Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Cohen, Dalia | Complexity and Flexibility Combined with a Directional Superstructure in the Instrumental Opening of 'Erbarme dich'. |
[p]SMA_Glasgow |
| | Apr 2009 |
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| 2. | Spitzer, Michael | Enough is Never Enough: Figurality in 'Es ist vollbracht'. |
[p]SMA_Glasgow |
| | Apr 2009 |
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| 3. | Varwig, Bettina | Time and Rhetoric in Bach's St Matthew Passion. |
[p]SMA_Glasgow |
| | Apr 2009 |
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| 4. | Melamed, Daniel R. | Scoring, text and genre in 'Nun ist der Herr zu Ruh gebracht' BWV 244/67. |
[p]SMA_Glasgow |
| | Apr 2009 |
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| 5. | Smith, Timothy A. | Fugues without Words: a hearing of four fugues from the Well-Tempered Clavier as passion music. |
[p]SMA_Glasgow |
| | Apr 2009 |
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| 6. | Dreyfus, Laurence | Bachian Poetics in the St John Passion. |
[p]SMA_Glasgow |
| | Apr 2009 |
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| 7. | Smaill, Peter | Sterben ist mein Gewinn: A consideration of the significance of word/number symbolism relating to the Chorale, 'Ich Hab' mein' Sach' Gott Heimgestellt' BWV 1113 and other early works of J S Bach, and their relation to the apocryphal 'Lukas-Passion' BWV 246/Anh. II.30. |
[p]SMA_Glasgow |
| | Apr 2009 |
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| 8. | Golomb, Uri | Hierarchies and continuities in televised productions of Bach's Passions. |
[p]SMA_Glasgow |
| | Apr 2009 |
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| 9. | Butt, John | Between rhetoric and dialectic - Bach's inventive stance in the Passions. |
[p]SMA_Glasgow |
| | Apr 2009 |
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