Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
Brauchli, Bernard; Brauchli, Susan; Galazzo, Alberto | De Clavicordio [I]: Proceedings of the International Clavichord Symposium, Magnano 1993. | DeClavicordio | 1 | | 1994 | 287, 24p | |
Speerstra, Joel | Towards an identification of the clavichord repertoire among C.P.E. Bach's solo keyboard music: Some preliminary conclusions. | DeClavicordio | 2 | | 1995 | 43-81 | |
Woodward, Beverly | The Probestücke and C.P.E. Bach's Versuch über die wahre Art das Clavier zu Spielen. | DeClavicordio | 2 | | 1995 | 84-93 | |
Koster, John | The 'still, small voice' and the exploration of inner musical space | DeClavicordio | 2 | | 1995 | 155-165 | |
Hogwood, Christopher | A repertoire for the clavichord (including a brief history of Bebung). | DeClavicordio | 2 | | 1995 | 167-180 | |
Brauchli, Bernard; Brauchli, Susan; Galazzo, Alberto | De clavicordio II: Proceedings of the International Clavichord Symposium/Atti del Congresso Internazionale sul Clavicordo. | DeClavicordio | 2 | | 1995 | 274p | |
Simmonds, Paul | Abstossen, schleifen and das algemeine Fortgehen: Thoughts on clavichord touch. | DeClavicordio | 3 | | 1997 | 53-60 | |
Speerstra, Joel | The pedal clavichord as a pedagogical tool for organists. | DeClavicordio | 3 | | 1997 | 109-118 | |
Fuller, Richard | Affekt and Rhetorik in the clavier music of C.P.E. Bach and suggested applications in the music of Joseph Haydn. | DeClavicordio | 3 | | 1997 | 255-275 | |
Brauchli, Bernard; Brauchli, Susan | De clavicordio. III: Proceedings of the III International Clavichord Symposium/Atti del III Congresso Internazionale sul Clavicordo. | DeClavicordio | 3 | | 1997 | 296p | |
Richards, Annette | C.P.E. Bach's 'Farewell' and the speaking clavichord. | DeClavicordio | 4 | | 2000 | 15-35 | |
Schulenberg, David | When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style and medium in eighteenth-century keyboard music. | DeClavicordio | 4 | | 2000 | 37-53 | |
Hogwood, Christopher | 'Our old great favourite'--Burney, Bach and the Bachists. | DeClavicordio | 4 | | 2000 | 55-85 | |
Morrow, Mary Sue | The clavichord resounds, or the wider influence of C. P. E. Bach's 'empfindsamer' keyboard style. | DeClavicordio | 4 | | 2000 | 87-94 | |
Berg, Darrell M. | C. P. E. Bach's songs for clavichord. | DeClavicordio | 4 | | 2000 | 95-104 | |
Huber, Alfons; Graf, Anna Savarain de | A clavichord from Peru in the period of the imperial vice-royalty. | DeClavicordio | 4 | | 2000 | 105-117 | |
Martin, Darryl | Tangent layout and triple-fretted clavichord tuning. | DeClavicordio | 4 | | 2000 | 119-126 | |
Libin, Laurence; Klaus, Sabine K. | Two Spanish clavichords in private U. S. collections. | DeClavicordio | 4 | | 2000 | 127-138 | |
Helenius-Öberg, Eva | The Swedish clavichord around 1800. | DeClavicordio | 4 | | 2000 | 139-146 | |
Nex, Jenny; Whitehead, Lance | A preliminary investigation into the stringing of Swedish clavichords. | DeClavicordio | 4 | | 2000 | 147-160 | |
Speerstra, Joel | Documenting a clavichord by Lindholm and Söderström and a brief history of Swedish measurements. | DeClavicordio | 4 | | 2000 | 161-176 | |
Adlam, Derek | Conservation ethics. | DeClavicordio | 4 | | 2000 | 177-186 | |
Bavington, Peter | A maker's secrets revealed: restoration of a 1784 clavichord by C. G. Hoffmann. | DeClavicordio | 4 | | 2000 | 187-201 | |
Pollens, Stewart | A Pantalonclavichord by C. Kintzing of Neuwied, 1763. | DeClavicordio | 4 | | 2000 | 203-213 | |
Brauchli, Bernard; Brauchli, Susan; Galazzo, Alberto | De Clavicordio IV: Proceedings of the IV International Clavichord Symposium, Magnano, 8-11 September 1999. | DeClavicordio | 4 | | 2000 | 225p | |
Zapf, Michael | Handing down the Tradition: The Survival of Bach's Finger Technique in an Obscure Nineteenth-Century Clavier Tutor. | DeClavicordio | 5 | | 2002 | 39-43 | |
Adlam, Derek | Missing instruments. | DeClavicordio | 5 | | 2002 | 83-89 | |
Simmonds, Paul | Embellished repeats in late eighteenth-century clavichord repertoire. | DeClavicordio | 5 | | 2002 | 109-124 | |
Hogwood, Christopher | The Copenhagen connection: Resources for clavichord players in eighteenth-century Denmark. | DeClavicordio | 5 | | 2002 | 249-272 | |
Brauchli, Bernard; Galazzo, Alberto; Moody, Ivan | De Clavicordio V: Proceedings of the V International Clavichord Symposium, Magnano, 5-8 September 2001. | DeClavicordio | 5 | | 2002 | 328p | |
Henning, Uta | Clavichord reception in Russia: with special reference to the Bach family. | DeClavicordio | 7 | | 2006 | 11-16 | |
Crowell, Gregory | The clavichord as a plucked string instrument. | DeClavicordio | 7 | | 2006 | 183-194 | |
Brauchli, Bernard; Galazzo, Alberto; Wardman, Judith | De Clavicordio VII: Proceedings of the International Clavichord Symposium, Magnano, 7-10 September 2005. | DeClavicordio | 7 | | 2006 | 277p | |
Henning, Uta | Arnold Dolmetsch and his Bach clavichord: an iconographical and literary approach. | DeClavicordio | 8 | | 2008 | 17-25 | |
Brauchli, Bernard; Galazzo, Alberto; Wardman, Judith | De Clavicordio VIII: Proceedings of the International Clavichord Symposium, Magnano, 5-8 September 2007. | DeClavicordio | 8 | | 2008 | 256p | |
Delft, Menno van | Carl Philipp Emanuel Bach's 'Damen-Sonaten'. | DeClavicordio | 11 | | 2014 | 61-74 | |
Gammon, Julian | Virtual Teaching: C. P. E. Bach's Versuch as a pedagogical medium. | DeClavicordio | 11 | | 2014 | 87-98 | |
37 matches.