Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
Whittaker, William Gillies | Notes on Bach's Orchestration. | Consort | 1 | | Oct 1929 | 1-4 | |
Terry, Charles Sanford | Bach's Music and Church Acoustics. | Consort | 2 | | Dec 1931 | 2-3 | |
Dolmetsch, Mabel | The Antiquity of Equal Temperament. | Consort | 5 | | 1948 | 1-6 | |
Forkel, Johann Nicolaus | The Spirit of Bach, a Quotation from the Biography. | Consort | | | Jul 1950 | | |
Dolmetsch, Carl | A practical approach to Bach's violin sonatas. | Consort | 12 | | 1955 | 15-17 | |
Dolmetsch, Mabel | Archive: On Equal Temperament. | Consort | 29 | | 1973 | 39-41 | |
Appel, Richard B. | The Bay Psalm Book and its Music - 1640 - 1773. | Consort | 30 | | 1974 | 72-76 | |
Rennert, Jonathan | Dr. William Crotch (1775-1847) - Worth reviving? | Consort | 31 | | 1975 | 116-124 | |
Campbell, Margaret | Archive: To Dot or Double-Dot? The Eternal Question. | Consort | 31 | | 1975 | 142-147 | |
Godwin, Shelagh | The F.T. Arnold correspondence, a selection from the letters from F.T. Arnold to Arnold Dolmetsch. | Consort | 33 | | 1977 | 237-249 | |
Barry, Barbara | Heavenly Harmony and the Tradition of Medieval Number Theory. | Consort | 36 | | 1980 | 361-364 | |
Salter, Lionel | Which Bach? | Consort | 42 | | 1986 | 50 | |
Beechey, Gwilym | C. P. E. Bach (1714-1788) -- His Solo Keyboard and Chamber Music. | Consort | 44 | | 1988 | 10-22 | |
Beechey, Gwilym | Songs and cantatas in eighteenth-century England. | Consort | 49 | | 1993 | 30-40 | |
Fabian Somorjay, Dorottya | Changing style in performing J.S. Bach's music, 1945-1978: The Goldberg Variations | Consort | 53 | | 1997 | 23-39 | |
Gomme, Andor H. | Filling in for Bach: A performing version of the St. Mark Passion. | Consort | 60 | | Summer 2004 | 61-77 | |
Vallo, Victor, Jr. | The natural trumpet and the Baroque oratorio. | Consort | 61 | | Summer 2005 | 18-29 | |
Jerold, Beverly | 'The 'most indispensable and most pleasing trill'' | Consort | 64 | | 2008 | 90-101 | |
18 matches.