Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Fiseisky, Alexander | Clavierübung III of J.S. Bach: Theology in notes and numbers. Part 1. |
Diapason |
101 | 10:1211 | Oct 2010 |
22-25 |
|
| 2. | Fiseisky, Alexander | Clavierübung III of J.S. Bach: Theology in notes and numbers. Part 2. |
Diapason |
101 | 11:1212 | Nov 2010 |
26-29 |
|
| 3. | Fiseisky, Alexander | Clavierübung III of J.S. Bach: Theology in notes and numbers. Part 3. |
Diapason |
101 | 12:1213 | Dec 2010 |
27-29 |
|
| 4. | McLaughlin, Renate | J.S. Bach's English and French suites with an emphasis on the courante. |
Diapason |
102 | 5:1218 | May 2011 |
24-25 |
|
| 5. | Butler, H. Joseph | Emulation and inspiration: J.S. Bach's transcriptions from Vivaldi's L'estro armonico. |
Diapason |
102 | 8:1221 | Aug 2011 |
19-21 |
|
| 6. | Serebrennikov, Maxim | On an unknown prelude and fugue by Gottfried Kirchhoff: Recovering some lost pages of his output. |
Diapason |
102 | 9:1222 | Sep 2011 |
20-23 |
|
| 7. | Serebrennikov, Maxim | Fugal Improvisation in the Baroque Era—Revisited: On material from German sources. |
Diapason |
104 | 9:1246 | Sep 2013 |
24-29 |
|
| 8. | Wagner, David | Bach and the art of improvisation: A conversation with Pamela Ruiter-Feenstra. |
Diapason |
106 | 6:1267 | Jun 2015 |
20-23 |
|
| 9. | Palmer, Larry | Striking gold: Some thoughts on performing Bach's Goldberg variations. |
Diapason |
107 | 9: 1292 | Sep 2016 |
11 |
|
| 10. | Fruhauf, Ennis | Bach's chromatic fantasia and fugue in D minor, BVW 903: A work in progress. |
Diapason |
108 | 6: 1291 | Jun 2017 |
23 |
|
| 11. | Radulescu, Michael | J. S. Bach's organ music and Lutheran theology: The Clavier-übung third part. |
Diapason |
110 | 7:1316 | Jul 2019 |
16-21 |
|
| 12. | Grantier, Brooks E. | Building Bach: His foundations and futures--University of Michigan 59th annual organ conference, September 29-October 1, 2019. |
Diapason |
111 | 2:1323 | Feb 2020 |
17-19 |
|
| 13. | MacKnight, Colin | Proportional relationships in Bach’s Die Kunst der Fuge and the intended duration of Contrapunctus XIV. |
Diapason |
113 | 5:1350 | May 2022 |
12-18 |
|
| 14. | Richards, E. | Bach's Organ music offers revelation in new recordings. |
Diapason |
41 | | 1950 |
20 |
|
| 15. | Bruening, Herbert D. | Playing all of Bach's works. |
Diapason |
41 | | 1950 |
22 |
|
| 16. | | Lost Bach portrait found. Reproductions are made. |
Diapason |
41 | 10:490 | Sep 1950 |
20 |
|
| 17. | | Schweitzer's View on correct tempos for works of Bach. |
Diapason |
41 | 12:492 | Nov 1950 |
22 |
|
| 18. | Mies, Russel H. | Baroque tradition and its application to playing of Bach. |
Diapason |
45 | 4:532 | Mar 1954 |
16 |
|
| 19. | Bruening, Herbert D. | Critic Recalls Bach Series 25 Years Ago by Lynnwood Farnam. |
Diapason |
46 | 1:541 | Dec 1954 |
|
|
| 20. | | Altmann recreates Bach Thomaskirche audition. |
Diapason |
49 | 8:584 | Jul 1958 |
1 |
|
| 21. | Bruening, Herbert D. | Organ catechism, organ mass, or is it both? |
Diapason |
50 | 7:595, 8:596 | Jun, Jul 1959 |
8; 31 |
|
