| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Singer, Otto | Bach's Self-education. | Etude | 9 | 6 | Jun 1891 | 113 | |
| Dwight, John S. | The Fugue. | Etude | 10 | 6 | Jun 1892 | 115 | |
| Prentice, Ridley | A Revolution in the teaching of Fugue. | Etude | 11 | 2 | Feb 1893 | 32 | |
| Marmontel, A. | An Estimate of Johann Sebastian Bach. | Etude | 23 | 10 | Oct 1905 | 404 | |
| [anon.] | The Significance of Bach to Modern Music. | Etude | 24 | 8 | Aug 1906 | 489 | |
| Lagerquist, Charles | A Bach awakening. | Etude | 24 | 8 | Aug 1906 | 492 | |
| Landowska, Wanda | The Interpretation of Bach's Works. | Etude | 24 | 9 | Sep 1906 | 562-563 | |
| Mathews, William Smythe Babcock | A Study of Piano Technic from Bach to Clementi, Field and Cramer. | Etude | 24 | 10 | Oct 1906 | 630-632 | |
| Landowska, Wanda | The Interpretation of Bach's Works | Etude | 24 | 10 | Oct 1906 | 635 | |
| Brower, Harriette | The Inspiration of Bach's Piano Music. | Etude | 27 | 10 | Oct 1909 | 667 | |
| Whiting, George E. | Bach, the Master of Masters. | Etude | 27 | 12 | Dec 1909 | 814 | |
| Palmer, Sarah A. | Why Bach wrote the 'Well-Tempered Clavichord.' | Etude | 28 | 8 | Aug 1910 | 521 | |
| Wilson, Katharine Bemis | The Friends of Johann Sebastian Bach. | Etude | 29 | 4 | Apr 1911 | 239 | |
| [anon.] | The Etude Master Study Page. 1685--The Real Bach--1750. | Etude | 31 | 12 | Dec 1913 | 863-864 | |
| Bird, Arthur | German, French and English Interpretation of Bach's Organ Music. | Etude | 33 | 2 | Feb 1915 | 140-141 | |
| Campbell, Leroy B. | When and How to Begin the Study of Bach. | Etude | 37 | 2 | Feb 1919 | 77-78 | |
| Pierce, Edwin H. | Bach for Beginners. | Etude | 37 | 2 | Feb 1919 | 78 | |
| Hutcheson, Ernest | How to Study the Two-Voiced Inventions of Bach. | Etude | 37 | 6 | Jun 1919 | 339-340 | |
| Hark, Ann | The American Renaissance of Johann Sebastian Bach. | Etude | 43 | 8 | Aug 1925 | 541f | |
| Gordon, Philip | 'Those Horrid Inventions! Those Awful Fugues!' Hints on the Art of Playing the Music of Bach. | Etude | 44 | 6 | Jun 1926 | 425-426 | |
| Full, A. Eaglefield | Fundamentals in Playing Bach. | Etude | 46 | 1 | Jan 1928 | 54-55 | |
| Kinscella, Hazel Gertrude | How Shall We Study Bach? | Etude | 47 | 8 | Aug 1929 | 570, 613 | |
| Weir, R. Stanley | The Beauty of Bach. | Etude | 48 | 11 | Nov 1930 | 782 | |
| Knetzger, Charles | Why Study The Leipzig Cantor's Inventions. | Etude | 49 | 7 | Jul 1931 | 480 | |
| Riemenschneider, Albert | The Heart of Bach. Part I. | Etude | 51 | 12 | Dec 1933 | 844-845 | |
| Riemenschneider, Albert | The Heart of Bach. Part II. | Etude | 52 | 1 | Jan 1934 | 50-51 | |
| Riemenschneider, Albert | The Heart of Bach. Part III. | Etude | 52 | 2 | Feb 1934 | 118-119 | |
| [anon.] | Pictorial Visit to the Birthplace, Eisenach, of Johann Sebastian Bach (1685-1750). | Etude | 54 | 4 | Apr 1936 | 206f | |
| Kinscella, Hazel Getrude | Making a Start with Bach: Practical Helps for the Student Why Desires a Better Knowledge of the Great master and His Style. | Etude | 54 | 10 | Oct 1936 | 621-622 | |
| Hulse, Camil van | Bach and Modern Keyboard Technic. | Etude | 55 | 9 | Sep 1937 | 562 | |
| Osgood, Marion G. | Bach's Preludio in E, for Violin. | Etude | 56 | 7 | Jul 1938 | 476-477 | |
| Fleck, Hattice C. | Bach's Musical Helpmate: A Graphic Picture of Anna Magdalena Bach and Her Notenbüchlein. | Etude | 57 | 5 | May 1939 | 297-298, 356 | |
| Douty, Nicholas | Mr. Bach of 1940. | Etude | 58 | 5 | May 1940 | 296, 348 | |
| Steede, Alice M. | Bach and Separate Hand Practice. | Etude | 59 | 12 | Dec 1941 | 822 | |
| Lindquist, Orville | A Master Lesson on a Fascinating Bach Prelude. | Etude | 62 | 7 | Jul 1944 | 396, 420 | |
| Fellowes, Myles | Making Bach Interesting: A Conference with Alexander Borowsky. | Etude | 63 | 2 | Feb 1945 | 74, 106 | |
| Hamilton, William Clyde | The Bachs and the Organ. | Etude | 64 | 11 | Nov 1946 | 617, 648 | |
