Bach Printed Music Database
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Series : ^EastmanStudM$
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Melamed, Daniel R.Text, voice, and genre in 'Nun ist der Herr zur Ruh gebracht' BWV 244/67. EastmanStudM 102 2013 111-135
2. Cypess, Rebecca; Glixon, Beth; Link, Nathan (eds.)Word, image, and song, Vol. 2: Essays on musical voices. EastmanStudM 102 2013 288p
3. Schulenberg, DavidThe Music of Carl Philipp Emanuel Bach. EastmanStudM 114 2014 xv, 416p
4. Todd, R. LarryMendelssohn and the contrapuntal tradition. EastmanStudM 118 2014 15-39
5. Mercer-Taylor, PeterMendelssohn and the legacy of Beethoven's ninth: Vocality in the 'Reformation' symphony. EastmanStudM 118 2014 61-88
6. Little, William A.Mendelssohn and the Organ. EastmanStudM 118 2014 91-110
7. Stinson, RussellSome observations on Mendelssohn's Bach recital. EastmanStudM 118 2014 111-121
8. Thistlethwaite, Nicholas J.'He ought to have a statue': Mendelssohn, Gauntlett, and the English organ reform. EastmanStudM 118 2014 122-140
9. Davidsson, HansMendelssohn's sonatas, op. 65, and the Craighead-Saunders organ at the Eastman School of Music: Aspects of performance practice and context. EastmanStudM 118 2014 141-210
10. Wolff, ChristophThe Bach tradition among the Mendelssohn ancestry. EastmanStudM 118 2014 213-223
11. Thym, Jürgen (ed.)Mendelssohn, the organ, and the music of the past: Constructing historical legacies. EastmanStudM 118 2014 x,339p
12. Willner, ChannanErnst Oster's vision of hidden repetitions and motivic enlargements in J.S. Bach's short keyboard works. EastmanStudM 122 2015 157-170
13. Beach, David W.; Goldenberg, Yosef (eds.)Bach to Brahms: Essays on musical design and structure. EastmanStudM 122 2015 326p
14. Walker, Paul MarkTheories of Fugue from the Age of Josquin to the Age of Bach. EastmanStudM 13 2000 485p
15. Wollny, Peter (ed.)Bach and the violin. EastmanStudM 135 2016 95-122
16. Riggs, Robert (ed.)The violin. EastmanStudM 135 2016 xviii, 306p
17. Burkhart, CharlesA letter about the C-major fugue from The well-tempered clavier, Book I. EastmanStudM 136 2016 3-11
18. Anson-Cartwright, MarkThe opening tonal complex of Bach's St. Matthew passion: A linear view. EastmanStudM 136 2016 12-25
19. Samarotto, FrankRecurrence and fantasy in C.P.E. Bach's rondo in G major. EastmanStudM 136 2016 26-41
20. Beach, David W.; Mak, Su-yin (eds.)Explorations in Schenkerian analysis. EastmanStudM 136 2016 xii, 359p
21. Kirkpatrick, RalphOn editing Bach's Goldberg variations: For Arthur Mendel (March 31, 1973) EastmanStudM 140 2017 99-101
22. Kirkpatrick, RalphBach and Mozart for violin and harpsichord (ca. 1944) EastmanStudM 140 2017 110-142
23. Kirkpatrick, RalphBach and keyboard instruments. EastmanStudM 140 2017 121-129
24. Kirkpatrick, Meredith (ed.)Reflections of an American harpsichordist: Unpublished memoirs, essays, and lectures of Ralph Kirkpatrick. EastmanStudM 140 2016 x, 199p
25. Goozé, Marjanne E.What was the Berlin Jewish salon around 1800? EastmanStudM 145 2018 21-38
26. Helfer, Martha B.Lessing and the limits of enlightenment. EastmanStudM 145 2018 99-121
27. Sacks, EliasPoetry, music, and the limits of harmony: Mendelssohn's aesthetic critique of christianity. EastmanStudM 145 2018 122-146
28. Sela-Teichler, YaelLonging for the sublime: Jewish self-consciousness and the 'St. Matthew Passion' in Biedermeier Berlin. EastmanStudM 145 2018 147-177
29. Cypess, RebeccaDuets in the collection of Sara Levy and the ideal of 'unity in multiplicity'. EastmanStudM 145 2018 181-204
30. Cypess, Rebecca; Sinkoff, Nancy (eds.)Sara Levy's world: gender, Judaism, and the Bach tradition in Enlightenment Berlin. EastmanStudM 145 2018 x, 292p