| 22. | | Carmel Bach Festival opens its 24th season. |
Diapason |
52 | 7:619 | Jun 1961 |
5 |
|
| 23. | | Montreal Bach Choir reports historic Japanese tour. |
Diapason |
52 | 11:623 | Oct 1961 |
15 |
|
| 24. | Borowsky, A. | Ornamentations in the music of Bach. |
Diapason |
53 | 5:629 | Apr 1962 |
8f |
|
| 25. | | Marietta Bach Society [Ohio] holds 40th meeting. |
Diapason |
53 | 11:635 | Oct 1962 |
23 |
|
| 26. | Biggs, E. P. | The case for the pedal harpsichord, or, a new look at the Bach Trio Sonatas. |
Diapason |
58 | | 1967 |
12 |
|
| 27. | Pisk, Paul A. | Bach in our time - a tribute in the month of his birth. |
Diapason |
59 | 4:688 | Mar 1968 |
24 |
|
| 28. | Shay, Edmund | The expressive use of manual changes and Bach's Six Great Preludes and Fugues. |
Diapason |
59 | 4:700 | Mar 1968 |
26-28 |
|
| 29. | Shay, Edmund | The expressive use of manual changes and Bach's Six Great Preludes and Fugues. |
Diapason |
59 | 6:702 | May 1968 |
24-25 |
|
| 30. | Babitz, Sol | On using early keyboard fingering. |
Diapason |
60 | 3:711 | Feb 1969 |
15-28 |
|
| 31. | Babitz, Sol | On using early keyboard fingering. |
Diapason |
60 | 4:712 | Mar 1969 |
21-26 |
|
| 32. | Babitz, Sol | On using early keyboard fingering. |
Diapason |
60 | 5:713 | Apr 1969 |
21-24 |
|
| 33. | Huray, Peter Le | On using early keyboard fingerings -- a sequel. |
Diapason |
60 | 7:715, 8:716, 9:717 | Jun, Jul, Aug 1969 |
10-11; 14-15; 10-11 |
|
| 34. | Brenner, Rosamond Drooker | An historical approach toward the interpretation of Johann Sebastian Bach's organ works. |
Diapason |
60 | 8:716 | Jul 1969 |
23-25 |
|
| 35. | Richards, Ruthann | The 'Orgelbüchlein': its history and cantus firmus treatment. |
Diapason |
60 | 11:719 | Oct 1969 |
24-25 |
|
| 36. | Hudson, Richard Albert | The passacaglia and ciaccona in Italian keyboard music of the 17th century. [1] |
Diapason |
60 | 12:720 | Nov 1969 |
22-24 |
|
| 37. | Hudson, Richard Albert | The passacaglia and ciaccona in Italian keyboard music of the 17th century. [2] |
Diapason |
61 | 1:721 | Dec 1969 |
6-7 |
|
| 38. | Bergenfeld, Nathan | The inverted mordent in Baroque keyboard music. |
Diapason |
61 | 4:724 | Mar 1970 |
20-21 |
|
| 39. | Marigold, W. Gordon | The Organs at the Marienkirche at Luebeck. |
Diapason |
61 | 1:721 | Dec 1969 |
25 |
|
| 40. | Harmon, Thomas | Performance and the Affektenlehre in Bach's Orgelbuechlein. Registration, Tempo, Phrasing and Articulation, Ornamentation, and Expressive Nuance. Part I: Chorale Preludes for Advent and Christmas. |
Diapason |
64 | 1:757 | Dec 1972 |
4-5; 14 |
|
| 41. | Harmon, Thomas | Performance and the Affektenlehre in Bach's Orgelbuechlein. Registration, Tempo, Phrasing and Articulation, Ornamentation, and Expressive Nuance. Part II: Passion and Easter Chorale Preludes. |
Diapason |
64 | 5:761 | Apr 1973 |
4-5 |
|
| 42. | Klinda, Ferdinand | A Possible Source for Bach's Organ Fugue in B minor, BWV 544. |
Diapason |
67 | | 1976 |
13 |
|
| 43. | O'Donnell, John | 'In Dulci Jubilo' from the Orgel-Buechlein Resolved! |
