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RecNoAuthor Title [further info]SeriesVolNoYearPagesStatus
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18418
Gustafson, BruceFrench harpsichord music of the 17th century. A thematic catalog of the sources with commentary. Ann Arbor, Mich.: UMI Research Press, 1984. 3 vols. ISBN: 0-8357-1069-6: (1) Commentary. xlv, 394p. ISBN: 083571066-1; (2) Catalog inventories 1-36. 488p. ISBN: 083571067-X; (3) Catalog inventories 37-68. 380p. ISBN: 083571068-8. (= Studies in musicology, 11) StudMcol 11 1979 xlv, 394p (n)
Ebata D-LEb SWB
1690
Berger, KarolTheories of Chromatic and Enharmonic Music in late Sixteenth-Century Italy. Ann Arbor, Mich.: UMI Research Press, 1980. vii, 179p. ISBN: 0835710653. (= Studies in Musicology, 10) StudMcol 10 1980 vii, 179p (n)
BDok2
6484
Rivera, Benito V.German Music Theory in the Early 17th Century: The Treatises of Johannes Lippius. Ann Arbor, Mich.: UMI Research Press, 1980. 265p. (= Studies in musicology, 17); Rochester,NY: University of Rochester, 1995. xii, 264p. ISBN: 1-878822-60-8. (= Studies in musicology, 17) StudMcol 17 1980 265p (n)
Pollard, review, rilm1995-1655
5294
Stauffer, George BoyerThe Organ Preludes of Johann Sebastian Bach. [Zugl.: New York, Columbia Univ., Diss., 1978 u.d.T.: The free organ preludes of Johann Sebastian Bach] Ann Arbor, MI: University Microfilms International Research Press, 1980. xi, 261p. ISBN: 0-8357-1117-X (= Studies in musicology, 27) StudMcol 27 1980 xi, 261p g
LCC, BB377, BdMs82/4932-35, KooimanZIntOrgM, Ebata
22207
Harriss, Ernest C.Johann Mattheson's Der vollkommene Capellmeister [1739]: a revised translation with critical commentary. by Ernest C. Harriss. [A revision (1979) of the author's thesis, George Peabody College of Teachers, 1969] - Ann Arbor, Mich.: UMI Research Press, 1981. x, 920p. ISBN: 0-8357-1134-X. (= Studies in musicology, 21) StudMcol 21 1981 920p (n)
copac, Ebata SWB, QUBLib
37828
Hudson, Richard AlbertPassacaglio and ciaccona: from guitar music to Italian keyboard variations in the 17th century. [revised version of PhD diss., University of California, Los Angeles, 1967] Ann Arbor, Mich.: UMI Research Press, c1981. xi, 314p. ISBN: 0835711617. (= Studies in musicology, 37) StudMcol 37 1981 xi, 314p (n)
copac
15879
Hosler, BellamyChanging Aesthetic Views of Instrumental Music in Eighteenth-Century Germany. [PhD diss., University of Wisconsin, Madison, 1978] - Ann Arbor: UMI Research Press, 1981. xxiv, 295p. ISBN: 0-8357-1172-2. (= Studies in musicology, 42) StudMcol 42 1981 xxiv, 295p (n)
MarissenSocRelD-BC
20414
Wade, Rachel W.The keyboard concertos of Carl Philipp Emanuel Bach. Ann Arbor, Mich.: UMI Research Press, 1981. xvii, 360p. ISBN: 0-8357-1207-9. (= Studies in musicology, 48) StudMcol 48 1981 xvii, 360p (n)
rilm1981-04851-bm, Ebata SWB
11826
Samuel, Harold E.The Cantata in Nuremberg during the seventeenth Century. Ann Arbor: UMI Research Press, 1982. xii, 536p. ISBN: 08357013059. (= Studies in musicology, 56) StudMcol 56 1982 xii, 536p (n)
Beniets87, copac
21796
Neumann, FrederickThe Use of Baroque Treatises on Musical Performance. StudMcol 58 1982 1-9, 173-174 A
21797
Neumann, FrederickDonington's 'A Performer's Guide to Baroque Music' -- A Review. StudMcol 58 1982 11-15, 274 A
3385
Neumann, FrederickThe French 'Inégales', Quantz, and Bach. StudMcol 58 1982 17-54, 274-285 A
