| RecNo | Author  | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
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30553
| Geck, Martin | Enso Kiroku 'Kuno no atoni Nagusame o': Katoki no Beethoven ni okeru Bach no Eikyo. 'Auf Leid folgt Trost' - Beethoven in Übergangszeit. Trans. Itsuko Fujimoto. |
KunitachiColMResearchInstBul |
14 | | 2000 |
161-168 |
(n)
Ebata MAmerWebsite |
11453
| Isoyama, Tadashi | Bach Enso no Shomondai. Ensoshi o Kaiko shitsutsu. [On various problems of Performing Bach: reflecting on the performance history] |
KunitachiColMResearchInstBul |
21 | | Mar 2009 |
139-145 |
A
|
31858
| Imai, Akira | 'Bach no Enso Kaishaku' ['Interpreting Bach's Perforance'] |
KunitachiColMResearchInstBul |
21 | | Mar 2009 |
147-157 |
A
|
30554
| Tomita, Yo | Bach no Jihitsufu kara Wareware wa Nani o manaberu ka. Ensosha to Kenkyusha no Eien no Kadai. [What can we learn from Bach's autograph manuscripts? An eternal question of performers and musicologists] |
KunitachiColMResearchInstBul |
21 | | Mar 2009 |
159-174 |
A
|
22679
| Sato, Mai | Choral 'Kokoro kara Anata o aishimasu' o meguru, 4-Sakka no Sakuhin. [Chorale 'Herzlich lieb hab ich dich, o Herr' by four composers] |
KunitachiColMResearchInstBul |
21 | | Mar 2009 |
175-182 |
A
|
38808
| Otsuka, Naoya | Bach ni totte no 'Klavir' Koen Kiroku [Lecture note: What 'Klavier' meant for Bach] |
KunitachiColMResearchInstBul |
22 | | Mar 2010 |
67-81 |
A
Nagata |
38809
| Kato, Ichiro | Bach to Tempo rubato: Sho Onkei ni okeru Tempo no Henka ni kansuru Kenkyu. [Bach and tempo rubato: a study of change of tempi at figure level] |
KunitachiColMResearchInstBul |
22 | | Mar 2010 |
83-105 |
A
Nagata |
38529
| Tomita, Yo | Orijinaru Shiryo kara manabu Bach no 'Partita' Dai-2-ban to Dai-6-ban. [Learning Bach's Partitas Nos. 2 and 6 from the original sources] |
KunitachiColMResearchInstBul |
22 | | Mar 2010 |
107-131 |
A
|
38810
| Watanabe, Yoshio | Bach no Kumikyoku to 'Partita' [Bach's suites and 'Partita'] |
KunitachiColMResearchInstBul |
22 | | Mar 2010 |
133-159 |
A
Nagata |
38811
| Isoyama, Tadashi | Motetto 'Iesu yo, Watashi no Yorokobi' BWV 227 o megutte. [J. S. Bach's Motet 'Jesu, meine Freude' BWV 227] |
KunitachiColMResearchInstBul |
22 | | Mar 2010 |
161-175 |
A
Nagata |
38812
| [Isoyama, Tadashi] | Joshua Rifkin Sensei no Kokai Lesson to 'Matai' Joen o furikaette. Zadankai - Tadashi Isoyama and his students [Roundtable: Joshua Rifkin's masterclass and his performance of St Matthew Passion] |
KunitachiColMResearchInstBul |
22 | | Mar 2010 |
177-188 |
A
Nagata |
53221
| Tomita, Yo | 'Goldberg Hensokyoku' no Seiritsu wo megutte: Gendai ni okeru Pianist e no Ichiteigen. [On the origin of 'Goldberg Variations': a suggestion for today's pianists] |
KunitachiColMResearchInstBul |
23 | | Mar 2011 |
91-115 |
A
rilm2011-18924(title trans 'Concerning the birth of the Goldberg variations: A suggestion to pianists in contemporary times') |
53652
| Rifkin, Joshua | Bach no Kumon, Watashi no Kuto = Bach's Struggle ... and Mine. Trans. Tadashi Isoyama. |
KunitachiColMResearchInstBul |
24 | | Mar 2012 |
125-144 |
A
|
53222
| Tomita, Yo | 'Rotancho Misakyoku' to Bach Kenkyu: Sakuhin no Densho to Gakufu Henshushi kara miru Kenkyujo no Shomondai. [The B-minor Mass and Bach Research: Various research questions posed by the work's transmission and the history of editing] |
KunitachiColMResearchInstBul |
24 | | Mar 2012 |
145-182 |
A
rilm2012-27017 |
53653
| Isoyama, Tadashi | Nihon Shoen to Honjitsu no Koen -- 80-Nen o hasande. Programme note [Japan premiere and today's performance -- between 80 years.] |
KunitachiColMResearchInstBul |
24 | | Mar 2012 |
184-185 |
A
|
53654
| Isoyama, Tadashi | Sakuhin Kaisetsu. Programme Note [Commentary of the work] [BWV 232] |
KunitachiColMResearchInstBul |
24 | | Mar 2012 |
186-191 |
A
|
57379
| Oyama, Mayumi | Dai-1-Kai (4 Gatsu 11 Nichi): J. S. Bach no Klavier Ongaku ni okeru Tayo na Yoshiki: Kyosokyoku Yoshiki o Chushin ni. [No.1 (11 April): Various styles among the keyboard works of J.S. Bach: focusing on concerto style] |
KunitachiColMResearchInstBul |
25 | | 2012 |
95-99 |
(n)
CiNii(NAID: 110009613883) |
57380
| Kubota, Keiichi | Dai-2-Kai (4 Gatsu 25 Nichi): C. P. E. Bach 'Clavier Soho'. [No.2 (25 April): C. P. E. Bach's Versuch] |
KunitachiColMResearchInstBul |
25 | | 2012 |
100-104 |
(n)
CiNii(NAID: 110009613884) |
57381
| Otsuka, Naoya | Dai-3-Kai (5 Gatsu 9 Nichi): Gakufu kara Enso e: J. S. Bach no Clavier Sakuhin o Chembalo de hiku Baai. [No.3 (9 May): From score to performance: when performing J. S. Bach's keyboard works on the harpsichord] |
KunitachiColMResearchInstBul |
25 | | 2012 |
105-109 |
(n)
CiNii(NAID: 110009613885) |
57382
| Kondo, Nobuko | Dai-4-Kai (5 Gatsu 23 Nichi): Bach Ensoron (piano): Heikinritsu Klavier Kyokushu Dai-2-Kan ni tsuite. [No.4 (23 May): On Performing Bach (piano): about The Well-Tempered Clavier II] |
KunitachiColMResearchInstBul |
25 | | 2012 |
116-122 |
(n)
CiNii(NAID: 110009613887) |
57383
| Hisamoto, Yuko | Dai-7-Kai (7 Gatsu 4 Nichi): Mozart Ensoron I: Mozart to Futari no Bach. [No.7 (4 July): On Performing Mozart I: Mozart and 2 Bachs] |
KunitachiColMResearchInstBul |
25 | | 2012 |
133-140 |
(n)
CiNii(NAID: 110009613890) |
57384
| Yamamura, Kaoru | Dai-14-Kai (11 Gatsu 21 Nichi): 18 Seiki no Kenban Ongaku o Enso suru ni atatte: Ongaku to Rhetoric (Shujigaku) [No.14 (21 November): on performing the 18th-century keyboard works: Music and Rhetoric] |
KunitachiColMResearchInstBul |
25 | | 2012 |
183-187 |
(n)
CiNii(NAID: 110009613897) |
22 matches.
