, most learned, and yet practicable work': The English reception of Bach's Well-Tempered Clavier in the first half of the nineteenth century seen through the editions published in London.	[p]ABS_Leipzig			May 2006
	13.	Leisinger, Ulrich	Bachian Fugues in Mozart's Vienna.	[p]ABS_Leipzig			May 2006
	14.	Joyce, Elizabeth	Bach and the Figure of the 'Good Shepherd'.	[p]ABS_Leipzig			May 2006
	15.	Clement, Albert	The Vocal Parts of Bach's Matthew Passion used by Mendelssohn in Leipzig, 1829: Some Considerations on the History and Meaning of the Surviving Materials.	[p]ABS_Leipzig			May 2006