Diapason |
67 | 1:793 | Dec 1975 |
4-6 |
|
| 44. | Peterson, John David | Symbolism in J. S. Bach's Prelude and Fugue in E-flat and its Effect on Performance. |
Diapason |
67 | 3:795 | Feb 1976 |
1, 6-8, 16 |
|
| 45. | O'Donnell, John | And yet They are not Three Fugues: but One Fugue. Another look at Bach's Fugue in E-flat. [BWV 552/2] |
Diapason |
68 | 1:805 | Dec 1976 |
10-12 |
|
| 46. | Fuller, David R. | Harpsichord registration. |
Diapason |
69 | 8:824 | Jul 1978 |
1, 6-7 |
|
| 47. | Jander, Owen | The 'Wedge' Fugue: Bach's Concerto for the Display of the Four-Manual Organ. |
Diapason |
70 | 12:840 | Nov 1979 |
10-12 |
|
| 48. | Williams, Peter F. | Need Organists Pay Attention to Theorists of Rhetoric? |
Diapason |
73 | 4:869 | Apr 1982 |
3-4 |
|
| 49. | Troeger, Richard | Flexibility in Well-tempered Tuning. |
Diapason |
73 | 6:871 | Jun 1982 |
6-7 |
|
| 50. | Troeger, Richard | Speculations on Bach's clavichord technique. |
Diapason |
73 | 12:877 | Dec 1982 |
12-14 |
|
| 51. | Graveline, Michelle | [The cadenza question: a discussion.] |
Diapason |
73 | 12:877 | Dec 1982 |
4-6 |
|
| 52. | Norman, Terry | Bach and the Cross. |
Diapason |
74 | 3:880 | Mar 1983 |
4 |
|
| 53. | Welch, James B. | J. S. Bach's concerto in D minor, BWV 596, after Vivaldi: its origin, questioned authorship, and transcription. |
Diapason |
74 | 5:882 | May 1983 |
6-7 |
|
| 54. | Kazarow, Patricia | Aus tiefer Not: Martin Luther's Psalmhymn. |
Diapason |
74 | 11:888 | Nov 1983 |
8-12 |
|
| 55. | Evans, Margaret R. | Symposium: The Organ Chorales of Bach (Arizona University). |
Diapason |
76 | 3:904 | Mar 1985 |
8 |
|
| 56. | Boehnke, Paul B. | The Advent & Christmas Chorales of the 'Orgelbüchlein': Their Histories and Settings. |
Diapason |
76 | 5:906 | May 1985 |
9-12 |
|
| 57. | Bates, William | An Index to the Organ Works of J. S. Bach. |
Diapason |
76 | 6:907 | Jun 1985 |
9-13 |
|
| 58. | Adams, Gwen E. | Bach's Canonic Variations on Vom Himmel hoch: Text and Context--Part 1. |
Diapason |
76 | 7:908 | Jul 1985 |
9-11 |
|
| 59. | Roese, Janis M. | Considerations of chorale text in Bach's 'Clavierübung III'. |
Diapason |
77 | 6:919 | Jun 1986 |
16-19 |
|
| 60. | Marigold, W. Gordon | Organ and church music activity in Munich during the European Year of Music. |
Diapason |
77 | 8:921 | Aug 1986 |
13-16 |
|
| 61. | Derr, Ellwood | Bach's sonata in G, BWV 530/i, and its Vivaldi Data-Base. |
Diapason |
78 | 9:934 | Sep 1987 |
14-16 |
|
| 62. | Derr, Ellwood | Bach's Six Organ Sonatas and their Corelli Data-Base. |
Diapason |
79 | 1:938, 2:939 | Jan, Feb 1988 |
12-14; 12-13 |
|
| 63. | Soderlund, Sandra | Performing the Keyboard Fantasies of C.P.E. Bach. |
Diapason |
79 | 4:941, 5:942 | Apr, May 1988 |
12-14; 10-11 |
|
| 64. | Albrecht, Christoph | Current Problems in the Interpretation of Bach's Organ Works. |
Diapason |
81 | 1:962 | Jan 1990 |
14-15 |
|
| 65. | Morana, Frank | The 'Dobenecker' Toccata BWV-Anh. 85: An Early Bach Work? |
Diapason |
82 | 5:978 | May 1991 |
14-16 |
|
