Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
Bardas, Stefan | For the left hand; suggestions on the performance of Bach's C Major Suite for Violoncello as a piano solo. | Clavier | 3 | 2 | Mar-Apr 1964 | 23-26 | |
Schroder, Charles Frederick | Piano Lesson: Two Part Invention No.6 in E Major by Johann Sebastian Bach. | Clavier | 3 | 4 | Sep 1964 | 27-30 | |
Bardas, Stefan | Prelude. From the C Major Cello Suite / J. S. Bach. | Clavier | 3 | 6 | Nov-Dec 1964 | 24-25 | |
Dumm, Robert | Good to the Last Drop: Piano Footnotes to Bach's Scherzo. | Clavier | 4 | 2 | Mar-Apr 1965 | 34-36, 56 | |
Bryant, Celia Mae | Can He Understand A Fugue? | Clavier | 4 | 3 | May-Jun 1965 | 26-31 | |
Dumm, Robert | The Play of Courtship: Piano Footnotes to Bach's Minuet in G. | Clavier | 5 | 2 | Mar-Apr 1966 | 40-42 | |
Edler, Dean; Demus, Jörg | Jörg Demus: An Interview, in which the noted concert pianost discusses the Well-tempered Clavier with Dean Elder. | Clavier | 6 | 1 | Jan 1967 | 20-27 | |
Bryant, Celia Mae | Eighteenth century showcase. | Clavier | 6 | 8 | Nov 1967 | 51-54 | |
Rosenblum, Sandra | Baroque style and a new edition of Bach pieces. | Clavier | 7 | 1 | Jan 1968 | 33-34 | |
DeYoung, Lynden | Fugue: The Treatment of Thematic Materials. | Clavier | 7 | 7 | Oct 1968 | 37-40 | |
Lambert, Arthur | A dance suite - the Bach Partita in B Flat. | Clavier | 8 | 1 | Jan 1969 | 13-22 | |
Wagner, Edyth | Analyzing a Bach Prelude. | Clavier | 8 | 7 | Oct 1969 | 35-38 | |
Birkby, Arthur | The Legato Line: An Organ Lesson. | Clavier | 9 | 2 | Feb 1970 | 21-24 | |
Leffelaar, Ruth | Two Sides to a Single Technique: Creativity Increases Understanding. | Clavier | 11 | 3 | Mar 1972 | 16, 34-37 | |
Lovelace, Austin | Organ Lesson from the Orgelbüchlein. | Clavier | 11 | 7 | Oct 1972 | 29 | |
Bryant, Celia Mae | Becoming A Well-Tempered Musician. | Clavier | 11 | 8 | Nov 1972 | 29-30 | |
Wolff, Konrad | Signed by Bach. | Clavier | 12 | 9 | Dec 1973 | 44 | |
Zabrack, H. | The 'Inventions' were meant to be teaching pieces. | Clavier | 13 | 8 | Nov 1974 | 28-30 | |
Joseph, Charles | Performing Bach on the Piano. | Clavier | 14 | 8 | Nov 1975 | 20, 36-39 | |
Dumm, Robert | Playing Bach on the Modern Piano. | Clavier | 17 | 1 | Jan 1978 | 33-38 | |
Elder, Dean | Bach talk with Rosalyn Tureck. | Clavier | 18 | 1 | Jan 1979 | 18-21 | |
Elder, Dean | Tureck on Bach. | Clavier | 19 | 10 | Dec 1980 | 10-14 | |
Slyck, Nicholas van | Bach's Second Chance: Origin of the Second Volume of the Well-Tempered Clavier. | Clavier | 19 | 10 | Dec 1980 | 17-21 | |
Brantigan, Thomas A. | Master Lesson on Bach Chorale Prelude. | Clavier | 19 | 10 | Dec 1980 | 22-25 | |
Schaefer-Eder, Barbara | Master Class with Rosalyn Tureck. | Clavier | 19 | 10 | Dec 1980 | 28-30 | |
Bigler, Carol; Valery, Lloyd-Watts | The Suzuki Approach to Teaching a Bach Minuet. | Clavier | 19 | 10 | Dec 1980 | 34-35 | |
Selden, Margery Stomne | The case of the missing measures. | Clavier | 21 | 3 | Mar 1982 | 53 | |
Kipnis, Igor | Ornaments in Bach's Toccata in G; Spurious or Authentic? | Clavier | 23 | 8 | Aug 1984 | 20-25; 44 | |
Elder, Dean | Interpreting Bach: An interview with Walter Frey. | Clavier | 24 | 3 | Mar 1985 | 4-11 | |
Robert, Walter | Bach the Music Master: Teaching a Tradition. | Clavier | 24 | 3 | Mar 1985 | 12-17 | |
Beard, Katherine | Exploring the Two-Part Inventions. | Clavier | 24 | 3 | Mar 1985 | 18-20 | |
Holland, Sam | Synthesizing Bach's Inventions. | Clavier | 24 | 3 | Mar 1985 | 22-23 | |
