Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Leaver, Robin A. | Concio et Cantio: the Counterpoint of Theology and Music in Lutheran Perceptions from Praetorius to Bach. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 2. | Baron, Carol K. | Rethinking Music History and Biography in Early Modern Germany: Interactions and Discrepancies between German Political Historiography and German Music History. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 3. | Oleskiewicz, Mary | Rewriting the Recent Past: Icons, Anecdotes, and the Music of Eighteenth-Century Berlin. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 4. | Paczkowski, Szymon | A Polonaise duet, composed for a merchant, a professor and a king. On the Cantatas BWV 205, 205a, 216 and 216a by Johann Sebastian Bach. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 5. | Tatlow, Ruth | The Use and Abuse of Fibonacci Numbers and the Golden Section in Baroque Music. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 6. | Strohm, Reinhard | Metaphor and transcendence: the 'other meanings' of the B Minor Mass. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 7. | Leahy, Anne | Nun komm der Heiden Heiland: settings by the seventeenth-century predecessors of J.S. Bach. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 8. | Kyprianides, Christine | What's Wrong with this Picture? Confronting the Obvious in the Bach Cello Suites. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 9. | Kennaway, George | Nineteenth Century Editions of Bach's Suites for Solo Violoncello. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 10. | Lutterman, John | 'Cet art est la perfection du talent': Improvised Solo Performance, the Accompaniment of Recitative, and Chordal Thoroughbass Realization on the Viol and Cello |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 11. | Peters, Mark A. | Aria Forms and Scorings in J. S. Bach's Cantatas to Texts by Mariane von Ziegler. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 12. | Gibson, Jonathan | Hearing the Viola da Gamba in 'Komm, süsses Kreuz'. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 13. | Hill, Andrew | Provisional Conclusions from a Study of J.S. Bach's Lute Transcriptions of his 5th Suite for Unaccompanied Violoncello. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 14. | Ledbetter, David | A Question of Genre: J.S. Bach and the 'mixed style'. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 15. | Tomita, Yo | Reconstructing Bach's conjugal conversation. Re-assessing the contribution and the musicological value of the work of Anna Magdalena Bach. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 16. | Erhardt, Tassilo | King David and 'God-pleasing Church Music'. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 17. | Noh, Ohran | The Tactus in the Context of Twentieth and Twenty-First Centuries Interpretation of Johann Sebastian Bach's Aria mit verschiedene Veränderungen (Goldberg Variations), BWV 988: The Affektenlehre in Glenn Gould's Recording of 1981. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 18. | Swack, Jeanne | Anti-Judaism and the Lutheran Cantata: the Cantatas for Judica Sunday of Georg Philipp Telemann. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 19. | Terefenko, Dariusz | Keyboard Pedagogy in the Baroque Period-Improvising Partimento Fugues. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|