Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
Thistlethwaite, Nicholas | Bach, Mendelssohn and the English organist: 1810-45. | BIOSJ | 7 | | 1983 | | |
Sawyer, Philip | Possible textual and thematic references in J. S. Bach's fugue in E flat BWV 552. | BIOSJ | 14 | | 1990 | 10-13 | |
Schureck, Ralph | The organ concertos of J. S. Bach: their origins and legitimacy. | BIOSJ | 14 | | 1990 | 16-20 | |
Clark, Relf | Transcriptions. | BIOSJ | 18 | | 1994 | 126-136 | |
Olleson, Philip | The organ-builder and the organist: Thomas Elliot and Samuel Wesley. | BIOSJ | 20 | | 1996 | 116-125 | |
Williams, Peter F. | Playing and studying Bach: Where next? | BIOSJ | 24 | | 2000 | 80-92 | |
Humphreys, David | Towards a revised canon for the organ works of J.S. Bach. | BIOSJ | 27 | | 2003 | 6-18 | |
Williams, Peter | Some remarks on organs, organ-playing and the studying of music. | BIOSJ | 28 | | 2004 | 6-25 | |
Speerstra, Joel | Were J.S.Bach's Trio Sonatas written for the pedal clavichord? | BIOSJ | 28 | | 2004 | 26-46 | |
McCrea, Andrew | Professorial annotations: William Crotch's study of the '48'. | BIOSJ | 28 | | 2004 | 47-65 | |
Frith, Michael | '... Des Chorales d'orgue, ainsi qu'a fait Bach, mais sur un autre plan': Cesar Franck's Trois Chorales reconsidered. | BIOSJ | 30 | | 2006 | 30-39 | |
Brennan, John | Music copyright in England, the Statute of Anne (1710) and the case of J.C. Bach versus Longman & Broderip (1777). | BIOSJ | 35 | | 2011 | | |
Whiteley, John Scott | New light on the toccata in C BWV 564 and Bach's mordant. | BIOSJ | 41 | | 2017 | 132-156 | |
Binski, Paul | The Arrangement of Contrapunctus 14 in Bach's Art of Fugue (BWV 1018/19). | BIOSJ | 47 | | 2023 | 47-62 | |
14 matches.