Agay, Denes | Authentic Baroque Performance. | Clavier | 24 | 4 | Apr 1985 | 18-20 | |
Moser, Sue | Beginners Meet Baroque: Counterpoint not Cacophony. | Clavier | 24 | 4 | Apr 1985 | 22-23 | |
Goodman, Roger | Choosing Editions of Baroque Keyboard Music. | Clavier | 24 | 5 | May-Jun 1985 | 20-25 | |
Schiff, Andras | Interpreting Bach's Preludes and fugues. | Clavier | 26 | 3 | Mar 1987 | 15-18 | |
Schwager, Myron | C.P.E. Bach's Prussian Sonatas. | Clavier | 26 | 9 | Nov 1987 | 14-16 | |
Slenczynska, Ruth | Bach's Three-Voiced Fugue in C Minor. | Clavier | 27 | 1 | Jan 1988 | 26-29 | |
Polkow, Dennis | Anthony Newman. Comes of Age. | Clavier | 27 | 2 | Feb 1988 | 8-13 | |
Newman, Anthony | Prelude No.24 in B minor from The Well-Tempered Clavier Book I. | Clavier | 27 | 2 | Feb 1988 | 14-16 | |
Benson, Joan | Bach and the Clavier. | Clavier | 29 | 2 | Feb 1990 | 25-29 | |
Dumm, Robert | Bach's Scherzo in D minor. | Clavier | 30 | 1 | Jan 1991 | 20-23 | |
Palmer, Willard A. | Trills in Bach. | Clavier | 30 | 6 | Jul-Aug 1991 | 4 | |
Raessler, Daniel M. | A New Look at Old Pedaling. | Clavier | 30 | 8 | Oct 1991 | 16-19, 48 | |
Schenkman, Walter | New Perspectives on Bach's Well-Tempered Clavier. Part 1. | Clavier | 33 | 3 | Mar 1994 | 12-17 | |
Schenkman, Walter | New Perspectives on Bach's Well-Tempered Clavier, Part 2 | Clavier | 33 | 5 | May-Jun 1994 | 17-20, 22-25 | |
Houle, Arthur | Adding Embellishments to Bach's Basic Notes. | Clavier | 33 | 7 | Sep 1994 | 22, 26, 28, 30-32, 34, 36 | |
Chiu, Vivian | What Bach Borrowed From J.K.F. Fischer. | Clavier | 33 | 8 | Oct 1994 | 28-30, 32 | |
Elder, Dean | Analyzing Bach's Well-Tempered Clavier. | Clavier | 34 | 1 | Jan 1995 | 4, 6, 42 | |
Jenne, Natalie; Little, Meredith | Bach's Dance Music. | Clavier | 34 | 9 | Nov 1995 | 21-26 | |
Dumm, Robert | Bach's Witty 'Echo' Fascinates Students. | Clavier | 35 | 10 | Dec 1996 | 28-31 | |
Carruthers, Glen Blaine | Ornaments from Bach's Anna Magdalena Notebook. | Clavier | 37 | 1 | Jan 1998 | 6-9 | |
Autry, Philip | 24 Steps to the Great 48. Introducing Students to Contrapuntal Playing. | Clavier | 37 | 8 | Oct 1998 | 13-15, 17-18, 20 | |
| Jazz Minuet. The Bach Minuet in G arranged in a swing style by Tony Santorella. | Clavier | 39 | 1 | Jan 2000 | 28-29 | |
Dumm, Robert | The Great Romantics Festival. | Clavier | 39 | 10 | Dec 2000 | 30 | |
Montparker, Carol | An Experiment Bach Would Enjoy With 32 Goldberg Recitalists. | Clavier | 40 | 6 | Jul 2001 | 28 | |
Johnson, Isabella Eridita | For the Love of Bach. | Clavier | 40 | 6 | Jul 2001 | 28-29 | |
Collins, Richard | Playing Behind the Beat with Rubato in Bach or jazz. | Clavier | 40 | 8 | Oct 2001 | 22-24 | |
Hall, Corry | Of Bach and Courante Tempos. | Clavier | 41 | 6 | Jul-Aug 2002 | 23-25 | |
Zaltsberg, Ernst | The Turbulent Life and Legacy of Harpsichordist Wanda Landowska. | Clavier | 41 | 8 | Oct 2002 | 16-21 | |
Laurence, Anya | Lessons with Denise Restout - A Protégé of Wanda Landowska. | Clavier | 41 | 8 | Oct 2002 | 22-23 | |
Hill, Matthew | Delightful, Easy Piano Pieces in Bach's Clavier-Büchlein. | Clavier | 43 | 4 | Apr 2004 | 14-19 | |
Spencer, Ruth Albert | Music to Charm the Ear - Chopin's Preludes, Op. 28. | Clavier | 43 | 9 | Nov 2004 | 18-21 | |
Schenkman, Walter | The Goldberg Mystery. | Clavier | 44 | 1 | Jan 2005 | 12-14, 17-19 | |
Altschuler, Eric Lewin; Braus, Ira | Selecting Bach Tempos. | Clavier | 47 | 4 | Apr 2008 | 24-28 | |
65 matches.