| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Exempli gratia: J.S. Bach, Cantata no. 198 Lass, Fürstin, lass noch einen Strahl (no. 4, recitative). | InTheoryOnly | 1 | 3 | Jun 1975 | 30-31 | |
| Smith, Charles J. | J.S. Bach, Six suites pour violoncelle seul: interpretation musicale et instrumentale. | InTheoryOnly | 1 | 8 | Nov 1975 | 20-27 | |
| Travis, Roy | J. S. Bach, invention no.1 in C major: reduction and graph. | InTheoryOnly | 2 | 7 | Oct 1976 | 3-7 | |
| Travis, Roy | J. S. Bach, invention no.13 in A minor: reduction and graph. | InTheoryOnly | 2 | 8 | Nov 1976 | 29-33 | |
| Horton, Charles | Analysis Symposium: Bach, 2-clavier Concerto in C minor (S. 1060), Mvt. I: Interaction of Structural Designs. | InTheoryOnly | 2 | 9 | Dec 1976 | 3-8 | |
| Pazur, Robert | Analysis Symposium: Bach, 2-clavier Concerto in C minor (S. 1060), Mvt. I: A Case for Synthesis | InTheoryOnly | 2 | 9 | Dec 1976 | 9-16 | |
| Greenberg, Beth | Bach's C Major Fugue (WTC I): A Subjective View. | InTheoryOnly | 2 | 3-4 | Jun-Jul 1976 | 13-17 | |
| Berry, Wallace | J. S. Bach's Fugue in D-sharp Minor (WTC I, No.8): A Naive Approach to Linear Analysis. | InTheoryOnly | 2 | 10 | Jan 1977 | 4-7 | |
| Thomas, Lewis | On thinking about thinking. | InTheoryOnly | 4 | 8 | Feb-Mar 1979 | 16-17 | |
| Haimo, Ethan | Inversional invariants in diatonic music. | InTheoryOnly | 5 | 4 | May 1981 | 21-27 | |
| Lester, Joel | Simultaneity structures and harmonic functions in tonal music. | InTheoryOnly | 5 | 5 | Jun 1981 | 3-28 | |
| Larson, Steve | On analysis and performance: the contribution of durational reduction to the performance of J.S. Bach's two-part invention in C major. | InTheoryOnly | 7 | 1 | May 1983 | 31-45 | |
| Cinnamon, Howard | Durational reduction and Bach's C-major invention: an alternative view. | InTheoryOnly | 7 | 4 | Nov 1983 | 25-35 | |
| Lambert, J. Philip | Eighteenth-century harmonic theory in concept and practice: Kollmann's analysis of J.S. Bach's Chromatic fantasy. | InTheoryOnly | 8 | 3 | Oct 1984 | 11-29 | |
| Adrian, Jack S. | J. S. Bach's invention in A minor: A re-view. | InTheoryOnly | 8 | 7 | Nov 1985 | 15-27 | |
| Neumeyer, David | The three-part Ursatz. | InTheoryOnly | 10 | 1-2 | Aug 1987 | 3-29 | |
| Schenker, Heinrich | C.P.E. Bach: Kurze und leichte Klavierstücke mit veränderten Reprisen (1766), no. 1, allegro. | InTheoryOnly | 10 | 4 | Dec 1987 | 5-10 | |
| Larson, Steve | Questions about the Ursatz: A response to Neumeyer. | InTheoryOnly | 10 | 4 | Dec 1987 | 11-31 | |
| Neumeyer, David | The Urlinie from 8 as a middleground phenomenon. | InTheoryOnly | 9 | 5-6 | Jan 1987 | 3-25 | |
| Wenk, Arthur Bampton | Parsing Debussy: Proposal for a grammar of his melodic practice. | InTheoryOnly | 9 | 8 | May 1987 | 5-19 | |
| Neumeyer, David | Fragile octaves, broken lines: On some limitations of Schenkerian theory and practice. | InTheoryOnly | 11 | 3 | Jul 1989 | 13-30 | |
| Botelho, Mauro | Meter and the Play of Ambiguity in the Third Brandenburg Concerto. | InTheoryOnly | 11 | 4 | Feb 1990 | 1-35 | |
| London, Justin | Metric Ambiguity (?) in Bach's Brandenburg Concerto No.3. | InTheoryOnly | 11 | 7-8 | Feb 1991 | 21-53 | |
23 matches.
