| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Seidel, Wilhelm | Moritz Hauptmanns organische Lehre: Tradition, Inhalt und Geltung ihrer Pramisse. | IReviewAesthSociolM | 2 | 2 | Dec 1971 | 243-266 | |
| Focht, Ivan | La notion pythagoricienne de la musique: contribution à sa détermination. | IReviewAesthSociolM | 3 | 2 | Dec 1972 | 161-172 | |
| Dahlhaus, Carl; Brook, Barry S.; Finscher, Ludwig; Etzkorn, K. Peter; Wiora, Walter; Kneif, Tibor; Reeser; Noske; Baethge; Ringer, Alexander L. | Das musikalische Kunstwerk als Gegenstand der Soziologie. [Discussions] | IReviewAesthSociolM | 6 | 1 | Jun 1975 | 67-79 | |
| Wagner, Günther | Exaktwissenschaftliche Musikanalyse und Informationsästhetik. | IReviewAesthSociolM | 7 | 1 | Jun 1976 | 63-76 | |
| Escal, Françoise | Les concertos-pastiches de Mozart, ou la citation comme procès d'appropriation du discours. | IReviewAesthSociolM | 12 | 2 | Dec 1981 | 117-139 | |
| Katalinic, Vjera | Zu einigen Popularthemen in Jarnovick's Violinkonzerten. | IReviewAesthSociolM | 18 | 1 | Jun 1987 | 19-30 | |
| Lessem, Alan | Bridging the Gap: Contexts for the Reception of Haydn and Bach. | IReviewAesthSociolM | 19 | 2 | Dec 1988 | 137-148 | |
| Weber, William | Mass Culture and the Reshaping of European Musical Taste, 1770-1870. | IReviewAesthSociolM | 25 | 1-2 | Jun-Dec 1994 | 175-190 | |
| Laudon, Robert Tallant | The elements of expression in music: A psychological view. | IReviewAesthSociolM | 37 | 2 | Dec 2006 | 123-133 | |
| Fabian, Dorottya | The Recordings of Joachim, Ysaÿe and Sarasate in light of their Reception by Nineteenth-Century British Critics. | IReviewAesthSociolM | 37 | 2 | Dec 2006 | 189-211 | |
| Kutschke, Beate | Johann Mattheson's Writings on Music and the Ethical Shift around 1700. | IReviewAesthSociolM | 38 | 1 | 2007 | 23-38 | |
| Bar-Yoshafat, Yonatan | Kenner und Liebhaber: Yet another look. | IReviewAesthSociolM | 44 | 1 | Jun 2013 | 19-47 | |
| Einarsdóttir, Sigrún Lilja | Constructing 'My Bach': Relevance of Historical Constructions of Bach for Members in an English Amateur 'Art Music' / Composer-oriented Bach Choir. | IReviewAesthSociolM | 46 | 1 | Jun 2015 | 95-116 | |
| Einarsdóttir, Sigrún Lilja | 'I didn't like Gilbert and Sullivan ... then I found they were really very good': 'Learned musical taste' in the context of an amateur choral ensemble. | IReviewAesthSociolM | 51 | 2 | Dec 2020 | 205-222 | |
14 matches.
