Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
Buelow, George J. | Expressivity in the accompanied recitatives of Bach's cantatas. | BachStud | 1 | | 1989 | 18-35 | |
Marshall, Robert L. | On the origin of Bach's Magnificat: a Lutheran composer's challenge. | BachStud | 1 | | 1989 | 3-17 | |
Crist, Stephen A. | Aria forms in the Cantatas from Bach's first Leipzig Jahrgang. | BachStud | 1 | | 1989 | 36-53 | |
Brainard, Paul | The regulative and generative roles of verse in Bach's 'thematic' invention. | BachStud | 1 | | 1989 | 54-74 | |
Chafe, Eric T. | The St John Passion: theology and musical structure. | BachStud | 1 | | 1989 | 75-112 | |
Mann, Alfred | Bach's parody technique and its frontiers. | BachStud | 1 | | 1989 | 115-124 | |
Stinson, Russell | Three organ-trio transcriptions from the Bach circle: keys to a lost Bach chamber work. | BachStud | 1 | | 1989 | 125-159 | |
Stauffer, George B. | 'This fantasia... never had its like': on the enigma and chronology of Bach's Chromatic Fantasia and Fugue in D Minor, BWV 903. | BachStud | 1 | | 1989 | 160-182 | |
Williams, Peter F. | French overture conventions in the hands of the young Bach and Handel. | BachStud | 1 | | 1989 | 183-193 | |
Siegele, Ulrich | The four conceptual stages of the Fugue in C Minor, WTC I. | BachStud | 1 | | 1989 | 197-224 | |
Brokaw, James A., II. | The genesis of the Prelude in C Major, BWV 870. | BachStud | 1 | | 1989 | 225-239 | |
Franklin, Don O. | Reconstructing the Urpartitur for WTC II: a study of the 'London Autograph' (BL Add. MS 35021). | BachStud | 1 | | 1989 | 240-278 | |
Finscher, Ludwig | Bach in the eighteenth century. | BachStud | 1 | | 1989 | 281-296 | |
Zenck, Martin | Tradition as authority and provocation: Anton Webern's confrontation with Johann Sebastian Bach. | BachStud | 1 | | 1989 | 297-322 | |
Herz, Gerhard | The human side of the American Bach sources. | BachStud | 1 | | 1989 | 323-350 | |
Franklin, Don O. | Bach Studies. [1] | BachStud | 1 | | 1989 | 362p | |
16 matches.