| Heylbut, Rose | Learning to Understand Bach: A Conference with Rosalyn Tureck. | Etude | 65 | 10 | Oct 1947 | 549, 586 | |
| Tselentis, Raïssa | Why Bach Has Become a 'Must' For Piano Students. | Etude | 66 | 1 | Jan 1948 | 20, 50 | |
| Scheide, William H. | Revival of the Bach Arias. | Etude | 66 | 9 | Sep 1948 | 536, 564 | |
| Beard, Gilbert | Prelude in E minor / Johann Sebastian Bach. | Etude | 67 | 10 | Oct 1949 | 30 | |
| Maier, Guy | A Master Lesson on the Sarabande and Bourrées from Bach's 'English' Suite No. 2 in A Minor. | Etude | 67 | 12 | Dec 1949 | 25-26 | |
| Maier, Guy | Joh. Sebast: Bach ... His World | Etude | 68 | 7 | Jul 1950 | 7-11 | |
| Stone, Kurt | What Bach Edition Should I play? | Etude | 68 | 7 | Jul 1950 | 12-14 | |
| Schonberg, Harold C. | What sort of man was J. S. Bach? | Etude | 68 | 7 | Jul 1950 | 14-15, 57 | |
| Forkel, Johann Nicolaus | Joh. Sebast: Bach. The Teacher. | Etude | 68 | 7 | Jul 1950 | 16-17, 64 | |
| A draft for a Well-Appointed Church Music By Joh. Sebast: Bach. | Etude | 68 | 7 | Jul 1950 | 18, 63 | |
| Schweisheimer, W. | The Search for Bach's grave. | Etude | 68 | 7 | Jul 1950 | 19, 62 | |
| Youngman, Hilary P. | Heirs to Bach's Genius. | Etude | 68 | 7 | Jul 1950 | 20, 51 | |
| Instruments of Bach's Day. | Etude | 68 | 7 | Jul 1950 | 21 | |
| McCurdy, Alexander | E. Power Biggs - on performing Bach's music. | Etude | 68 | 7 | Jul 1950 | 25, 61 | |
| Balogh, Ernö | Some thoughts on how to perform Bach. | Etude | 69 | 1 | Jan 1951 | 22, 51 | |
| Saunders, Celia | Bach and Bernie: There's more than one way to win a pupil, as this teacher shows. | Etude | 70 | 3 | Mar 1952 | 16, 63 | |
| Prout, Ebenezer | Air from Second French Suite in C minor. | Etude | 70 | 5 | May 1952 | 48 | |
| Riemenschneider, Albert | Jesus Christus, unser Heiland / Johann Sebastian Bach. | Etude | 70 | 8 | Aug 1952 | 39-41 | |
| Prout, Ebenezer | Sarabande from 'Second French Suite in C minor' / Johann Sebastian Bach. | Etude | 70 | 10 | Oct 1952 | 27 | |
| Levine, Henry | In Deepest Grief / Johann Sebastian Bach. | Etude | 71 | 4 | Apr 1953 | 29-30 | |
| Cherniavsky, David | Albert Schweitzer the man and the musician: a keen appraisal of one of the greatest personalities of the twentieth century. | Etude | 72 | 1 | Jan 1954 | 11, 63-64 | |
| Riemenschneider, Albert | The Use of Flutes in the Works of J. S. Bach. Part I. | Etude | 72 | 3 | Mar 1954 | 11f | |
| Riemenschneider, Albert | The Use of Flutes in the Works of J. S. Bach. Part II. | Etude | 72 | 4 | Apr 1954 | 20f | |
| Riemenschneider, Albert | The Use of Flutes in the Works of J. S. Bach. Part III. | Etude | 72 | 5 | May 1954 | 19f | |
| Jonas, Alberto | Bach's Fugue in C-sharp Minor, Book I: A Master Lesson. | Etude | 72 | 6 | Jun 1954 | 26, 33-35, 62 | |
| Pfatteicher, Carl F.; Davison, Archibald T. | Von Gott will ich nicht lassen (From God Shall Naught Divide me) (Chorale prelude) / J. S. Bach. | Etude | 72 | 8 | Aug 1954 | 40-41 | |
| [Chilkovsky, Nadia] | Bourrée (from French Suite No. 6) / Johann Sebastian Bach. | Etude | 72 | 10 | Oct 1954 | 30-31 | |
| Leonard, Mildred Stanley | On Teaching BACH. | Etude | 72 | 11 | Nov 1954 | 9, 20 | |
| Maier, Guy | A 'Conversation' With Carl Philipp Emanuel Bach. | Etude | 73 | 1 | Jan 1955 | 21, 56 | |
| Pfatteicher, C.; McCurdy Ames, R. | Aria Hallejujah, Stärk' und Macht = Hallelujah, Strength and Might ; for Violino Solo; Tenor ; from Cantata No. 29 / Johann Sebastian Bach. | Etude | 73 | 1 | Jan 1955 | 38-40 | |
| Eckard, Walter | Sinfonia (from 'church Cantata No. 156') / Johann Sebastian Bach. | Etude | 73 | 6 | Jun 1955 | 35 | |
| Prout, Ebenezer | Anglaise from French Suite No. 3 / Johann Sebastian Bach. | Etude | 73 | 12 | Dec 1955 | 28-29 | |
| Briggs, Marion L. | The 'Bach' of High Fidelity--from an interview with Robert D. Darrell. | Etude | 74 | 10 | Oct 1956 | 13-14 | |
| Lang, Paul Henry | Harpsichord or Piano? | Etude | 75 | 3 | Mar 1957 | 16, 50 | |
71 matches.
