Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Varwig, Bettina | One more time: Bach and Seventeenth-Century Traditions of Rhetoric. |
[p]BNUK_Oxford |
| | Dec 2006 |
|
|
| 2. | Kuijken, Barthold | Bach's Chamber Music with Flute: a 'hands-on' approach to fact and fiction. |
[p]BNUK_Oxford |
| | Dec 2006 |
|
|
| 3. | Rose, Stephen | The musician-novels of the German Baroque: new perspectives on Bach's world. |
[p]BNUK_Oxford |
| | Dec 2006 |
|
|
| 4. | Tatlow, Ruth | Collections, bars and numbers: Analytical coincidence or Bach's design? |
[p]BNUK_Oxford |
| | Dec 2006 |
|
|
| 5. | Scheitler, Irmgard | Passion and Drama in German Literature. |
[p]BNUK_Oxford |
| | Jan 2009 |
|
|
| 6. | Gardiner, John Eliot | Bach and the Spirit of Music Drama. |
[p]BNUK_Oxford |
| | Jan 2009 |
|
|
| 7. | Shabalina, Tatiana [Shabalina, Tat'jana] | Recent Discoveries in St. Petersburg and their Meaning for Understanding Bach. |
[p]BNUK_Oxford |
| | Jan 2009 |
|
|
| 8. | Mincham, Julian | The 'hybrid' recitatives of JS Bach. |
[p]BNUK_Oxford |
| | Jan 2009 |
|
|
| 9. | Wollny, Peter | The 'Weimar Organ Tablature': Bach's Earliest Autographs. |
[p]BNUK_Oxford |
| | Jan 2008 |
|
|
| 10. | Jones, Richard D. P. | 'His superior ideas are the consequences of those inferior ones': Influence and Independence in Bach's Early Creative Development. |
[p]BNUK_Oxford |
| | Jan 2008 |
|
|
| 11. | Wolff, Christoph | Bach materials in the Berlin Sing-Akademie: a preliminary stock-taking. |
[p]BNUK_Oxford |
| | Jan 2008 |
|
|
| 12. | Clement, Albert | Performance and Reception of Bach's Matthew Passion in Berlin, 1829. |
[p]BNUK_Oxford |
| | Jan 2008 |
|
|
| 13. | Leaver, Robin A. | An Early English Imprint of the B minor 'Crucifixus'. |
[p]BNUK_Oxford |
| | Jan 2008 |
|
|
| 14. | HaCohen, Ruth | Nineteenth-Century Legacy Projected onto the Twenty First: A German-Israeli Dialogue on Bach's Passions. |
[p]BNUK_Oxford |
| | Jan 2008 |
|
|
| 15. | Maul, Michael | Could the Thomaskantor Bach have been Allowed to Compose an Opera? |
[p]BNUK_Oxford |
| | Jan 2009 |
|
|
| 16. | Steinitz, Margaret | 'Ways to Bach'. |
[p]BNUK_Oxford |
| | Jan 2009 |
|
|
| 17. | Wolff, Christoph | Under the Spell of Opera? - Bach's Oratorio Trilogy of 1734-35. |
[p]BNUK_Oxford |
| | Jan 2009 |
|
|
| 18. | HaCohen, Ruth | The Dramaturgy of Religious Emotions in Bach's Cantatas: Aristotelian Processes in Neo-Platonic Frames. |
[p]BNUK_Oxford |
| | Jan 2009 |
|
|
| 19. | Smaill, Peter | Theological inferences drawn from Bach's cantata texts. |
[p]BNUK_Oxford |
| | Jan 2009 |
|
|
| 20. | Tatlow, Ruth | Buttstett-Mattheson dispute and its implication for Bach Studies. |
[p]BNUK_Oxford |
| | Jan 2009 |
|
|
| 21. | Lloyd, Rebecca | Bach: Luther's Musical Prophet? |
[p]BNUK_Oxford |
| | Dec 2006 |
|
|
| 22. | Paczkowski, Szymon | The Sound-Coded Politics: on the Cantata Tönet, ihr Pauken BWV 214 by Johann Sebastian Bach. |
[p]BNUK_Oxford |
| | Jan 2009 |
|
|
| 23. | Schwalbach, Burkhard | Musical Drama in the Coffee Garden: Nature, Mythology and Morality in J.S. Bach's Secular Cantatas. |
[p]BNUK_Oxford |
| | Jan 2009 |
|
|
| 24. | Tomita, Yo | Anna Magdalena as Bach's Copyist. |
[p]BNUK_Oxford |
| | Jan 2008 |
|
|