Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
Spányi, Miklós | C.P.E. Bach Sonatina in F major, W.64/1 (H.7): Allegro. | ClavichordInternat | 2 | 1 | May 1998 | 17-18 | |
Spányi, Miklós | C.P.E. Bach Sonatina in F major, W.64/1 (H.7): Andante & Presto. | ClavichordInternat | 2 | 2 | Nov 1998 | 49 | |
Glenny, Bruce W. | Clavichord technique from a performer's perspective. II: First encounters with a clavichord. | ClavichordInternat | 2 | 2 | Nov 1998 | 55-56 | |
Glenny, Bruce W. | Clavichord technique from a performer's perspective: Exercises for developing a full, rounded tone on the clavichord--Studying a C.P.E. Bach piece from the Klavierbüchlein of Anna Magdalena Bach. | ClavichordInternat | 3 | 1 | May 1999 | 24-26 | |
Spanyi, Miklos | An easy sonata of Carl Philipp Emanuel Bach and its less easy embellishments. | ClavichordInternat | 3 | 1, 2 | May, Nov 1999 | 17-19; 45-46 | |
Simmonds, Paul | Performance practice in 1819? Griepenkerl and the W.F. Bach polonaises. | ClavichordInternat | 4 | 1 | May 2000 | 13-16 | |
Glenny, Bruce W. | Studying C.P.E. Bach's Solo per il cembalo from the Klavierbüchlein of Anna Magdalena Bach. | ClavichordInternat | 4 | 1 | May 2000 | 26-27 | |
Spányi, Miklós | Johann Sebastian Bach's Clavichord Technique Described by Griepenkerl. | ClavichordInternat | 4 | 2 | Nov 2000 | 47-52 | |
Vermeij, Koen | An interview with Miklós Spányi. | ClavichordInternat | 8 | 1 | May 2004 | 2-8 | |
Soinne, Paavo | On the position of the clavichord in the history of musical instruments and on its relation to the fortepiano. | ClavichordInternat | 8 | 2 | Nov 2004 | 42-51 | |
Thomson, Kemer | An interview with Joel Speerstra. | ClavichordInternat | 9 | 1 | May 2005 | 2-4 | |
Lehman, Bradley | The 'Bach temperament' and the clavichord. | ClavichordInternat | 9 | 2 | Nov 2005 | 41-46 | |
Spányi, Miklós | Kirnberger's temperament and its use in today's musical praxis. | ClavichordInternat | 11 | 1 | May 2007 | 15-22 | |
Simmonds, Paul | Repertoire guide. IV: The keyboard works of Wilhelm Friedemann Bach (1710-1784). | ClavichordInternat | 11 | 2 | Nov 2007 | 52-55 | |
Spányi, Miklós | Some practical thoughts on the performance of C.P.E. Bach's keyboard music. [1] | ClavichordInternat | 14 | 2 | Nov 2010 | 57-62 | |
Spányi, Miklós | Some practical thoughts on the performance of C.P.E. Bach's keyboard music. [2] | ClavichordInternat | 15 | 1 | May 2011 | 15-22 | |
Spányi, Miklós | Some practical thoughts on the performance of C.P.E. Bach's keyboard music. II. | ClavichordInternat | 18 | 1 | May 2014 | 15-18 | |
Spányi, Miklós | Some practical thoughts on the performance of C.P.E. Bach's keyboard music. II. | ClavichordInternat | 18 | 2 | Nov 2014 | 15-18 | |
Bemmann, Lothar | The harmony died away: The elusive clavichords of Gottfried Silbermann. I. | ClavichordInternat | 18 | 2 | Nov 2014 | 51-59 | |
Bemmann, Lothar | The harmony that died away: The elusive clavichords of Gottfried Silbermann. II. | ClavichordInternat | 19 | 1 | May 2015 | 12-19 | |
Crowell, Gregory | An interview with Miklós Spányi on performing J.S. Bach's Well-tempered clavier, book 1. | ClavichordInternat | 20 | 1 | May 2016 | 2-7 | |
Potvlieghe, Joris | The clavichord in the life of Johann Sebastian Bach. | ClavichordInternat | 20 | 2 | Nov 2016 | 41-49 | |
Potvlieghe, Joris | The Clavichord in the life of J. S. Bach, part II. | ClavichordInternat | 21 | 2 | Nov 2017 | | |
Charlston, Terence | Patterns of Play: Orlando Gibbons, Simon Lohet, and J.S. Bach's Fugue in E Major (BWV 878/2), Part I. | ClavichordInternat | 23 | 2 | Nov 2019 | 39-48 | |
Charlston, Terence | Patterns of Play: Orlando Gibbons, Simon Lohet, and J.S. Bach's Fugue in E Major (BWV 878/2), Part II. | ClavichordInternat | 24 | 1 | May 2020 | 7-13 | |
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