Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Peters, Mark A. | Speech and Silence in Bach's Cantatas to Texts by Marianna von Ziegler. |
[p]AMS_Allegheny |
| | Oct 2001 |
|
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| 2. | Crist, Stephen A. | Aria Forms in Bach's First Leipzig Jahrgang. |
[p]AMS_Allegheny |
| | Nov 1987 |
|
|
| 3. | Godt, Irving | C.P.E. Bach: His Mark |
[p]AMS_Allegheny |
| | Nov 1978 |
|
|
| 4. | English, Kathy | The Role of the Continuo Aria in Bach's Sacred Cantatas of the First and Second Jahrgänge. |
[p]AMS_Allegheny |
| | Apr 1994 |
|
|
| 5. | Cook, Grant W., III | Bach in Boston: The Emergence of the St. Matthew Passion from 1870 to 1879. |
[p]AMS_Allegheny |
| | Apr 1996 |
|
|
| 6. | Crotty, John E. | Bach's Two-Part Inventions: A Pedagogy of a Musical Dialectic. |
[p]AMS_Allegheny |
| | Apr 1996 |
|
|
| 7. | Godt, Irving | A Suite Little Bach Clue: A Date in BWV 1067. |
[p]AMS_Allegheny |
| | Nov 1987 |
|
|
| 8. | Wright, Barbara D. | Felix Mendelssohn's Search for Historical Authenticity: His Two Performances of Bach's St. Matthew Passion. |
[p]AMS_Allegheny |
| | Apr 1985 |
|
|
| 9. | Stauffer, George B. | The Matter of Tempo in Bach's Two- and Three-Part Inventions: Chacun ā son temps? |
[p]AMS_Allegheny |
| | Apr 1980 |
|
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| 10. | Chafe, Eric T. | Agricola's Score of Bach's St. Matthew Passion. |
[p]AMS_Allegheny |
| | Dec 1979 |
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