BJ80-126
21798
Neumann, FrederickAn Answer to Donington's Critique. StudMcol 58 1982 55-58 A
21799
Neumann, FrederickExternal Evidence and Uneven Notes. StudMcol 58 1982 59-72, 285-288 A
21800
Neumann, FrederickThe Dotted Note and the So-Called French Style (FN1) StudMcol 58 1982 73-98, 288-289 A
21801
Neumann, FrederickRhythm in the Two Versions of Bach's French Overture, BWV 831 (FN2). StudMcol 58 1982 99-110, 289-291 A
21802
Neumann, FrederickFacts and Fiction about Overdotting (FN3). StudMcol 58 1982 111-135, 291-294 A
21803
Neumann, FrederickOnce More: The 'French Overture Style' (FN4). StudMcol 58 1982 137-150, 295 A
21805
Neumann, FrederickThe Overdotting Syndrome: Anatomy of a Delusion (FN5). StudMcol 58 1982 151-182, 296-300 A
21806
Neumann, FrederickMisconceptions About the French Trill in the 17th and 18th Centuries. StudMcol 58 1982 183-196, 300-304 A
4972
Neumann, FrederickA New Look at Bach's Ornamentation. StudMcol 58 1982 197-215, 304-305 A
BJ80-127
21807
Neumann, FrederickNotes on 'Melodic' and 'Harmonic' Ornaments. StudMcol 58 1982 217-225, 305-306 A
21808
Neumann, FrederickCouperin and the Downbeat Doctrine for Appoggiaturas. StudMcol 58 1982 227-241, 306-309 A
21810
Neumann, FrederickOrnament and Structure. StudMcol 58 1982 243-250, 309-310 A
12875
Neumann, FrederickEssays in Performance Practice. Ann Arbor: UMI Research Press; Epping: Bowker, 1982. xii, 321p. ISBN: 0835715108. (= Studies in Musicology, 58) StudMcol 58 1982 xii, 321p A
BJ80-126
29165
Grant, Kerry ScottDr. Burney as critic and historian of music. [based on PhD diss., Berkeley, Univ. of California, 1977] Ann Arbor, Mich.: UMI Research press, 1983. xiv, 381p. ISBN: 083571375X. (= Studies in musicology, 62) StudMcol 62 1983 xiv, 381p (n)
D-LEb Ebata
5295
Steblin, RitaA History of Key Characteristics in the 18th and early 19th centuries. Ann Arbor, MI: UMI Research Press, 1983. xii, 396p. ISBN: 0-13-694489-2. (= Studies in musicology, 67) - Reprint from University of Rochester Press, 1996. ISBN: 1-878822-62-4. StudMcol 67 1983 xii, 396p A
LCC, rilm1983-1947
14540
Schulenberg, DavidThe Instrumental Music of Carl Philipp Emanuel Bach. Ann Arbor, Mich.: UMI Research Press, 1984. viii, 192p. ISBN: 0-8357-1564-7. (= Studies in musicology, 77) StudMcol 77 1984 192p (n)
from Schulenberg, rilm1984-02057-bm
16284
Herz, GerhardJ. S. Bach's Impact on the World Around Him. StudMcol 73 1985 1-18 g
UtrechtUL
16285
Herz, GerhardSebastian Bach's Survival in the Age of Rationalism. StudMcol 73 1985 19-50 g
UtrechtUL
16286
Herz, GerhardJ. S. Bach and the Church Music of the Age of Rationalism: A Style-Critical Comparison of Bach's St. Matthew Passion and C. H. Graun's Tod Jesu. StudMcol 73 1985 51-66 g
UtrechtUL
16287
Herz, GerhardJohann Sebastian Bach in the Early Romantic Period. StudMcol 73 1985 67-110 g
UtrechtUL
16288
Herz, GerhardBWV 131: Bach's First Cantata (1970). StudMcol 73 1985 127-148 g
UtrechtUL
16289
Herz, GerhardToward a New Image of Bach (1970/71). StudMcol 73 1985 149-186 g
UtrechtUL
16290
Herz, GerhardThe Performance History of Bach's B Minor Mass (1973). StudMcol 73 1985 187-204 g
UtrechtUL
16291
Herz, GerhardThoughts on the First Movement of Johann Sebastian Bach's Cantata No.77 (1974). [BWV 77/1] StudMcol 73 1985 205-220 g
UtrechtUL
16292