31. Near, John RichardWidor on organ performance practice and technique. EastmanStudM 156 2019 xvi, 151p
32. Dokter, JuliaTempo and Tactus in the German Baroque: Treatises, Scores, and the Performance of Organ Music. EastmanStudM 178 2021 544p
33. Anderson, ChristopherKarl Straube (1873-1950): Germany's master organist in turbulent times. EastmanStudM 182 2022 x, 558p
34. Speerstra, JoelBach and the pedal clavichord: an organist's guide. EastmanStudM 26 2004 280p
35. Marvin, Roberta MontemorraScholarly Inquiry in Historical Musicology: Sources, Methods, Interpretations. EastmanStudM 28 2004 1-7
36. Stinson, RussellNew Perspectives on Bach's Great Eighteen Chorales. EastmanStudM 28 2004 40-56
37. Crist, Stephen A.Historical Theology and Hymnology as Tools for Interpreting Bach's Church Cantatas: The Case of Ich elender Mensch, wer wird mich erlösen, BWV 48. EastmanStudM 28 2004 57-84
38. Marissen, MichaelPerformance Practice Issues That Affect Meaning in Two Bach Instrumental Works. EastmanStudM 28 2004 85-94
39. Kramer, Richard A.Carl Philipp Emanuel Bach and the Aesthetics of Patricide. EastmanStudM 28 2004 121-142
40. Crist, Stephen A.; Marvin, Roberta Montemorra (eds.)Historical Musicology: Sources, Methods, Interpretations. Festschrift for Robert L. Marshall. EastmanStudM 28 2004 448p
41. Beach, David W.Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study. EastmanStudM 33 2005 xiii, 92p
42. Baron, Carol K.Transitions, Transformations, Reversals: Rethinking Bach's World. EastmanStudM 37 2006 1-34
43. Baron, Carol K.Tumultuous Philosophers, Pious Rebels, Revolutionary Teachers, Pedantic Clerics, Vengeful Bureaucrats, Threatened Tyrants, Worldly Mystics: The Religious World Bach Inherited. EastmanStudM 37 2006 35-85
44. Cleve, John vanFamily Values and Dysfunctional Families: Home Life in the Moral Weeklies and Comedies of Bach's Leipzig. EastmanStudM 37 2006 86-107
45. Irwin, Joyce L.Bach in the Midst of Religious Transition. EastmanStudM 37 2006 108-126
46. Siegele, UlrichBach's Situation in the Cultural Politics of Contemporary Leipzig. EastmanStudM 37 2006 127-173
47. Kevorkian, TanyaThe reception of the Cantata during Leipzig Church Services, 1700-1750. EastmanStudM 37 2006 174-189
48. Goodman, Katherine R.From Salon to Kaffeekranz: Gender Wars and the Coffee Cantata in Bach's Leipzig. EastmanStudM 37 2006 190-218
49. Kuhnau, JohannA Treatise on Liturgical Text Settings (1710). EastmanStudM 37 2006 219-226
50. Scheibel, Gottfried EphraimRandom Thoughts About Church Music in Our Day (1721). EastmanStudM 37 2006 227-249
51. Baron, Carol K.Bach's Changing World: Voices in the Community. EastmanStudM 37 2006 xvi, 264p
52. Cooper, John MichaelMendelssohn, Goethe, and the Walpurgis night: The Heathen Muse in European Culture, 1700 - 1850. EastmanStudM 43 2007 xvi, 284p
53. Saffle, MichaelCzerny and the keyboard fantasy: Traditions, innovations, legacy. EastmanStudM 53 2008 202-228
54. Gramit, David (ed.)Beyond The art of finger dexterity: Reassessing Carl Czerny. EastmanStudM 53 2008 xiii, 280p
55. Vial, Stephanie D.The Art of Musical Phrasing in the Eighteenth Century. Punctuating the Classical 'Period'. EastmanStudM 55 2008 xvi, 358p
56. Kerman, JosephFugue and its discontents. EastmanStudM 58 2008 5-13
57. Schulenberg, DavidFugues, form, and fingering: Sonata style in Bach's preludes and fugues. EastmanStudM 58 2008 14-23
58. Curry, Robert; Gable, David; Marshall, Robert L. (eds.)Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. EastmanStudM 58 2008 x, 375p
59. Rothfarb, LeeAugust Halm: A critical and creative life in music. EastmanStudM 68 2009 xix, 293p
60. Schulenberg, DavidThe Music of Wilhelm Friedemann Bach EastmanStudM 79 2010 354p

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