| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Hudson, Frederick | Bach's wedding music. | CurMcol | | 7 | 1968 | 111-120 | |
| Moe, Orin | Art of the Fugue. | CurMcol | | 7 | 1968 | 23-25 | |
| Wiora, Walter | Zur Stellung Bachs im Weltbild der Goethezeit. - Bach's Place in the World-view of the Goethe Era. | CurMcol | | 9 | 1969 | 174-182 | |
| May, Ernest | Bach Research. | CurMcol | | 10 | 1970 | 21-25 | |
| Wright, Craig | Rare music manuscripts at Harvard. | CurMcol | | 10 | 1970 | 25-33 | |
| Cantrell, Byron | Three B's--three chaconnes. | CurMcol | | 12 | 1971 | 63-74 | |
| Lester, Joel | Problems in the Neue Bach Ausgabe of the E major Partita for Violin Alone. | CurMcol | | 13 | 1972 | 64-67 | |
| Newman, Anthony | The 20th-Century Performer as Interpreter of the Baroque Tradition. | CurMcol | | 14 | 1972 | 145-154 | |
| Stauffer, George B. | Bach's 'Art of fugue': An Examination of the Sources. Introduction. [Seminar Report.] | CurMcol | | 19 | 1975 | 47-50 | |
| Dedel, Peter | Dissemination and Dispute. | CurMcol | | 19 | 1975 | 50-54 | |
| Seaton, Douglass | The Autograph: An Early Version of the 'Art of Fugue'. | CurMcol | | 19 | 1975 | 54-59 | |
| Bagnall, Anne; et al. | The Simple Fugues. | CurMcol | | 19 | 1975 | 59-61 | |
| Koprowski, Richard | Bach 'Fingerprints' in the Engraving of the Original Edition. | CurMcol | | 19 | 1975 | 61-67 | |
| Baker, Thomas | Bach's Revisions in the Augmentation Canon. | CurMcol | | 19 | 1975 | 67-71 | |
| Wolff, Christoph | The Last Fugue: Unfinished? | CurMcol | | 19 | 1975 | 71-77 | |
| Lester, Joel | The Fux-Mattheson Correspondence: An Annotated Translation. | CurMcol | | 24 | 1977 | 37-62 | |
| Chafe, Eric T. | Key structure and tonal allegory in the Passions of J. S. Bach: an introduction. | CurMcol | | 31 | 1981 | 39-54 | |
| Schulenberg, David | Composition as Variation: Inquiries Into The Compositional Procedures of the Bach Circle of Composers. | CurMcol | | 33 | 1982 | 57-88 | |
| Seaman, Gerald | An Eighteenth-Century Russian Pocket-Book. | CurMcol | | 34 | 1982 | 53-63 | |
| Cammarota, Robert M. | The Sources of the Christmas Interpolations in J. S. Bach's Magnificat in E-flat Major (BWV 243a). | CurMcol | | 36 | 1983 | 79-99 | |
| Lester, Joel | Reading and Misreading: Schumann's Accompaniments to Bach's Sonatas and Partitas for Solo Violin. | CurMcol | | 56 | 1994 | 24-53 | |
| Schachter, Carl | The Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie. | CurMcol | | 56 | 1994 | 54-71 | |
| Waltham-Smith, Naomi | Disruptive Spatiality and the Experience of Recordings of Bach's Solo Cello Suites. | CurMcol | | 82 | Fall 2006 | 33-60 | |
| Lloyd, Rebecca | Bach: Luther's Musical Prophet? | CurMcol | | 83 | Spring 2007 | 5-32 | |
| Greitzer, Mary Lee | Becoming Bach, blaspheming Bach: Kinesthetic Knowledge and Embodied Music Theory in Ysa˙e's 'Obsession' for Solo Violin. | CurMcol | | 86 | Fall 2008 | 63-78 | |
| Steingo, Gavin | The musical work reconsidered: In hindsight. | CurMcol | | 97 | Spring 2014 | 81-112 | |
26 matches.
