| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Neumeyer, David | The Two Versions of J. S. Bach's A-minor Invention, BWV 784. | IndianaTheoryReview | 4 | 2 | Winter 1981 | 69-99 | |
| McIrvine, Edward C. | Form and Tonality in Bach's Settings of 'Jesu, der du meine Seele'. | IndianaTheoryReview | 5 | 1 | Fall 1981 | 1-22 | |
| Palmer, Virginia | The application of the sonata principle to structure in La clemenza di Scipione by J.C. Bach. | IndianaTheoryReview | 6 | 1-2 | Fall 1982, Winter 1983 | 36-62 | |
| Marcozzi, Rudy T. | Deep-level structures in J.S. Bach's D minor Chaconne. | IndianaTheoryReview | 6 | 1-2 | Fall 1982, Winter 1983 | 5-16 | |
| Hauptmann, Moritz | Hauptmann's commentary on the Art of Fugue: A translation. | IndianaTheoryReview | 8 | 2 | Fall 1987 | 45-66 | |
| Tepping, Susan E. | A lesson in analysis: An account of the study of Bach's E major invention with Felix-Eberhard von Cube. | IndianaTheoryReview | 9 | 1 | Spring 1988 | 63-74 | |
| Schoffman, Nachum | Persistent notes and proximity harmonization. | IndianaTheoryReview | 14 | 1 | Spring 1993 | 95-131 | |
| Gauldin, Robert | Fux to Bach: Bridging the Gap. | IndianaTheoryReview | 14 | 2 | Fall 1993 | 45-72 | |
| De Young, Linden | Stretto by Direct and Contrary Motion in Three Fugues by J. S. Bach. | IndianaTheoryReview | 18 | 2 | 1997 | 15-46 | |
| Baker, Michael | A curious type of 'tonal pun' in Bach's suites for unaccompanied cello. | IndianaTheoryReview | 27 | 1 | Spring 2009 | 1-21 | |
| McClary, Susan | Adorno plays the WTC: On political theory and performance. | IndianaTheoryReview | 27 | 2 | Fall 2009 | 97-112 | |
| Franck, Peter | The theory and practice of wedge progressions within selected works of J.S. Bach. | IndianaTheoryReview | 29 | 1 | Spring 2011 | 1-40 | |
12 matches.
