| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Butler, Gregory G. | The Question of Genre in J. S. Bach's Fourth Brandenburg Concerto. | BachPerspectives | 4 | | 1999 | 9-32 | |
| Mann, Alfred | Introduction: Bach's Orchestral Music. | BachPerspectives | 4 | | 1999 | 3-8 | |
| Swack, Jeanne | Modular Structure and the Recognition of Ritornello in Bach's Brandenburg Concertos. | BachPerspectives | 4 | | 1999 | 33-53 | |
| Koster, John | The Harpsichord Culture in Bach's Environs. | BachPerspectives | 4 | | 1999 | 57-77 | |
| Oleskiewicz, Mary | The Trio in Bach's Musical Offering: A Salute to Frederick's Tastes and Quantz's Flutes? | BachPerspectives | 4 | | 1999 | 79-110 | |
| Schulenberg, David | Versions of Bach: Performing Practice in the Keyboard Works. | BachPerspectives | 4 | | 1999 | 111-135 | |
| Renwick, William | 39. Praeludia et Fugen del Signor Johann Sebastian Bach? The Langloz Manuscript, SBB Mus. ms. Bach P 296. | BachPerspectives | 4 | | 1999 | 137-158 | |
| Walker, Paul | Fugue in the Music-Rhetorical Analogy and Rhetoric in the Development of Fugue. | BachPerspectives | 4 | | 1999 | 159-179 | |
| Butt, John | Bach Recordings since 1980: A Mirror of Historical Performance. | BachPerspectives | 4 | | 1999 | 181-198 | |
| Schulenberg, David | The Music of J. S. Bach. Analysis and Interpretation. | BachPerspectives | 4 | | 1999 | x, 208p | |
10 matches.
