| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Butt, John | Recordings: Altbachisches Archiv: Works by Johann Bach (1604-1673), Johann Christoph Bach (1642-1703), Georg Christoph Bach (1642-1697), Johann Michael Bach (1648-1694), Johann Sebastian Bach (1685-1750). | 18cM | 1 | 1 | Mar 2004 | 109-111 | |
| Kerman, Joseph | On BWV 849/2. | 18cM | 1 | 1 | Mar 2004 | 79-84 | |
| Zohn, Steven | The Sonate auf Concertenart and Conceptions of Genre in the Late Baroque. | 18cM | 1 | 2 | Sep 2004 | 205-247 | |
| Yearsley, David | Death Everyday: The Anna Magdalena Bach Book of 1725 and the Art of Dying. | 18cM | 2 | 2 | Sep 2005 | 231-249 | |
| Reul, Barbara M. | Catherine the Great and the Role of Celebratory Music at the Court of Anhalt-Zerbst. | 18cM | 3 | 2 | Sep 2006 | 269-309 | |
| Wollenberg, Susan | 'Es lebe die Ordnung und Betriebsamkeit! Was hilft das beste Herz ohne jene!': A New Look at Fantasia Elements in the Keyboard Sonatas of C. P. E. Bach. | 18cM | 4 | 1 | Mar 2007 | 119-128 | |
| Rathey, Markus | Celebrating Patriotism: Carl Philipp Emanuel Bach's Compositions for the Militia in Hamburg. | 18cM | 4 | 2 | Sep 2007 | 265-283 | |
| Demeyere, Ewald | On BWV 1080/8: Between Theory and Practice. | 18cM | 4 | 2 | Sep 2007 | 291-299 | |
| Gingras, Bruno | Partimento Fugue in Eighteenth-Century Germany: A Bridge Between Thoroughbass Lessons and Fugal Composition. | 18cM | 5 | 1 | Mar 2008 | 51-74 | |
| Chapin, Keith | Scheibe's Mistake: Sublime Simplicity and the Criteria of Classicism. | 18cM | 5 | 2 | Sep 2008 | 165-178 | |
| Varwig, Bettina | One More Time: J. S. Bach and Seventeenth-Century Traditions of Rhetoric. | 18cM | 5 | 2 | Sep 2008 | 179-208 | |
| Kevorkian, Tanya | Understanding Bach's B Minor Mass. Queen's University, Belfast, 2-4 November 2007. | 18cM | 5 | 2 | Sep 2008 | 271-273 | |
| Parrott, Andrew | Vocal Ripienists and J. S. Bach's Mass in B minor. | 18cM | 7 | 1 | Mar 2010 | 9-34 | |
| Yearsley, David | Poets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach. | 18cM | 7 | 2 | Sep 2010 | 326-329 | |
| Schulenberg, David | Modifying the Da Capo? Through-composed arias in vocal works by Bach and other composers. | 18cM | 8 | 1 | Mar 2011 | 21-51 | |
| Rifkin, Joshua | Blinding Us with Science? Man, Machine and the Mass in B Minor. | 18cM | 8 | 1 | Mar 2011 | 77-91 | |
| Talle, Andrew | Bach and His German Contemporaries. University of Wisconsin at Madison, 7–9 May 2010. | 18cM | 8 | 1 | Mar 2011 | 165-167 | |
| Zohn, Steven | Das Instrumentalrepertoire der Dresdner Hofkapelle in den ersten beiden Dritteln des 18. Jahrhunderts: Überlieferung und Notisten. Sächsische Landesbibliothek - Staats- und Universitätsbibliothek, Dresden, 23-25 June 2010. | 18cM | 8 | 1 | Mar 2011 | 168-170 | |
| Ledbetter, David | Fourteenth Biennial International Conference on Baroque Music. School of Music and Sonic Arts, Queen's University Belfast, 30 June-4 July 2010. | 18cM | 8 | 1 | Mar 2011 | 170-172 | |
| Enßlin, Wolfram | Bach & Wien: Die Wiener Bach-Tradition, ihre Träger, Überlieferungswege und Auswirkungen im 18. und frühen 19. Jahrhundert. Vienna, 27-28 May 2011. | 18cM | 9 | 1 | Mar 2012 | 164-166 | |
| Ceballos, Sara Cross | Historical Keyboard Music: Sources, Contexts, and Performance - University of Edinburgh, 1–3 July 2011. | 18cM | 9 | 1 | Mar 2012 | 172-174 | |
| Exner, Ellen | C. P. E. Bach at His Word: A Reconsideration of the Early Berlin Years. | 18cM | 9 | 2 | Sep 2012 | 253-260 | |
| Anson-Cartwright, Mark | Subdominant Returns in the Vocal Music of J.S. Bach. | 18cM | 10 | 2 | Sep 2013 | 253-276 | |
| Melamed, Daniel R. | Multi-day Passions and J.S. Bach's Christmas oratorio, BWV248. | 18cM | 11 | 2 | Sep 2014 | 215-234 | |
| Exner, Ellen | Generationen: Georg Philipp Telemann und Carl Philipp Emanuel Bach—Impulse - Transformationen - Kontraste. Magdeburg, 17–18 March 2014. | 18cM | 12 | 1 | Mar 2015 | 122-125 | |
| Talle, Andrew | American Bach Society biennial meeting: Johann Sebastian Bach and his sons: Kenyon College (1–4 May 2014). | 18cM | 12 | 1 | Mar 2015 | 133-135 | |