| 66. | Swallow, Carolyn | Bach Week 1991 [Columbia, SC, in June 17-21]. |
Diapason |
82 | 10:983 | Oct 1991 |
11 |
|
| 67. | Taylor, Barbara Saunders | Bach Week 1992 [June 15-19 in Columbia, SC.]. |
Diapason |
83 | 11:996 | Nov 1992 |
7-8 |
|
| 68. | Klemm, Martha | Bach Week 1993. |
Diapason |
84 | 10:1007 | Oct 1993 |
10 |
|
| 69. | Morana, Frank | Motivic Symbolism in J.S. Bach's Partita 1. |
Diapason |
84 | 11:1008 | Nov 1993 |
16-17 |
|
| 70. | Leach, Brenda Lynne | Bach's Organ Transcriptions: Influence of Italian Masters, part 1 |
Diapason |
85 | 5:1014 | May 1994 |
10-11 |
|
| 71. | Leach, Brenda Lynne | Bach's Organ Transcriptions: Cantatas and Schubler Chorales, part 2 |
Diapason |
85 | 6:1015 | Jun 1994 |
10-11 |
|
| 72. | Horowitz, Jerome | Bach's Canonic Variations on Vom Himmel hoch as an extension of the Goldberg Variations. |
Diapason |
85 | 10:1019 | Oct 1994 |
11 |
|
| 73. | Christiansen, Clay | Toward more innovative, creative and less Rigid Registration of J.S. Bach's Organ Works. |
Diapason |
86 | 3:1024 | Mar 1995 |
12-15 |
|
| 74. | Arias, Enrique Alberto | Bach's The Art of Fugue Revisited: Hans Heinrich Eggebrecht, J. S. Bach's The Art of Fugue--The Work and its Interpretation. |
Diapason |
86 | 4:1025 | Apr 1995 |
11-12 |
|
| 75. | Jefferies, Denise Elmore | Bach Week '95. |
Diapason |
86 | 10:1031 | Oct 1995 |
6 |
|
| 76. | Overduin, Jan | Bach and Die Kunst der Fuge. |
Diapason |
89 | 5:1062 | May 1998 |
15-17 |
|
| 77. | Jones, Perry | The revival of Bach's choral music. |
Diapason |
89 | 11:1068 | Nov 1998 |
16-17 |
|
| 78. | Kellner, Herbert Anton | How BACH encoded his name into Die Kunst der Fuge together with his tuning. |
Diapason |
90 | 5:1074 | May 1999 |
14-15 |
|
| 79. | Shay, Edmund | The Schübler Chorales & The Numbers Game. |
Diapason |
90 | 9:1078 | Sep 1999 |
16-17 |
|
| 80. | Kellner, Herbert Anton | Johann Sebastian Bach and Die Kunst der Fuga. |
Diapason |
91 | 3:1084 | Mar 2000 |
13 |
|
| 81. | Kellner, Herbert Anton | Die Kunst der Fuga. J. S. Bach's Prefatory Message and Implications. |
Diapason |
91 | 5:1086 | May 2000 |
15-17 |
|
| 82. | Faulkner, Quentin | Deceptive Pivot Points in J.S. Bach's Orgelbüchlein: similar passages that lead in different directions. |
Diapason |
91 | 12:1081 | Dec 2000 |
16-17 |
|
| 83. | Baggia, Aldo J. | In the footsteps of the young Johann Sebastian Bach. |
Diapason |
92 | 7:1100 | Jul 2001 |
14-17 |
|
| 84. | Smith, Domecq | The Passion and the Pièce d'orgue. |
Diapason |
92 | 11:1104 | Nov 2001 |
20-21 |
|
| 85. | Crowell, Gregory | Registration and sonority in J.S. Bach's continuo practice. |
Diapason |
93 | 2:1107 | Feb 2002 |
19-21 |
|
| 86. | Huestis, Herbert L. | How to explore nearly equal temperament with your piano tuner. |
Diapason |
94 | 7:1124 | Jul 2003 |
17 |
|
| 87. | Huestis, Herbert L. | The Merits of Nearly Equal Temperament. [2] |
Diapason |
94 | 8:1125 | Aug 2003 |
16-17 |
|
| 88. | Dodd, Mary Ann | On the Road in Bach Country with Michael Barone. Pipedreams Organ Tour, April 21-May 3, 2002, Part 1. |
