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Bach Printed Music Database Search Result |
Series : ^Etude$Your search has generated the following results ...
Max number of results shown : 300
Output sorted : serially (table)
| Type | List | Author  | Title[further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Dwight, John S. | The Fugue. | Etude | 10 | 6 | 115 | ||
| | 2. | Prentice, Ridley | A Revolution in the teaching of Fugue. | Etude | 11 | 2 | 32 | ||
| | 3. | Marmontel, A. | An Estimate of Johann Sebastian Bach. | Etude | 23 | 10 | 404 | ||
| | 4. | [anon.] | The Significance of Bach to Modern Music. | Etude | 24 | 8 | 489 | ||
| | 5. | Lagerquist, Charles | A Bach awakening. | Etude | 24 | 8 | 492 | ||
| | 6. | Landowska, Wanda | The Interpretation of Bach's Works. | Etude | 24 | 9 | 562-563 | ||
| | 7. | Mathews, William Smythe Babcock | A Study of Piano Technic from Bach to Clementi, Field and Cramer. | Etude | 24 | 10 | 630-632 | ||
| | 8. | Landowska, Wanda | The Interpretation of Bach's Works | Etude | 24 | 10 | 635 | ||
| | 9. | Brower, Harriette | The Inspiration of Bach's Piano Music. | Etude | 27 | 10 | 667 | ||
| | 10. | Whiting, George E. | Bach, the Master of Masters. | Etude | 27 | 12 | 814 | ||
| | 11. | Palmer, Sarah A. | Why Bach wrote the 'Well-Tempered Clavichord.' | Etude | 28 | 8 | 521 | ||
| | 12. | Wilson, Katharine Bemis | The Friends of Johann Sebastian Bach. | Etude | 29 | 4 | 239 | ||
| | 13. | [anon.] | The Etude Master Study Page. 1685--The Real Bach--1750. | Etude | 31 | 12 | 863-864 | ||
| | 14. | Bird, Arthur | German, French and English Interpretation of Bach's Organ Music. | Etude | 33 | 2 | 140-141 | ||
| | 15. | Campbell, Leroy B. | When and How to Begin the Study of Bach. | Etude | 37 | 2 | 77-78 | ||
| | 16. | Pierce, Edwin H. | Bach for Beginners. | Etude | 37 | 2 | 78 | ||
| | 17. | Hutcheson, Ernest | How to Study the Two-Voiced Inventions of Bach. | Etude | 37 | 6 | 339-340 | ||
| | 18. | Hark, Ann | The American Renaissance of Johann Sebastian Bach. | Etude | 43 | 8 | 541f | ||
| | 19. | Gordon, Philip | 'Those Horrid Inventions! Those Awful Fugues!' Hints on the Art of Playing the Music of Bach. | Etude | 44 | 6 | 425-426 | ||
| | 20. | Full, A. Eaglefield | Fundamentals in Playing Bach. | Etude | 46 | 1 | 54-55 | ||
| | 21. | Kinscella, Hazel Gertrude | How Shall We Study Bach? | Etude | 47 | 8 | 570, 613 | ||
| | 22. | Weir, R. Stanley | The Beauty of Bach. | Etude | 48 | 11 | 782 | ||
| | 23. | Knetzger, Charles | Why Study The Leipzig Cantor's Inventions. | Etude | 49 | 7 | 480 | ||
| | 24. | Riemenschneider, Albert | The Heart of Bach. Part I. | Etude | 51 | 12 | 844-845 | ||
| | 25. | Riemenschneider, Albert | The Heart of Bach. Part II. | Etude | 52 | 1 | 50-51 | ||
| | 26. | Riemenschneider, Albert | The Heart of Bach. Part III. | Etude | 52 | 2 | 118-119 | ||
| | 27. | [anon.] | Pictorial Visit to the Birthplace, Eisenach, of Johann Sebastian Bach (1685-1750). | Etude | 54 | 4 | 206f | ||
| | 28. | Kinscella, Hazel Getrude | Making a Start with Bach: Practical Helps for the Student Why Desires a Better Knowledge of the Great master and His Style. | Etude | 54 | 10 | 621-622 | ||
| | 29. | Hulse, Camil van | Bach and Modern Keyboard Technic. | Etude | 55 | 9 | 562 | ||
| | 30. | Osgood, Marion G. | Bach's Preludio in E, for Violin. | Etude | 56 | 7 | 476-477 | ||
| | 31. | Fleck, Hattice C. | Bach's Musical Helpmate: A Graphic Picture of Anna Magdalena Bach and Her Notenbüchlein. | Etude | 57 | 5 | 297-298, 356 | ||
| | 32. | Douty, Nicholas | Mr. Bach of 1940. | Etude | 58 | 5 | 296, 348 | ||
| | 33. | Steede, Alice M. | Bach and Separate Hand Practice. | Etude | 59 | 12 | 822 | ||
| | 34. | Lindquist, Orville | A Master Lesson on a Fascinating Bach Prelude. | Etude | 62 | 7 | 396, 420 | ||
| | 35. | Fellowes, Myles | Making Bach Interesting: A Conference with Alexander Borowsky. | Etude | 63 | 2 | 74, 106 | ||
| | 36. | Hamilton, William Clyde | The Bachs and the Organ. | Etude | 64 | 11 | 617, 648 | ||
