Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Berger, Karol | Theories of Chromatic and Enharmonic Music in late Sixteenth-Century Italy. |
StudMcol |
10 | | 1980 |
vii, 179p |
|
| 2. | Neumann, Frederick | Some Controversial Aspects of the Authenticity School. |
StudMcol |
108 | | 1989 |
17-31 |
|
| 3. | Neumann, Frederick | The Rise of the Early Music Movement. |
StudMcol |
108 | | 1989 |
3-16 |
|
| 4. | Neumann, Frederick | Conflicting Binary and Ternary Rhythms: From the Theory of Mensural notation to the Music of J. S. Bach. |
StudMcol |
108 | | 1989 |
35-64 |
|
| 5. | Neumann, Frederick | The 'Notes Inégales' Revisited. |
StudMcol |
108 | | 1989 |
65-76 |
|
| 6. | Neumann, Frederick | Graham Pont's 'Paradigm of Inconsistency' and the Interpretation of Handel's Overtures. |
StudMcol |
108 | | 1989 |
77-84 |
|
| 7. | Neumann, Frederick | Interpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart. |
StudMcol |
108 | | 1989 |
121-153 |
|
| 8. | Neumann, Frederick | Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. |
StudMcol |
108 | | 1989 |
195-208 |
|
| 9. | Neumann, Frederick | Notes on the Violin Sonatas of Bach and Handel. |
StudMcol |
108 | | 1989 |
221-225 |
|
| 10. | Neumann, Frederick | New Essays on Performance Practice. |
StudMcol |
108 | | 1989 |
x, 257p |
|
| 11. | Gustafson, Bruce | French harpsichord music of the 17th century. A thematic catalog of the sources with commentary. |
StudMcol |
11 | | 1979 |
xlv, 394p |
|
| 12. | Rivera, Benito V. | German Music Theory in the Early 17th Century: The Treatises of Johannes Lippius. |
StudMcol |
17 | | 1980 |
265p |
|
| 13. | Harriss, Ernest C. | Johann Mattheson's Der vollkommene Capellmeister [1739]: a revised translation with critical commentary. |
StudMcol |
21 | | 1981 |
920p |
|
| 14. | Stauffer, George Boyer | The Organ Preludes of Johann Sebastian Bach. |
StudMcol |
27 | | 1980 |
xi, 261p |
|
| 15. | Hudson, Richard Albert | Passacaglio and ciaccona: from guitar music to Italian keyboard variations in the 17th century. |
StudMcol |
37 | | 1981 |
xi, 314p |
|
| 16. | Hosler, Bellamy | Changing Aesthetic Views of Instrumental Music in Eighteenth-Century Germany. |
StudMcol |
42 | | 1981 |
xxiv, 295p |
|
| 17. | Wade, Rachel W. | The keyboard concertos of Carl Philipp Emanuel Bach. |
StudMcol |
48 | | 1981 |
xvii, 360p |
|
| 18. | Samuel, Harold E. | The Cantata in Nuremberg during the seventeenth Century. |
StudMcol |
56 | | 1982 |
xii, 536p |
|
| 19. | Neumann, Frederick | The Use of Baroque Treatises on Musical Performance. |
StudMcol |
58 | | 1982 |
1-9, 173-174 |
|
| 20. | Neumann, Frederick | Donington's 'A Performer's Guide to Baroque Music' -- A Review. |
StudMcol |
58 | | 1982 |
11-15, 274 |
|
| 21. | Neumann, Frederick | The French 'Inégales', Quantz, and Bach. |
StudMcol |
58 | | 1982 |
17-54, 274-285 |
|
| 22. | Neumann, Frederick | An Answer to Donington's Critique. |
StudMcol |
58 | | 1982 |
55-58 |
|
| 23. | Neumann, Frederick | External Evidence and Uneven Notes. |
StudMcol |
58 | | 1982 |
59-72, 285-288 |
|
| 24. | Neumann, Frederick | The Dotted Note and the So-Called French Style (FN1) |
StudMcol |
58 | | 1982 |
73-98, 288-289 |
|
| 25. | Neumann, Frederick | Rhythm in the Two Versions of Bach's French Overture, BWV 831 (FN2). |
StudMcol |
58 | | 1982 |
99-110, 289-291 |
|
| 26. | Neumann, Frederick | Facts and Fiction about Overdotting (FN3). |
StudMcol |
58 | | 1982 |
111-135, 291-294 |
|
| 27. | Neumann, Frederick | Once More: The 'French Overture Style' (FN4). |