Diapason |
94 | 9:1126 | Sep 2003 |
22-25 |
|
| 89. | Dodd, Mary Ann | On the Road in Bach Country with Michael Barone. Pipedreams Organ Tour, April 21-May 3, 2002, Part 2. |
Diapason |
94 | 10:1127 | Oct 2003 |
21-25 |
|
| 90. | Dodd, Mary Ann | On the Road in Bach Country with Michael Barone. Pipedreams Organ Tour, April 21-May 3, 2002, Part 3. |
Diapason |
94 | 11:1128 | Nov 2003 |
18-22 |
|
| 91. | Maté, Francine | The University of Michigan Historic Tour 49: 'In the Steps of Bach and Luther'. |
Diapason |
94 | 12:1129 | Dec 2003 |
24-25 |
|
| 92. | Arias, Enrique Alberto | Wilhelm Middelschulte's Kontrapunktische Symphonie and the Chicago Gothic tradition. |
Diapason |
94 | 6:1123 | Jun 2003 |
|
|
| 93. | Huestis, Herbert L. | Well-Tuner's Fest. |
Diapason |
95 | 1:1130 | Jan 2004 |
20 |
|
| 94. | Kuznik, Joel H. | 2004 Leipzig Bach Festival. |
Diapason |
95 | 8:1137 | Aug 2004 |
16 |
|
| 95. | Böhme, Ullrich | A New Silbermann for Leipzig? 'Out of Love for This Famous Place - Proposal for a New Organ for St. Paul's Church'. |
Diapason |
95 | 10:1139 | Oct 2004 |
24-25 |
|
| 96. | Parks, Carl | The University of Michigan Historic Organ Tour 50. |
Diapason |
95 | 11:1140 | Nov 2004 |
21-23 |
|
| 97. | Lehman, Bradley | Bach temperament. |
Diapason |
96 | 5:1146 | May 2005 |
23-24 |
|
| 98. | Kuznik, Joel H. | For Bach--A very special organ: St. Catherine's Church, Hamburg. |
Diapason |
96 | 6:1147 | Jun 2005 |
18 |
|
| 99. | Palmer, Larry | Johann Sebastian Bach: Past, Present, Future: SEHKS and MHKS Meet in DeLand, Florida, March 3-5, 2005. |
Diapason |
96 | 6:1147 | Jun 2005 |
19 |
|
| 100. | Huestis, Herbert L. | Reflections on the Philosophical, Metaphysical and Practical Aspects of Dual Temperament in the Pasi Organ at St. Cecilia's Cathedral, Omaha, Nebraska. |
Diapason |
96 | 7:1148 | Jul 2005 |
16-17 |
|
| 101. | Kooiman, Ewald | Sense and nonsense about silent finger substitution and pedal technique in the nineteenth century. |
Diapason |
96 | 10:1051 | Oct 2005 |
26-29 |
|
| 102. | Kuznik, Joel H. | Music & Worship at Bach's Church Today Conversations with the Cantor, Organist and Pastor of St. Thomas, Leipzig: Cantor Georg Christoph Biller - Organist Ullrich Bohme - Pastor Christian Wolff. |
Diapason |
96 | 12:1153 | Dec 2005 |
24-26 |
|
| 103. | Knijff, Jan-Piet | Bruhns's 'little' E-minor: A guide towards performance. |
Diapason |
97 | 1:1154 | Jan 2006 |
22-24 |
|
| 104. | Fournier, Carolyn Shuster | The First Europa Bach Festival in Paris. |
Diapason |
97 | 2:1155 | Feb 2006 |
19 |
|
| 105. | Kuznik, Joel H. | Dresden's Frauenkirche: Once a Silbermann, now a Kern. |
Diapason |
97 | 2:1155 | Feb 2006 |
20-21 |
|
| 106. | Knijff, Jan-Piet | Johann Ludwig Krebs, Prelude in F Major: A guide towards performance. |
Diapason |
97 | 8:1161 | Aug 2006 |
28-29 |
|
| 107. | Shay, Edmund | The Parody Conundrum. |
Diapason |
98 | 6:1171 | Jun 2007 |
22-23 |
|
| 108. | Kuznik, Joel H. | BWV 1128: A recently discovered Bach organ work. |
Diapason |
99 | 12:1189 | Dec 2008 |
22-23 |
|