Bach Printed Music Database Search Result

Series : ^CurMcol$
Max number of results shown : 300
Output sorted : serially (table)

Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Hudson, Frederick	Bach's wedding music.	CurMcol		7	1968	111-120
	2.	Moe, Orin	Art of the Fugue.	CurMcol		7	1968	23-25
	3.	Wiora, Walter	Zur Stellung Bachs im Weltbild der Goethezeit. - Bach's Place in the World-view of the Goethe Era.	CurMcol		9	1969	174-182
	4.	May, Ernest	Bach Research.	CurMcol		10	1970	21-25
	5.	Wright, Craig	Rare music manuscripts at Harvard.	CurMcol		10	1970	25-33
	6.	Cantrell, Byron	Three B's--three chaconnes.	CurMcol		12	1971	63-74
	7.	Lester, Joel	Problems in the Neue Bach Ausgabe of the E major Partita for Violin Alone.	CurMcol		13	1972	64-67
	8.	Newman, Anthony	The 20th-Century Performer as Interpreter of the Baroque Tradition.	CurMcol		14	1972	145-154
	9.	Stauffer, George B.	Bach's 'Art of fugue': An Examination of the Sources. Introduction. [Seminar Report.]	CurMcol		19	1975	47-50
	10.	Dedel, Peter	Dissemination and Dispute.	CurMcol		19	1975	50-54
	11.	Seaton, Douglass	The Autograph: An Early Version of the 'Art of Fugue'.	CurMcol		19	1975	54-59
	12.	Bagnall, Anne; et al.	The Simple Fugues.	CurMcol		19	1975	59-61
	13.	Koprowski, Richard	Bach 'Fingerprints' in the Engraving of the Original Edition.	CurMcol		19	1975	61-67
	14.	Baker, Thomas	Bach's Revisions in the Augmentation Canon.	CurMcol		19	1975	67-71
	15.	Wolff, Christoph	The Last Fugue: Unfinished?	CurMcol		19	1975	71-77
	16.	Lester, Joel	The Fux-Mattheson Correspondence: An Annotated Translation.	CurMcol		24	1977	37-62
	17.	Chafe, Eric T.	Key structure and tonal allegory in the Passions of J. S. Bach: an introduction.	CurMcol		31	1981	39-54
	18.	Schulenberg, David	Composition as Variation: Inquiries Into The Compositional Procedures of the Bach Circle of Composers.	CurMcol		33	1982	57-88
	19.	Seaman, Gerald	An Eighteenth-Century Russian Pocket-Book.	CurMcol		34	1982	53-63
	20.	Cammarota, Robert M.	The Sources of the Christmas Interpolations in J. S. Bach's Magnificat in E-flat Major (BWV 243a).	CurMcol		36	1983	79-99
	21.	Lester, Joel	Reading and Misreading: Schumann's Accompaniments to Bach's Sonatas and Partitas for Solo Violin.	CurMcol		56	1994	24-53
	22.	Schachter, Carl	The Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie.	CurMcol		56	1994	54-71
	23.	Waltham-Smith, Naomi	Disruptive Spatiality and the Experience of Recordings of Bach's Solo Cello Suites.	CurMcol		82	Fall 2006	33-60
	24.	Lloyd, Rebecca	Bach: Luther's Musical Prophet?	CurMcol		83	Spring 2007	5-32
	25.	Greitzer, Mary Lee	Becoming Bach, blaspheming Bach: Kinesthetic Knowledge and Embodied Music Theory in Ysaÿe's 'Obsession' for Solo Violin.	CurMcol		86	Fall 2008	63-78
	26.	Steingo, Gavin	The musical work reconsidered: In hindsight.	CurMcol		97	Spring 2014	81-112