| Rheubottom, Nicholas | Sixteenth Biennial International Conference on Baroque Music ; Universität Mozarteum Salzburg, 9-13 July 2014. | 18cM | 12 | 1 | Mar 2015 | 141-143 | |
| Chapman, David | The sixteen-foot violone in concerted music of the seventeenth and eighteenth centuries: Issues of terminology and function. | 18cM | 12 | 1 | Mar 2015 | 33-67 | |
| Kovacevic, Tanja | Seventh J.S. Bach dialogue meeting Madingley Hall, Cambridge, 8–10 July 2015. | 18cM | 13 | 1 | Mar 2016 | 171-173 | |
| Head, Matthew | C. P. E. Bach 'In tormentis': Gout Pain and Body Language in the Fantasia in A major, H278 (1782). | 18cM | 13 | 2 | Sep 2016 | 211-234 | |
| Rathey, Markus | Mozart, Kirnberger and the Idea of Musical Purity: Revisiting Two Sketches from 1782. | 18cM | 13 | 2 | Sep 2016 | 235-252 | |
| Cooper, Barry | A Newly Identified Bach Cantata Fragment in a Beethoven Manuscript. | 18cM | 14 | 1 | Mar 2017 | 111-116 | |
| Corneilson, Paul | Carl Philipp Emanuel Bach: The Complete Works. | 18cM | 14 | 1 | Mar 2017 | 145-146 | |
| Maul, Michael | American Bach Society Biennial Meeting: J. S. Bach and the Confessional Landscape of His Time. University of Notre Dame, 7-10, April, 2016. | 18cM | 14 | 1 | Mar 2017 | 153-156 | |
| Auerbach, Brent | Bach in the age of modernism, postmodernism and globalization: University of Massachusetts Amherst, 21–22 April 2017 | 18cM | 15 | 1 | Mar 2018 | 109–114 | |
| Schulenberg, David | Eighth J.S. Bach dialogue meeting: Madingley Hall, Cambridge, 10–15 July 2017. | 18cM | 15 | 1 | Mar 2018 | 130–131 | |
| Brill, Mark | Bach on Screen: Baldwin Wallace Conservatory of Music, 18 February 2018. | 18cM | 15 | 2 | Oct 2018 | 290-293 | |
| Forment, Bruno | Eighteenth Biennial International Conference on Baroque Music Cremona and Mantua, 10-15 July 2018. | 18cM | 16 | 1 | Mar 2019 | 105-106 | |
| Fothergill, Chad | American Bach Society Biennial Meeting. Bach Reworked: Parody, Transcription, Adaptation Yale University, 26-29 April 2018. | 18cM | 16 | 1 | Mar 2019 | 94-97 | |
| Remeš, Derek | Four Steps Towards Parnassus: Johann David Heinichen's Method of Keyboard Improvisation as a Model of Baroque Compositional Pedagogy. | 18cM | 16 | 2 | Sep 2019 | 133-154 | |
| Paczkowski, Szymon | The Polish-Saxon Episode in the Life of Gregor Joseph Werner. | 18cM | 16 | 2 | Sep 2019 | 155-165 | |
| Cressy, Thomas | Bach in the Imaginary Museum and Bach Re-imagined: Contemporary Perspectives on Performing and Re-Creating Bach. Umiversity of Massachusetts Amherst, 12-14 April 2019. | 18cM | 17 | 1 | Mar 2020 | 140-141 | |
| Varwig, Bettina | Musical Expression: Lessons From The Eighteenth Century? | 18cM | 17 | 1 | Mar 2020 | 53-72 | |
| Birson, Adem Merter | New Perspectives on Haydn & C. P. E. Bach Boston, 30-31 October 2019. | 18cM | 17 | 2 | Sep 2020 | 297-300 | |
| Melamed, Daniel R. | 'Parallel Proportions' in J. S. Bach's Music. | 18cM | 18 | 1 | Mar 2021 | 99-121 | |
| Waldoff, Jessica | Bach and Mozart: Connections, Patterns, Pathways Stanford University, 13-16 February 2020. | 18cM | 18 | 1 | Mar 2021 | 229-232 | |
| Tatlow, Ruth | Dissonance and Harmony: Response To Daniel R. Melamed. | 18cM | 18 | 2 | Sep 2021 | 323-325 | |
| Melamed, Daniel R. | Response To Ruth Tatlow. | 18cM | 18 | 2 | Sep 2021 | 325-326 | |
| Bertoglio, Chiara | Bach e l'Italia. Turin, 26-28 November 2020. | 18cM | 18 | 2 | Sep 2021 | 332-334 | |
| Knyt, Erinn | Late Style and the Idea of the Summative Work in Bach and Beethoven University of Massachusetts Amherst, 24 April 2021. | 18cM | 19 | 1 | Mar 2022 | 98-100 | |
| Maddox, Alan; Newton-Jackson, Paul. | 20th Biennial International Conference on Baroque Music. Haute École de Musique de Genève, Geneva, 28 June–2 July 2023. | 18cM | 21 | 1 | 2024 | 115-117 | |
| Schulenberg, David | C. P. E. Bach, Haydn and the Evolving Keyboard Idioms of the Later Eighteenth Century. | 18cM | 21 | 1 | 2024 | 33-63 | |
52 matches.
