| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Buelow, George J. | Expressivity in the accompanied recitatives of Bach's cantatas. | BachStud | 1 | | 1989 | 18-35 | |
| Marshall, Robert L. | On the origin of Bach's Magnificat: a Lutheran composer's challenge. | BachStud | 1 | | 1989 | 3-17 | |
| Crist, Stephen A. | Aria forms in the Cantatas from Bach's first Leipzig Jahrgang. | BachStud | 1 | | 1989 | 36-53 | |
| Brainard, Paul | The regulative and generative roles of verse in Bach's 'thematic' invention. | BachStud | 1 | | 1989 | 54-74 | |
| Chafe, Eric T. | The St John Passion: theology and musical structure. | BachStud | 1 | | 1989 | 75-112 | |
| Mann, Alfred | Bach's parody technique and its frontiers. | BachStud | 1 | | 1989 | 115-124 | |
| Stinson, Russell | Three organ-trio transcriptions from the Bach circle: keys to a lost Bach chamber work. | BachStud | 1 | | 1989 | 125-159 | |
| Stauffer, George B. | 'This fantasia... never had its like': on the enigma and chronology of Bach's Chromatic Fantasia and Fugue in D Minor, BWV 903. | BachStud | 1 | | 1989 | 160-182 | |
| Williams, Peter F. | French overture conventions in the hands of the young Bach and Handel. | BachStud | 1 | | 1989 | 183-193 | |
| Siegele, Ulrich | The four conceptual stages of the Fugue in C Minor, WTC I. | BachStud | 1 | | 1989 | 197-224 | |
| Brokaw, James A., II. | The genesis of the Prelude in C Major, BWV 870. | BachStud | 1 | | 1989 | 225-239 | |
| Franklin, Don O. | Reconstructing the Urpartitur for WTC II: a study of the 'London Autograph' (BL Add. MS 35021). | BachStud | 1 | | 1989 | 240-278 | |
| Finscher, Ludwig | Bach in the eighteenth century. | BachStud | 1 | | 1989 | 281-296 | |
| Zenck, Martin | Tradition as authority and provocation: Anton Webern's confrontation with Johann Sebastian Bach. | BachStud | 1 | | 1989 | 297-322 | |
| Herz, Gerhard | The human side of the American Bach sources. | BachStud | 1 | | 1989 | 323-350 | |
| Franklin, Don O. | Bach Studies. [1] | BachStud | 1 | | 1989 | 362p | |
| Beißwenger, Kirsten | An early version of the first movement of the Italian Concerto BWV 971 from the Scholz Collection? | BachStud | 2 | | 1995 | 1-19 | |
| Butler, Gregory G. | J. S. Bach's reception of Tomaso Albinoni's mature concertos. | BachStud | 2 | | 1995 | 20-46 | |
| Butt, John | J. S. Bach and G. F. Kauffmann: reflections on Bach's later style. | BachStud | 2 | | 1995 | 47-61 | |
| Kobayashi, Yoshitake | The variation principle in J. S. Bach's Passacaglia in C minor BWV 582. | BachStud | 2 | | 1995 | 62-69 | |
| Leisinger, Ulrich | Forms and functions of the choral movements in J. S. Bach's St. Matthew Passion. | BachStud | 2 | | 1995 | 70-84 | |
| Marissen, Michael | The theological character of J. S. Bach's Musical Offering. | BachStud | 2 | | 1995 | 85-106 | |
| Melamed, Daniel R. | A thirty-six voice canon in the hand of C. P. E. Bach. | BachStud | 2 | | 1995 | 107-118 | |
| Rifkin, Joshua | Some questions of performance in J. S. Bach's Trauerode. | BachStud | 2 | | 1995 | 119-153 | |
| Swack, Jeanne | J. S. Bach's A major flute sonata BWV 1032 revisited. | BachStud | 2 | | 1995 | 154-174 | |
| Walker, Paul | Rhetoric, the ricercar, and J. S. Bach's Musical Offering. | BachStud | 2 | | 1995 | 175-191 | |
| Wolff, Christoph | J. S. Bach and the legacy of the seventeenth century. | BachStud | 2 | | 1995 | 192-201 | |
| Wollny, Peter | Wilhelm Friedemann Bach's Halle performances of cantatas by his father. | BachStud | 2 | | 1995 | 202-228 | |
| Melamed, Daniel R. | Bach Studies 2. | BachStud | 2 | | 1995 | xiv, 238p | |
29 matches.
