Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Hill, Robert (ed.) | Keyboard Music from the Andreas Bach Book and the Möller Manuscript. |
HarvardPubM |
16 | | 1991 |
xlvii, 210p |
|
| 2. | Blackbourn, David | The German Eighteenth Century: Marking Time. |
HarvardPubM |
22 | | 2008 |
3-15 |
|
| 3. | Christensen, Thomas | Fundamenta Partiturae: Thorough Bass and Foundations of Eighteenth-Century Composition Pedagogy. |
HarvardPubM |
22 | | 2008 |
17-40 |
|
| 4. | Danuser, Hermann | Mishmash or Synthesis? On the Psychagogic Form of The Creation. |
HarvardPubM |
22 | | 2008 |
41-78 |
|
| 5. | Sisman, Elaine | Six of One: The Opus Concept in the Eighteenth Century. |
HarvardPubM |
22 | | 2008 |
79-107 |
|
| 6. | Butt, John | Bach's Passions and the Textures of Time. |
HarvardPubM |
22 | | 2008 |
111-120 |
|
| 7. | Chafe, Eric T. | Bach and Hypocrisy: Appearance and truth in Cantatas 136 and 179. |
HarvardPubM |
22 | | 2008 |
121-143 |
|
| 8. | Durante, Sergio | Tartini and his Texts. |
HarvardPubM |
22 | | 2008 |
145-186 |
|
| 9. | Melamed, Daniel R. | The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5. |
HarvardPubM |
22 | | 2008 |
189-205 |
|
| 10. | Schulze, Hans-Joachim | Bach and Mozart: From the Perspective of Different Documentary Evidence. |
HarvardPubM |
22 | | 2008 |
207-216 |
|
| 11. | Wollny, Peter | On Johann Sebastian Bach's Creative Process: Observations from His Drafts and Sketches. |
HarvardPubM |
22 | | 2008 |
217-238 |
|
| 12. | Zaslaw, Neal | One More Time: Mozart and his Cadenzas. |
HarvardPubM |
22 | | 2008 |
239-249 |
|
| 13. | Konrad, Ulrich | On Ancient Languages: The Historical Idiom in the Music of Wolfgang Amadé Mozart. |
HarvardPubM |
22 | | 2008 |
253-278 |
|
| 14. | Strohm, Reinhard | Eighteenth-Century Music as a Socio-Political Metaphor? |
HarvardPubM |
22 | | 2008 |
279-296 |
|
| 15. | Webster, James | The Century of Handel and Haydn. |
HarvardPubM |
22 | | 2008 |
297-315 |
|
| 16. | Wheelock, Gretchen A. | Mozart's Fantasy, Haydn's Caprice: What's in a Name? |
HarvardPubM |
22 | | 2008 |
317-341 |
|
| 17. | Hogwood, Christopher | The Clavier Speaks. |
HarvardPubM |
22 | | 2008 |
345-370 |
|
| 18. | Koopman, Ton | Ten Years of Bach Cantatas. |
HarvardPubM |
22 | | 2008 |
371-377 |
|
| 19. | Levin, Robert D. | Mozart's Working Methods in the Keyboard Concertos. |
HarvardPubM |
22 | | 2008 |
379-406 |
|
| 20. | Kelly, Thomas Forrest; Gallagher, Sean (eds.) | The Century of Bach and Mozart: Perspectives on Historiography, Composition, Theory and Performance. In Honor of Christoph Wolff. |
HarvardPubM |
22 | | 2008 |
xii, 427p |
|