Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Tomita, Yo | Revisiting Altnickol's 1744 Copy of the Well-Tempered Clavier, Book II. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 2. | Stinson, Russell | Richard Wagner and the Well-Tempered Clavier: A Closer Look. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 3. | Tatlow, Ruth | Metaphor or Reality: Harmonic Proportions, Canons and Compositions in Heaven. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 4. | Maul, Michael | Bach's or Ernesti's Sons? -- New Sources on Bach's Prefects. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 5. | Alevizos, Konstantinos | Hidden Forms of Inversion (Mirror) inside the Contrapunctus 'in stylo francese' of The Art of Fugue of Johann Sebastian Bach (BWV 1080, 6). |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 6. | Baker, Michael | A Dorian Middleground Schema in Bach's Minor-Key Fugue Expositions. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 7. | Carter, Zachary | J. S. Bach's Violone and the Fundamental Texture: The Contrabass-Bowed Instrument in the Bach Cantata. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 8. | Shabalina, Tatiana [Shabalina, Tat'jana] | Bach's Parody Process: Observations from the Early Leipzig Manuscripts. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 9. | McCormick, Susan | The Multiple Bass Chorale Tradition: Purpose, Origin and Transmission. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 10. | Paczkowski, Szymon | J. Ph. Kirnberger and the Musical Patronage of Count Wac³aw Rzewuski in Podhorce. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 11. | Lindsberger, Herbert | Il segno -- a Discussion of Different Manuscripts and Editions of Gavotte 2 from Suite 6 BWV 1012 for Violoncello. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 12. | Papadopoulou, Vasiliki | Performance Practice Aspects of J.S. Bach's Sei Solo for Violin as Reflected in Instructive Editions. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 13. | Kreinin, Yulia | Choosing an Influence, or the Rorschach Test: Images of Bach as Reflected in 20th-Century Compositions. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 14. | Hall, Matthew | Contrapuntal Structure as Keyboard Technique in the Pedagogy of J. S. Bach. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 15. | Marissen, Michael | J. S. Bach's Church Cantatas and 'the Jews' in the Gospel of John. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 16. | Golomb, Uri | The Passion Animated, Ritualised and Monumentalised: Expressive Engagement and Emotional Distance in Productions of Bach's Matthäus-Passion. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 17. | Szabó, Zoltán | An Exceedingly Careless Scribe? -- J. P. Kellner's Copy of the Bach String Solo Works. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 18. | Haberl, Hildrun | Rediscovering Baroque: A Romantic Approach towards Johann Sebastian Bach's Chaconne by Felix Mendelssohn Bartholdy and Robert Schumann. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 19. | Koska, Bernd | Bach's Students at St. Thomas School as Church Musicians. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 20. | Bärwald, Manuel | From Bach to Galuppi -- Musical Transfer across the Alps and Its Influence on Leipzig Concert Life. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 21. | Medlam, Charles | Approaches to the Bach Violoncello Suites: The Purpose, Origins and Performance of the 'Suites a Violoncello Solo senza Basso composées pas Sr. J. S. Bach Maitre de Chapelle'. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 22. | O'Loghlin, Michael | Melodic, Harmonic and Structural Symbols in the Labyrinths of J. S. Bach and Marin Marais: Who Was the More Cerebral Composer? |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 23. | Fazekas, Gergely | J. S. Bach and the Two Cultures of Musical Form. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 24. | Bertoglio, Chiara | Instructive Editions of Bach's Well-Tempered Clavier in Italy. |
[p]BICB_Salzburg |
| | Jul 2014 |
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| 25. | Leisinger, Ulrich | From Keyboard Suite to Keyboard Sonata in the Mid-18th Century. |
[p]BICB_Salzburg |
| | Jul 2014 |
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