| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Hill, Robert | Keyboard Music from the Andreas Bach Book and the Möller Manuscript. | HarvardPubM | 16 | | 1991 | xlvii, 210p | |
| Blackbourn, David | The German Eighteenth Century: Marking Time. | HarvardPubM | 22 | | 2008 | 3-15 | |
| Christensen, Thomas | Fundamenta Partiturae: Thorough Bass and Foundations of Eighteenth-Century Composition Pedagogy. | HarvardPubM | 22 | | 2008 | 17-40 | |
| Danuser, Hermann | Mishmash or Synthesis? On the Psychagogic Form of The Creation. | HarvardPubM | 22 | | 2008 | 41-78 | |
| Sisman, Elaine | Six of One: The Opus Concept in the Eighteenth Century. | HarvardPubM | 22 | | 2008 | 79-107 | |
| Butt, John | Bach's Passions and the Textures of Time. | HarvardPubM | 22 | | 2008 | 111-120 | |
| Chafe, Eric T. | Bach and Hypocrisy: Appearance and truth in Cantatas 136 and 179. | HarvardPubM | 22 | | 2008 | 121-143 | |
| Durante, Sergio | Tartini and his Texts. | HarvardPubM | 22 | | 2008 | 145-186 | |
| Melamed, Daniel R. | The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5. | HarvardPubM | 22 | | 2008 | 189-205 | |
| Schulze, Hans-Joachim | Bach and Mozart: From the Perspective of Different Documentary Evidence. | HarvardPubM | 22 | | 2008 | 207-216 | |
| Wollny, Peter | On Johann Sebastian Bach's Creative Process: Observations from His Drafts and Sketches. | HarvardPubM | 22 | | 2008 | 217-238 | |
| Zaslaw, Neal | One More Time: Mozart and his Cadenzas. | HarvardPubM | 22 | | 2008 | 239-249 | |
| Konrad, Ulrich | On Ancient Languages: The Historical Idiom in the Music of Wolfgang Amadé Mozart. | HarvardPubM | 22 | | 2008 | 253-278 | |
| Strohm, Reinhard | Eighteenth-Century Music as a Socio-Political Metaphor? | HarvardPubM | 22 | | 2008 | 279-296 | |
| Webster, James | The Century of Handel and Haydn. | HarvardPubM | 22 | | 2008 | 297-315 | |
| Wheelock, Gretchen A. | Mozart's Fantasy, Haydn's Caprice: What's in a Name? | HarvardPubM | 22 | | 2008 | 317-341 | |
| Hogwood, Christopher | The Clavier Speaks. | HarvardPubM | 22 | | 2008 | 345-370 | |
| Koopman, Ton | Ten Years of Bach Cantatas. | HarvardPubM | 22 | | 2008 | 371-377 | |
| Levin, Robert D. | Mozart's Working Methods in the Keyboard Concertos. | HarvardPubM | 22 | | 2008 | 379-406 | |
| Kelly, Thomas Forrest; Gallagher, Sean | The Century of Bach and Mozart: Perspectives on Historiography, Composition, Theory and Performance. In Honor of Christoph Wolff. | HarvardPubM | 22 | | 2008 | xii, 427p | |
20 matches.
