| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Fuller, Robert | A brief study of the Six motets of Johann Sebastian Bach. | ChoralJ | 8 | 2 | Nov-Dec 1967 | 14-15 | |
| Pisano, Richard C. | The Problem of Accompaniment. | ChoralJ | 9 | 1 | Jul-Aug 1968 | 21-22 | |
| Pisano, Richard C. | On Bach's Motets. (The Relationship of Text and Music). | ChoralJ | 9 | 2 | Sep-Oct 1968 | 19-21 | |
| Pisano, Richard C. | On Bach's Motets. Analysis of Compositional Technique used for Double Choir. | ChoralJ | 9 | 3 | Nov-Dec 1968 | 21-23 | |
| Ehmann, Wilhelm | Performance practices in the Baroque period. | ChoralJ | 11 | 9 | May 1971 | 12-13 | |
| Radice, Mark; Radice Jean | Interview with Helmuth Rilling. | ChoralJ | 16 | 3 | Nov 1975 | 5-6 | |
| Spitta, Philipp | The Passion Music of Sebastian Bach and Heinrich Schuetz. | ChoralJ | 16 | 3 | Nov 1975 | 10-13 | |
| Brewer, Richard H. | C. P. E. Bach and his Oratorios. | ChoralJ | 21 | 5 | Jan 1981 | 34, 36-40 | |
| Jamison, Ward | Bach's 'St. John Passion' - a look at the Text and a New Numbering System. | ChoralJ | 21 | 6 | Feb 1981 | 41-44 | |
| Janower, David M. | Aria form in the Bach B-minor Mass. | ChoralJ | 22 | 4 | Dec 1981 | 17-19,22 | |
| Scott, Earl K. | Bach and the twenty-third Psalm. | ChoralJ | 22 | 8 | Apr 1982 | 39-42 | |
| Castle, Conan | The motets of Johann Michael Bach. | ChoralJ | 24 | 10 | Jun 1984 | 11-21 | |
| Steinitz, Paul | Bach in the Thomaskirche. | ChoralJ | 25 | 10 | Jun 1985 | 6 | |
| Rilling, Helmuth | Bach's significance. | ChoralJ | 25 | 10 | Jun 1985 | 7-14 | |
| Ehmann, William | Performance of the cantus firmus 'O Lamm Gottes unschuldig' in the opening chorus of Johann Sebastian Bach's 'St. Matthew Passion'. | ChoralJ | 25 | 10 | Jun 1985 | 15-19 | |
| Hickman, Joe | A Performers Guide To J. S. Bach's Cantata BWV 106. | ChoralJ | 27 | 2 | Sep 1986 | 15-18 | |
| Moses, Don V; Demarec, Robert W. Jr. | Articulation in Late Baroque Choral Music. | ChoralJ | 27 | 10 | May 1987 | 17-30 | |
| Alwes, Chester L. | J. S. Bach's 'Lutheran' Masses: Aspects of Chronology and Structure. | ChoralJ | 29 | 7 | Feb 1989 | 5-11 | |
| Dox, Thurston J. | Samuel Felsted's Jonah - The Earliest American Oratorio. | ChoralJ | 32 | 7 | Feb 1992 | 27-32 | |
| Town, Stephen | Mendelssohn's Lobgesang: A fusion of forms and textures. | ChoralJ | 33 | 4 | Nov 1992 | 19-26 | |
| Griggs-Janower, David | Mendelssohn's Chorale Cantatas: A Well-Kept Secret. | ChoralJ | 33 | 4 | Nov 1992 | 31-33 | |
| Jones, Perry | The Bethlehem Bach Choir approaches its centennial. | ChoralJ | 34 | 9 | Apr 1994 | 13-18 | |
| Hansen, Sharon A. | Helmut Rilling celebrates two anniversaries. | ChoralJ | 35 | 5 | Dec 1994 | 9-15 | |
| Thomas, Elmer; Jones, Erik Reid | J. S. Bach's B-Minor Mass: Symbolism and Twentieth-Century Performance Practices. | ChoralJ | 35 | 8 | Mar 1995 | 21-29 | |
| Oglesby, Donald | Index to Bach Cantata Scores: Locations in the Bach Gesellschaft Edition, Neue Bach Ausgabe, Hänssler/Carus Verlag Catalog, and Kalmus Catalog. | ChoralJ | 35 | 8 | Mar 1995 | 37-39, 42-44 | |
| Meredith, Sarah | Wie schön leuchtet der Morgenstern in the Chorale Cantatas of J. S. Bach. | ChoralJ | 38 | 5 | Dec 1997 | 9-14 | |
| Music, David W. | Camille Saint-Saëns' Christmas oratorio: Description, accessibility, comparison. | ChoralJ | 39 | 5 | Dec 1998 | 49-53 | |
| Curtis, John | Bach and Graupner: The Audition Cantatas. | ChoralJ | 39 | 7 | Feb 1999 | 9-15 | |
| Hoekema van Wyck, Helen | Mourning into dancing: Dance rhythms in J.S. Bach's St. Matthew Passion. | ChoralJ | 40 | 3 | Oct 1999 | 9-22 | |
| Crist, Stephen A. | Recitatives and Arias in Bach's Leipzig Church Cantatas. | ChoralJ | 41 | 4 | Nov 2000 | 9-20 | |
| Alwes, Chester L. | J.S. Bach and the Concerto: Ritornello as a Guide to Rehearsal. | ChoralJ | 41 | 4 | Nov 2000 | 21-28 | |
| Hamer, Brian | Bach's Use of the Chiasm in the St John Passion. | ChoralJ | 41 | 4 | Nov 2000 | 29-36 | |
| Sargent, Martha | Bach Cantatas for Choirs. | ChoralJ | 41 | 4 | Nov 2000 | 39-45 | |
| Flannagan, Pat | Selected Examples of Choreinbau in the Cantatas of J.S. Bach. | ChoralJ | 41 | 5 | Dec 2000 | 25-35 | |
| Cook, Grant W., III | Bach in Boston: The Emergence of the St. Matthew Passion, from 1868 to 1879. | ChoralJ | 41 | 9 | Apr 2001 | 21-33 | |
| Johnson, Lani | Examination of movements 4 and 4a of Magnificat in D, Wq 215 (1747-49 1790-82) by Carl Philipp Emanuel Bach. | ChoralJ | 46 | 5 | Nov 2005 | 16-31 | |
| Burns, Brian E. | Elements of Empfindsamkeit in the Heilig Wq. 217 (H.778) of Carl Philipp Emanuel Bach. | ChoralJ | 46 | 9 | Mar 2006 | 10-23 | |
| Rathey, Markus | Christmas 1723. Johann Sebastian Bach's Artistic Evolution. | ChoralJ | 48 | 1 | Jul 2007 | 14-23 | |
| Gingrich, Linda | Hidden Allegory in J.S. Bach's 1724 Trinity Season Chorale Cantatas. | ChoralJ | 51 | 1 | Aug 2010 | 6-17 | |
| Rothlisberger, Rod | In the footsteps of Bach: An interview with Georg Christoph Biller. | ChoralJ | 54 | 1 | Aug 2013 | 34-43 | |
| Rathey, Markus | Between stage and choir loft: Church music and opera in Leipzig before Bach. | ChoralJ | 61 | 1 | Aug 2020 | 28-40 | |
41 matches.