Herz, GerhardLombard Rhythm in the Domine Deus of Bach's B Minor Mass (1974) StudMcol 73 1985 221-229 g
UtrechtUL
16293
Herz, GerhardLombard Rhythm in Bach's Vocal Music (1978). StudMcol 73 1985 233-268 g
UtrechtUL
12571
Herz, GerhardEssays on J. S. Bach. [partially based on PhD diss., Zürich, Univ., 1934]. Ann Arbor, Mich.: UMI Research Press, 1985. xxxi, 276p. ISBN: 0-8357-1475-6. (= Studies in Musicology, 73) StudMcol 73 1985 xxxi, 276p A
BJ75-120, rilm1985/1668, rilm1986/1466, nacsis, Kobayashi(BJiten), iimp, Burns-ModalChorales, UtrechtUL
5585
Archbold, LawrenceStyle and Structure in the Praeludia of Dietrich Buxtehude. Ann Arbor, Mich.: UMI Research Press, 1985. vi, 349p. ISBN: 0-8357-1646-5. (= Studies in musicology, 82) StudMcol 82 1985 vi, 349p (n)
Johnson87, Ebata SWB
36193
[Cox, Howard H.]The Authentification of the Hand-Penned Material in Bach's Calov Bible. StudMcol 92 1985 3-11 A
36194
[Cox, Howard H.]A Literary Analysis of the Intelligible Entries from the Total Sample. StudMcol 92 1985 12-30 A
17583
Kusko, BruceProton Milloprobe Analysis of the Hand-Penned Annotations in Bach's Calov Bible. StudMcol 92 1985 31-106 A
MarrisenPaJ
12464
Cox, Howard H. (ed.)The Calov Bible of J. S. Bach. Ann Arbor, Mich.: UMI Research Press, 1985. x, 460p. ISBN: 0-8357-1706-2. (= Studies in Musicology, 92) StudMcol 92 1985 x, 460p A
BJ75-122, JAMSoc39, BTN, rilm1986/7088, BJ80, nacsis
29164
Buelow, George J. (ed.)Thorough-Bass Accompaniment According to Johann David Heinichen. Revised edn. - Ann Arbor, Mich.: UMI Research Press, 1986. xvi, 462p. ISBN: 0-8357-1648-1. (= Studies in musicology, 84) StudMcol 84 1986 xvi, 462p (n)
SWB Ebata
29166
Borgir, TharaldThe performance of the basso continuo in Italian Baroque music. [based on PhD diss., Berkeley, Univ. of California, Diss., 1971] Ann Arbor, Mich.: UMI Research Press, 1987. vi, 180p. ISBN: 0-8357-1675-9; 0-8357-1912-X. (= Studies in musicology, 90) StudMcol 90 1987 180p (n)
D-LEb Ebata
21817
Neumann, FrederickSome Controversial Aspects of the Authenticity School. StudMcol 108 1989 17-31 A
13505
Neumann, FrederickThe Rise of the Early Music Movement. Scholarly Interest; Sacred Music; Secular Songs and Dances; The Changing Attitude towards Old Music; The Striving for 'Authenticity' StudMcol 108 1989 3-16 A
12907
Neumann, FrederickConflicting Binary and Ternary Rhythms: From the Theory of Mensural notation to the Music of J. S. Bach. StudMcol 108 1989 35-64 A
BJ80-127, rilm1989-09184-ap
21818
Neumann, FrederickThe 'Notes Inégales' Revisited. StudMcol 108 1989 65-76 A
21819
Neumann, FrederickGraham Pont's 'Paradigm of Inconsistency' and the Interpretation of Handel's Overtures. StudMcol 108 1989 77-84 A
12908
Neumann, FrederickInterpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart. StudMcol 108 1989 121-153 A
BJ80-127
11015
Neumann, FrederickBach: Progressive or Conservative and the Authorship of the Goldberg Aria. StudMcol 108 1989 195-208 A
BJ80-118
9316
Neumann, FrederickNotes on the Violin Sonatas of Bach and Handel. StudMcol 108 1989 221-225 A
BJ80
12368
Neumann, FrederickNew Essays on Performance Practice. Ann Arbor: UMI Research Press, 1989. x, 257p. ISBN: 0-8357-1951-0. (= Studies in musicology, 108); Rochester, NY: University of Rochester Press, 1992. x, 257p. ISBN: 1878822128; 1878822136. StudMcol 108 1989 x, 257p A

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