StudMcol |
58 | | 1982 |
137-150, 295 |
|
| 28. | Neumann, Frederick | The Overdotting Syndrome: Anatomy of a Delusion (FN5). |
StudMcol |
58 | | 1982 |
151-182, 296-300 |
|
| 29. | Neumann, Frederick | Misconceptions About the French Trill in the 17th and 18th Centuries. |
StudMcol |
58 | | 1982 |
183-196, 300-304 |
|
| 30. | Neumann, Frederick | A New Look at Bach's Ornamentation. |
StudMcol |
58 | | 1982 |
197-215, 304-305 |
|
| 31. | Neumann, Frederick | Notes on 'Melodic' and 'Harmonic' Ornaments. |
StudMcol |
58 | | 1982 |
217-225, 305-306 |
|
| 32. | Neumann, Frederick | Couperin and the Downbeat Doctrine for Appoggiaturas. |
StudMcol |
58 | | 1982 |
227-241, 306-309 |
|
| 33. | Neumann, Frederick | Ornament and Structure. |
StudMcol |
58 | | 1982 |
243-250, 309-310 |
|
| 34. | Neumann, Frederick | Essays in Performance Practice. |
StudMcol |
58 | | 1982 |
xii, 321p |
|
| 35. | Grant, Kerry Scott | Dr. Burney as critic and historian of music. |
StudMcol |
62 | | 1983 |
xiv, 381p |
|
| 36. | Steblin, Rita | A History of Key Characteristics in the 18th and early 19th centuries. |
StudMcol |
67 | | 1983 |
xii, 396p |
|
| 37. | Herz, Gerhard | J. S. Bach's Impact on the World Around Him. |
StudMcol |
73 | | 1985 |
1-18 |
|
| 38. | Herz, Gerhard | Sebastian Bach's Survival in the Age of Rationalism. |
StudMcol |
73 | | 1985 |
19-50 |
|
| 39. | Herz, Gerhard | J. S. Bach and the Church Music of the Age of Rationalism: A Style-Critical Comparison of Bach's St. Matthew Passion and C. H. Graun's Tod Jesu. |
StudMcol |
73 | | 1985 |
51-66 |
|
| 40. | Herz, Gerhard | Johann Sebastian Bach in the Early Romantic Period. |
StudMcol |
73 | | 1985 |
67-110 |
|
| 41. | Herz, Gerhard | BWV 131: Bach's First Cantata (1970). |
StudMcol |
73 | | 1985 |
127-148 |
|
| 42. | Herz, Gerhard | Toward a New Image of Bach (1970/71). |
StudMcol |
73 | | 1985 |
149-186 |
|
| 43. | Herz, Gerhard | The Performance History of Bach's B Minor Mass (1973). |
StudMcol |
73 | | 1985 |
187-204 |
|
| 44. | Herz, Gerhard | Thoughts on the First Movement of Johann Sebastian Bach's Cantata No.77 (1974). |
StudMcol |
73 | | 1985 |
205-220 |
|
| 45. | Herz, Gerhard | Lombard Rhythm in the Domine Deus of Bach's B Minor Mass (1974) |
StudMcol |
73 | | 1985 |
221-229 |
|
| 46. | Herz, Gerhard | Lombard Rhythm in Bach's Vocal Music (1978). |
StudMcol |
73 | | 1985 |
233-268 |
|
| 47. | Herz, Gerhard | Essays on J. S. Bach. |
StudMcol |
73 | | 1985 |
xxxi, 276p |
|
| 48. | Schulenberg, David | The Instrumental Music of Carl Philipp Emanuel Bach. |
StudMcol |
77 | | 1984 |
192p |
|
| 49. | Archbold, Lawrence | Style and Structure in the Praeludia of Dietrich Buxtehude. |
StudMcol |
82 | | 1985 |
vi, 349p |
|
| 50. | Buelow, George J. (ed.) | Thorough-Bass Accompaniment According to Johann David Heinichen. |
StudMcol |
84 | | 1986 |
xvi, 462p |
|
| 51. | Borgir, Tharald | The performance of the basso continuo in Italian Baroque music. |
StudMcol |
90 | | 1987 |
180p |
|
| 52. | [Cox, Howard H.] | The Authentification of the Hand-Penned Material in Bach's Calov Bible. |
StudMcol |
92 | | 1985 |
3-11 |
|
| 53. | [Cox, Howard H.] | A Literary Analysis of the Intelligible Entries from the Total Sample. |
StudMcol |
92 | | 1985 |
12-30 |
|
| 54. | Kusko, Bruce | Proton Milloprobe Analysis of the Hand-Penned Annotations in Bach's Calov Bible. |
StudMcol |
92 | | 1985 |
31-106 |
|
| 55. | Cox, Howard H. (ed.) | The Calov Bible of J. S. Bach. |
StudMcol |
92 | | 1985 |
x, 460p |
|