Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
Kevorkian, Tanya | Cultural Transfer, Cultural Competition, and Religious Diversity in Leipzig during the Baroque Era. | [cr]Belfast2007 | 1 | | 2007 | 1-10 | |
Cameron, Jasmin M. | Placing the 'Et incarnatus' and 'Crucifixus' in Context: Bach and the Panorama of the Baroque Mass Tradition. | [cr]Belfast2007 | 1 | | 2007 | 11-26 | |
Maul, Michael | How Relevant is Count Jan Adam von Questenberg for the Genesis of the B-minor Mass? A Preliminary Report. | [cr]Belfast2007 | 1 | | 2007 | 27-32 | |
Paczkowski, Szymon | On the Role and Meaning of the Polonaise in the Mass in B minor by Johann Sebastian Bach as Exemplified by the Aria 'Quoniam tu solus sanctus'. | [cr]Belfast2007 | 1 | | 2007 | 33-51 | |
Stockigt, Janice B. | Consideration of Bach's Kyrie e Gloria BWV 232I within the Context of Dresden Catholic Mass Settings, 1729-1733 | [cr]Belfast2007 | 1 | | 2007 | 52-92 | |
Unger, Melvin P. | Chiastic Reflection in the B-minor Mass: Lament's Paradoxical Mirror. | [cr]Belfast2007 | 1 | | 2007 | 93-115 | |
Stauffer, George B. | The Symbolum Nicenum of the B-minor Mass and Bach's Late Choral Ideal. | [cr]Belfast2007 | 1 | | 2007 | 116-117 | |
Tatlow, Ruth | Parallel Proportions, Final Revisions and the Status of Manuscript P 180. | [cr]Belfast2007 | 1 | | 2007 | 118-136 | |
Siegele, Ulrich | Some Observations on the Formal Design of Bach's B-minor Mass. | [cr]Belfast2007 | 1 | | 2007 | 137-149 | |
Dalton Greer, Mary | Bach's Calov Bible and his Quest for the Title of Royal Court Composer. | [cr]Belfast2007 | 1 | | 2007 | 150-176 | |
Leaver, Robin A. | How 'Catholic' is Bach's 'Lutheran' Mass? | [cr]Belfast2007 | 1 | | 2007 | 177-206 | |
Shabalina, Tatiana [Shabalina, Tat'jana] | Manuscript score No. 4500 in St. Petersburg: A new source of the B-minor Mass. | [cr]Belfast2007 | 1 | | 2007 | 207-225 | |
Wolf, Uwe | Many problems, different solutions: Editing Bach's Mass in B minor. | [cr]Belfast2007 | 1 | | 2007 | 226-233 | |
Schulze, Hans-Joachim | J.S. Bach's Mass in B minor: Observations and Hypotheses with regard to some Original Sources. | [cr]Belfast2007 | 1 | | 2007 | 234-238 | |
Knijff, Jan-Piet | Performing Bach's B-minor Mass: Some Notes by Heinrich Schenker. | [cr]Belfast2007 | 1 | | 2007 | 239-258 | |
Golomb, Uri | Intensity, Complexity and Musical Rhetoric in Performances of the B-minor Mass. | [cr]Belfast2007 | 1 | | 2007 | 258-277 | |
Leisinger, Ulrich | Viennese Traditions of the Mass in B Minor. | [cr]Belfast2007 | 1 | | 2007 | 278-285 | |
Hartinger, Anselm | A 'fairly correct copy of the mass'? Mendelssohn's score of the B-minor Mass as a document of the Romantics' view on matters of performance practice and source criticism. | [cr]Belfast2007 | 1 | | 2007 | 286-291 | |
Pardee, Katharine | The Mass in B Minor in Nineteenth-Century England. | [cr]Belfast2007 | 1 | | 2007 | 292-308 | |
Shabalina, Tatiana [Shabalina, Tat'jana] | Reception History of the Mass in B minor in Russia. | [cr]Belfast2007 | 1 | | 2007 | 309-321 | |
Luongo, Paul | Theodore Thomas's 1902 Performance of Bach's Mass in B Minor: Working within the Grand American Festival. | [cr]Belfast2007 | 1 | | 2007 | 322-343 | |
Isoyama, Tadashi | The B-minor Mass and Japanese People: A Problematical Issue of 'Universality'. | [cr]Belfast2007 | 1 | | 2007 | 344-351 | |
Smaczny, Jan | Bach's B-minor Mass: An Incarnation in Prague in the 1860s and its Consequences. | [cr]Belfast2007 | 1 | | 2007 | 352-356 | |
Tomita, Yo; Crean, Elise; Mills, Ian | International Symposium: Understanding Bach's B-minor Mass. Discussion Book 1. Full Papers by the Speakers at the Symposium on 2, 3 and 4 November 2007. | [cr]Belfast2007 | 1 | | 2007 | x, 356p | |
Parrott, Andrew | Vocal Ripienists and the Mass in B minor. | [cr]Belfast2007 | 1 | [supplement 1] | Nov 2007 | 24p | |
Rifkin, Joshua | Bach's Mass, Bach's Missa, and the Arrogance of Editing. | [cr]Belfast2007 | 1 | [supplement 2] | Nov 2007 | 14p | |
Stauffer, George B. | The Symbolum Nicenum of the B-minor Mass and Bach's Late Choral Ideal. | [cr]Belfast2007 | 1 | [supplement 3] | Nov 2007 | 11p | |
Wolff, Christoph | 'Et Incarnatus' and 'Crucifixus': The Earliest and Latest Settings of Bach's B-minor Mass. | [cr]Belfast2007 | 2 | | 2007 | 357-367 | |
Tomita, Yo; Kovacevic, Tanja; [Kovačević] | International Symposium: Understanding Bach's B-minor Mass. Discussion Book 2. Resource Book. | [cr]Belfast2007 | 2 | | 2007 | 357-511p | |
Walker, Paul | Bach's Use of Fugue in the Stile Antico Vocal Writing of the B-Minor Mass. | [cr]Belfast2007 | 2 | | 2007 | 368-386 | |
Kobayashi, Yoshitake | Universality in Bach's B Minor Mass: A Portrait of Bach in His Final Years. | [cr]Belfast2007 | 2 | | 2007 | 387-403 | |
Dadelsen, Georg von | Friedrich Smend's Edition of the B-minor Mass by J. S. Bach. | [cr]Belfast2007 | 2 | | 2007 | 404-424 | |
Petzoldt, Martin | Dogma set to music: Theological aspects of Bach's B-minor Mass. | [cr]Belfast2007 | 2 | | 2007 | 425-434 | |
Tatlow, Ruth | Numerical Ordering in Bach's B-minor Mass. | [cr]Belfast2007 | 2 | | 2007 | 435-445 | |
Franklin, Don O. | A Guide to the Temporal Structure of the 1733 Missa. | [cr]Belfast2007 | 2 | | 2007 | 446-458 | |
Hoshino, Hiromi | J. S. Bach's Mass in B minor: A Study of its Reception History in the First Half of the Nineteenth Century especially regarding the Activities of Felix Mendelssohn Bartholdy. | [cr]Belfast2007 | 2 | | 2007 | 459-473 | |
Towe, Teri Noel | The Coates Continuo Conundrum Clarified. | [cr]Belfast2007 | 2 | | 2007 | 474-491 | |
[Kovacevic, Tanja; Tomita, Yo; Leaver, Robin A.] | B-minor Mass: Select Bibliography. | [cr]Belfast2007 | 2 | | 2007 | 492-504 | |
38 matches.