| | 37. | Heylbut, Rose | Learning to Understand Bach: A Conference with Rosalyn Tureck. | Etude | 65 | 10 | 549, 586 | ||
| | 38. | Tselentis, Raïssa | Why Bach Has Become a 'Must' For Piano Students. | Etude | 66 | 1 | 20, 50 | ||
| | 39. | Scheide, William H. | Revival of the Bach Arias. | Etude | 66 | 9 | 536, 564 | ||
 | 40. | Beard, Gilbert (arr.) | Prelude in E minor / Johann Sebastian Bach. | Etude | 67 | 10 | 30 | ||
| | 41. | Maier, Guy | A Master Lesson on the Sarabande and Bourrées from Bach's 'English' Suite No. 2 in A Minor. | Etude | 67 | 12 | 25-26 | ||
| | 42. | Maier, Guy | Joh. Sebast: Bach ... His World | Etude | 68 | 7 | 7-11 | ||
| | 43. | Stone, Kurt | What Bach Edition Should I play? | Etude | 68 | 7 | 12-14 | ||
| | 44. | Schonberg, Harold C. | What sort of man was J. S. Bach? | Etude | 68 | 7 | 14-15, 57 | ||
| | 45. | Forkel, Johann Nicolaus | Joh. Sebast: Bach. The Teacher. | Etude | 68 | 7 | 16-17, 64 | ||
| | 46. | A draft for a Well-Appointed Church Music By Joh. Sebast: Bach. | Etude | 68 | 7 | 18, 63 | |||
| | 47. | Schweisheimer, W. | The Search for Bach's grave. | Etude | 68 | 7 | 19, 62 | ||
| | 48. | Youngman, Hilary P. | Heirs to Bach's Genius. | Etude | 68 | 7 | 20, 51 | ||
| | 49. | Instruments of Bach's Day. | Etude | 68 | 7 | 21 | |||
| | 50. | McCurdy, Alexander | E. Power Biggs - on performing Bach's music. | Etude | 68 | 7 | 25, 61 | ||
| | 51. | Balogh, Ernö | Some thoughts on how to perform Bach. | Etude | 69 | 1 | 22, 51 | ||
| | 52. | Saunders, Celia | Bach and Bernie: There's more than one way to win a pupil, as this teacher shows. | Etude | 70 | 3 | 16, 63 | ||
| | 53. | Prout, Ebenezer (ed.) | Air from Second French Suite in C minor. | Etude | 70 | 5 | 48 | ||
| | 54. | Riemenschneider, Albert (ed.) | Jesus Christus, unser Heiland / Johann Sebastian Bach. | Etude | 70 | 8 | 39-41 | ||
| | 55. | Prout, Ebenezer (ed.) | Sarabande from 'Second French Suite in C minor' / Johann Sebastian Bach. | Etude | 70 | 10 | 27 | ||
| | 56. | Levine, Henry (arr.) | In Deepest Grief / Johann Sebastian Bach. | Etude | 71 | 4 | 29-30 | ||
| | 57. | Cherniavsky, David | Albert Schweitzer the man and the musician: a keen appraisal of one of the greatest personalities of the twentieth century. | Etude | 72 | 1 | 11, 63-64 | ||
| | 58. | Riemenschneider, Albert | The Use of Flutes in the Works of J. S. Bach. Part I. | Etude | 72 | 3 | 11f | ||
| | 59. | Riemenschneider, Albert | The Use of Flutes in the Works of J. S. Bach. Part II. | Etude | 72 | 4 | 20f | ||
| | 60. | Riemenschneider, Albert | The Use of Flutes in the Works of J. S. Bach. Part III. | Etude | 72 | 5 | 19f | ||
| | 61. | Jonas, Alberto | Bach's Fugue in C-sharp Minor, Book I: A Master Lesson. | Etude | 72 | 6 | 26, 33-35, 62 | ||
| | 62. | Pfatteicher, Carl F.; Davison, Archibald T. (eds.) | Von Gott will ich nicht lassen (From God Shall Naught Divide me) (Chorale prelude) / J. S. Bach. | Etude | 72 | 8 | 40-41 | ||
| | 63. | [Chilkovsky, Nadia] (ed.) | Bourrée (from French Suite No. 6) / Johann Sebastian Bach. | Etude | 72 | 10 | 30-31 | ||
| | 64. | Leonard, Mildred Stanley | On Teaching BACH. | Etude | 72 | 11 | 9, 20 | ||
| | 65. | Maier, Guy | A 'Conversation' With Carl Philipp Emanuel Bach. | Etude | 73 | 1 | 21, 56 | ||
| | 66. | Pfatteicher, C.; McCurdy Ames, R. (arr.) | Aria Hallejujah, Stärk' und Macht = Hallelujah, Strength and Might ; for Violino Solo; Tenor ; from Cantata No. 29 / Johann Sebastian Bach. | Etude | 73 | 1 | 38-40 | ||
| | 67. | Eckard, Walter (arr.) | Sinfonia (from 'church Cantata No. 156') / Johann Sebastian Bach. | Etude | 73 | 6 | 35 | ||
| | 68. | Prout, Ebenezer (ed.) | Anglaise from French Suite No. 3 / Johann Sebastian Bach. | Etude | 73 | 12 | 28-29 | ||
| | 69. | Briggs, Marion L. | The 'Bach' of High Fidelity--from an interview with Robert D. Darrell. | Etude | 74 | 10 | 13-14 | ||
| | 70. | Lang, Paul Henry | Harpsichord or Piano? | Etude | 75 | 3 | 16, 50 | ||
| | 71. | Singer, Otto | Bach's Self-education. | Etude | 9 | 6 | 113 |