| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Lunde, Nanette Gomory | Israel Gottlieb Wernicke: The contrapuntist of Scandinavia. | EarlyKeyboardJ | 1 | | 1982-83 | 56-69 | |
| Louwenaar, Karyl | Which comes first: Sarabande or air? | EarlyKeyboardJ | 1 | | 1982-83 | 7-15 | |
| Louwenaar, Karyl | A reconsideration of the rhythmic interpretation of the gigue from Bach's sixth partita, BWV 830. | EarlyKeyboardJ | 2 | | 1983-84 | 1-20 | |
| Henderson, Ian H. | Three well temperaments and how to set them. | EarlyKeyboardJ | 3 | | 1984 | 19-34 | |
| Kremer, Rudolph | Clément Loret, a pioneer of the nineteenth-century French organ revival. | EarlyKeyboardJ | 4 | | 1985-86 | 43-50 | |
| Williams, Peter F. | Hints for performance in J. S. Bach's 'Clavierübung' prints. | EarlyKeyboardJ | 5 | | 1986-87 | 29-44 | |
| Harris, C. David | Kuhnau's Accentus and Its Implications for the Performance of Bach's Keyboard Music. | EarlyKeyboardJ | 13 | | 1995 | 107-120 | |
| Leisinger, Ulrich | Johann Christoph Friedrich Bach as a Keyboard Composer. | EarlyKeyboardJ | 13 | | 1995 | 7-38 | |
| Koster, John | The Quest for Bach's 'Clavier': An Historiographical Interpretation. | EarlyKeyboardJ | 14 | | 1996 | 65-84 | |
| Pelkey, Stanley C. | Preludes in All the Keys Throughout the Octave by Samuel Wesley: An Introduction to a Forgotten Keyboard Repertory. | EarlyKeyboardJ | 15 | | 1997 | 67-92 | |
| Sutherland, David A. | Silbermann, Bach, and the Florentine piano. | EarlyKeyboardJ | 21 | | 2003 | 45-63 | |
| Schulenberg, David | J.S. Bach, C.P.E. Bach, and the invention of the concerto for keyboard and strings. | EarlyKeyboardJ | 25-26 | | 2010 | 29-59 | |
| Wessler, Jonathan | French influence in the Pièce d'orgue, BWV 572. | EarlyKeyboardJ | 25-26 | | 2010 | 61-71 | |
| Hirabayashi, Asako | A New Interpretation of the English Virginalists' Ornament Signs. | EarlyKeyboardJ | 25-26 | | 2010 | 93-123, 255 | |
| Wilson, Glen | The Other Mr Couperin. | EarlyKeyboardJ | 30 | | 2013 | 7-25 | |
15 matches.
