| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Devine, Patrick F.; White, Harry | The Maynooth International Musicological Conference 1995. Selected Proceedings: Part One. | IrishMStud | 4 | | 1996 | 444p | |
| Crist, Stephen A. | J. S. Bach and the Conventions of the Da Capo Aria, or How Original was Bach? | IrishMStud | 4 | | 1996 | 71-85 | |
| Willner, Channan | Bach's Periodicities Re-Examined. | IrishMStud | 4 | | 1996 | 86-101 | |
| Kent, Christopher | Elgar and J.S. Bach: A Wider Perspective. | IrishMStud | 5 | | 1996 | 179-190 | |
| Olleson, Philip | The Samuel Wesley letters edition: A report of work in progress. | IrishMStud | 5 | | 1996 | 321-335 | |
| Devine, Patrick F.; White, Harry | The Maynooth International Musicological Conference 1995. Selected Proceedings: Part Two. | IrishMStud | 5 | | 1996 | 409p | |
| Abravaya, Ido | The Baroque upbeat: outline of its typology and evolution. | IrishMStud | 8 | | 2004 | 17-28 | |
| White, Harry | Johann Joseph Fux and the question of Einbau technique. | IrishMStud | 8 | | 2004 | 29-48 | |
| Stockigt, Janice B. | The royal Polish and electoral Saxon court and state calendars, 1728-50. | IrishMStud | 8 | | 2004 | 49-64 | |
| Kan, Rebecca | Vivaldi, Bach and their concerto slow movements. | IrishMStud | 8 | | 2004 | 65-91 | |
| Butler, Gregory G. | The prelude to the third English Suite BWV 808: an allegro concerto movement in ritornello form. | IrishMStud | 8 | | 2004 | 93-101 | |
| Franklin, Don O. | Composing in time: Bach's temporal design for the Goldberg Variations. | IrishMStud | 8 | | 2004 | 103-128 | |
| Leaver, Robin A. | Eschatology, theology and music: death and beyond in Bach's vocal music. | IrishMStud | 8 | | 2004 | 129-147 | |
| Stephen, J. Drew | Bach's horn parts: alternatives to nodal venting and hand stopping. | IrishMStud | 8 | | 2004 | 149-160 | |
| Elste, Martin | Bach in North America during the shellac era (1900-50): early sound documents of art and commerce. | IrishMStud | 8 | | 2004 | 161-178 | |
| Fabian, Dorottya | Bach performance practice in the twentieth century: recordings, reviews and reception. | IrishMStud | 8 | | 2004 | 179-189 | |
| Butt, John | Bach in the twenty-first century: re-evaluating him from the perspective of performance. | IrishMStud | 8 | | 2004 | 191-204 | |
| Tomita, Yo | Bach's Credo in England: an early history. | IrishMStud | 8 | | 2004 | 205-227 | |
| Boydell, Barra | 'This most crabbed of all earthly music': the performance and reception of Bach's vocal music in Dublin in the nineteenth and early twentieth centuries. | IrishMStud | 8 | | 2004 | 229-246 | |
| Schulze, Hans-Joachim | Bach at the turn of the twenty-first century. | IrishMStud | 8 | | 2004 | 247-260 | |
| Leahy, Anne; Tomita, Yo | Bach Studies from Dublin: Selected papers presented at the ninth biennial conference on Baroque music, held at Trinity College Dublin from 12th to 16th July 2000. | IrishMStud | 8 | | 2004 | 270p | |
21 matches.
