Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Leffelaar, Ruth | Two Sides to a Single Technique: Creativity Increases Understanding. |
Clavier |
11 | 3 | Mar 1972 |
16, 34-37 |
|
| 2. | Lovelace, Austin | Organ Lesson from the Orgelbüchlein. |
Clavier |
11 | 7 | Oct 1972 |
29 |
|
| 3. | Bryant, Celia Mae | Becoming A Well-Tempered Musician. |
Clavier |
11 | 8 | Nov 1972 |
29-30 |
|
| 4. | Wolff, Konrad | Signed by Bach. |
Clavier |
12 | 9 | Dec 1973 |
44 |
|
| 5. | Zabrack, H. | The 'Inventions' were meant to be teaching pieces. |
Clavier |
13 | 8 | Nov 1974 |
28-30 |
|
| 6. | Joseph, Charles | Performing Bach on the Piano. |
Clavier |
14 | 8 | Nov 1975 |
20, 36-39 |
|
| 7. | Dumm, Robert | Playing Bach on the Modern Piano. |
Clavier |
17 | 1 | Jan 1978 |
33-38 |
|
| 8. | Elder, Dean | Bach talk with Rosalyn Tureck. |
Clavier |
18 | 1 | Jan 1979 |
18-21 |
|
| 9. | Elder, Dean | Tureck on Bach. |
Clavier |
19 | 10 | Dec 1980 |
10-14 |
|
| 10. | Slyck, Nicholas van | Bach's Second Chance: Origin of the Second Volume of the Well-Tempered Clavier. |
Clavier |
19 | 10 | Dec 1980 |
17-21 |
|
| 11. | Brantigan, Thomas A. | Master Lesson on Bach Chorale Prelude. |
Clavier |
19 | 10 | Dec 1980 |
22-25 |
|
| 12. | Schaefer-Eder, Barbara | Master Class with Rosalyn Tureck. |
Clavier |
19 | 10 | Dec 1980 |
28-30 |
|
| 13. | Bigler, Carol; Valery, Lloyd-Watts | The Suzuki Approach to Teaching a Bach Minuet. |
Clavier |
19 | 10 | Dec 1980 |
34-35 |
|
| 14. | Selden, Margery Stomne | The case of the missing measures. |
Clavier |
21 | 3 | Mar 1982 |
53 |
|
| 15. | Kipnis, Igor | Ornaments in Bach's Toccata in G; Spurious or Authentic? |
Clavier |
23 | 8 | Aug 1984 |
20-25; 44 |
|
| 16. | Elder, Dean | Interpreting Bach: An interview with Walter Frey. |
Clavier |
24 | 3 | Mar 1985 |
4-11 |
|
| 17. | Robert, Walter | Bach the Music Master: Teaching a Tradition. |
Clavier |
24 | 3 | Mar 1985 |
12-17 |
|
| 18. | Beard, Katherine | Exploring the Two-Part Inventions. |
Clavier |
24 | 3 | Mar 1985 |
18-20 |
|
| 19. | Holland, Sam | Synthesizing Bach's Inventions. |
Clavier |
24 | 3 | Mar 1985 |
22-23 |
|
| 20. | Agay, Denes | Authentic Baroque Performance. |
Clavier |
24 | 4 | Apr 1985 |
18-20 |
|
| 21. | Moser, Sue | Beginners Meet Baroque: Counterpoint not Cacophony. |
Clavier |
24 | 4 | Apr 1985 |
22-23 |
|
| 22. | Goodman, Roger | Choosing Editions of Baroque Keyboard Music. |
Clavier |
24 | 5 | May-Jun 1985 |
20-25 |
|
| 23. | Schiff, Andras | Interpreting Bach's Preludes and fugues. |
Clavier |
26 | 3 | Mar 1987 |
15-18 |
|
| 24. | Schwager, Myron | C.P.E. Bach's Prussian Sonatas. |
Clavier |
26 | 9 | Nov 1987 |
14-16 |
|
| 25. | Slenczynska, Ruth | Bach's Three-Voiced Fugue in C Minor. |
Clavier |
27 | 1 | Jan 1988 |
26-29 |
|
| 26. | Polkow, Dennis | Anthony Newman. Comes of Age. |
Clavier |
27 | 2 | Feb 1988 |
8-13 |
|
| 27. | Newman, Anthony (ed.) | Prelude No.24 in B minor from The Well-Tempered Clavier Book I. |
Clavier |
27 | 2 | Feb 1988 |
14-16 |
|
| 28. | Benson, Joan | Bach and the Clavier. |
Clavier |
29 | 2 | Feb 1990 |
25-29 |
|
| 29. | Bardas, Stefan | For the left hand; suggestions on the performance of Bach's C Major Suite for Violoncello as a piano solo. |
Clavier |
3 | 2 | Mar-Apr 1964 |
23-26 |
|
| 30. | Schroder, Charles Frederick | Piano Lesson: Two Part Invention No.6 in E Major by Johann Sebastian Bach. |
Clavier |
3 | 4 | Sep 1964 |
27-30 |
|
| 31. | Bardas, Stefan (arr.) | Prelude. From the C Major Cello Suite / J. S. Bach. |
Clavier |
3 | 6 | Nov-Dec 1964 |
24-25 |
|
| 32. | Dumm, Robert | Bach's Scherzo in D minor. |
Clavier |
30 | 1 | Jan 1991 |
20-23 |
|
| 33. | Palmer, Willard A. | Trills in Bach. |
Clavier |
30 | 6 | Jul-Aug 1991 |
4 |
|
| 34. | Raessler, Daniel M. | A New Look at Old Pedaling. |
Clavier |
30 | 8 | Oct 1991 |
16-19, 48 |
|
| 35. | Schenkman, Walter | New Perspectives on Bach's Well-Tempered Clavier. Part 1. |
Clavier |
33 | 3 | Mar 1994 |
12-17 |
|
| 36. | Schenkman, Walter | New Perspectives on Bach's Well-Tempered Clavier, Part 2 |
Clavier |
33 | 5 | May-Jun 1994 |
17-20, 22-25 |
|
| 37. | Houle, Arthur | Adding Embellishments to Bach's Basic Notes. |
Clavier |
33 | 7 | Sep 1994 |
22, 26, 28, 30-32, 34, 36 |
|
| 38. | Chiu, Vivian | What Bach Borrowed From J.K.F. Fischer. |
Clavier |
33 | 8 | Oct 1994 |
28-30, 32 |
|
| 39. | Elder, Dean | Analyzing Bach's Well-Tempered Clavier. |
Clavier |
34 | 1 | Jan 1995 |
4, 6, 42 |
|
| 40. | Jenne, Natalie; Little, Meredith | Bach's Dance Music. |
Clavier |
34 | 9 | Nov 1995 |
21-26 |
|
| 41. | Dumm, Robert | Bach's Witty 'Echo' Fascinates Students. |
Clavier |
35 | 10 | Dec 1996 |
28-31 |
|
| 42. | Carruthers, Glen Blaine | Ornaments from Bach's Anna Magdalena Notebook. |
Clavier |
37 | 1 | Jan 1998 |
6-9 |
|
| 43. | Autry, Philip | 24 Steps to the Great 48. Introducing Students to Contrapuntal Playing. |
Clavier |
37 | 8 | Oct 1998 |
13-15, 17-18, 20 |
|
| 44. | | Jazz Minuet. The Bach Minuet in G arranged in a swing style by Tony Santorella. |
Clavier |
39 | 1 | Jan 2000 |
28-29 |
|
| 45. | Dumm, Robert | The Great Romantics Festival. |
Clavier |
39 | 10 | Dec 2000 |
30 |
|
| 46. | Dumm, Robert | Good to the Last Drop: Piano Footnotes to Bach's Scherzo. |
Clavier |
4 | 2 | Mar-Apr 1965 |
34-36, 56 |
|
| 47. | Bryant, Celia Mae | Can He Understand A Fugue? |
Clavier |
4 | 3 | May-Jun 1965 |
26-31 |
|
| 48. | Montparker, Carol | An Experiment Bach Would Enjoy With 32 Goldberg Recitalists. |
Clavier |
40 | 6 | Jul 2001 |
28 |
|
| 49. | Johnson, Isabella Eridita | For the Love of Bach. |
Clavier |
40 | 6 | Jul 2001 |
28-29 |
|
| 50. | Collins, Richard | Playing Behind the Beat with Rubato in Bach or jazz. |
Clavier |
40 | 8 | Oct 2001 |
22-24 |
|
| 51. | Hall, Corry | Of Bach and Courante Tempos. |
Clavier |
41 | 6 | Jul-Aug 2002 |
23-25 |
|
| 52. | Zaltsberg, Ernst | The Turbulent Life and Legacy of Harpsichordist Wanda Landowska. |
Clavier |
41 | 8 | Oct 2002 |
16-21 |
|
| 53. | Laurence, Anya | Lessons with Denise Restout - A Protégé of Wanda Landowska. |
Clavier |
41 | 8 | Oct 2002 |
22-23 |
|
| 54. | Hill, Matthew | Delightful, Easy Piano Pieces in Bach's Clavier-Büchlein. |
Clavier |
43 | 4 | Apr 2004 |
14-19 |
|
| 55. | Spencer, Ruth Albert | Music to Charm the Ear - Chopin's Preludes, Op. 28. |
Clavier |
43 | 9 | Nov 2004 |
18-21 |
|
| 56. | Schenkman, Walter | The Goldberg Mystery. |
Clavier |
44 | 1 | Jan 2005 |
12-14, 17-19 |
|
| 57. | Altschuler, Eric Lewin; Braus, Ira | Selecting Bach Tempos. |
Clavier |
47 | 4 | Apr 2008 |
24-28 |
|
| 58. | Dumm, Robert | The Play of Courtship: Piano Footnotes to Bach's Minuet in G. |
Clavier |
5 | 2 | Mar-Apr 1966 |
40-42 |
|
| 59. | Edler, Dean; Demus, Jörg | Jörg Demus: An Interview, in which the noted concert pianost discusses the Well-tempered Clavier with Dean Elder. |
Clavier |
6 | 1 | Jan 1967 |
20-27 |
|
| 60. | Bryant, Celia Mae | Eighteenth century showcase. |
Clavier |
6 | 8 | Nov 1967 |
51-54 |
|
| 61. | Rosenblum, Sandra | Baroque style and a new edition of Bach pieces. |
Clavier |
7 | 1 | Jan 1968 |
33-34 |
|
| 62. | DeYoung, Lynden | Fugue: The Treatment of Thematic Materials. |
Clavier |
7 | 7 | Oct 1968 |
37-40 |
|
| 63. | Lambert, Arthur | A dance suite - the Bach Partita in B Flat. |
Clavier |
8 | 1 | Jan 1969 |
13-22 |
|
| 64. | Wagner, Edyth | Analyzing a Bach Prelude. |
Clavier |
8 | 7 | Oct 1969 |
35-38 |
|
| 65. | Birkby, Arthur | The Legato Line: An Organ Lesson. |
Clavier |
9 | 2 | Feb 1970 |
21-24 |
|