| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Berg, Darrell M. | C.P.E. Bach's 'Variations' and 'Embellishments' for his keyboard sonatas. | JMcol | 2 | 2 | Spring 1983 | 151-173 | |
| Clark, Stephen L. | The Letters from Carl Philipp Emanuel Bach to Georg Michael Telemann. | JMcol | 3 | 2 | Spring 1984 | 177-195 | |
| Chafe, Eric T. | Allegorical Music: The 'Symbolism' of Tonal Language in the Bach Canons. | JMcol | 3 | 4 | Autumn 1984 | 340-362 | |
| Silbiger, Alexander | Johann Sebastian Bach: 300th Anniversary Celebration. University of North Carolina at Chapel Hill. [Conference Report]. | JMcol | 4 | 1 | Winter 1985 | 114-120 | |
| Dreyfus, Laurence | J. S. Bach and the Status of Genre: Problems of Style in the G-minor sonata, BWV 1029. | JMcol | 5 | 1 | Winter 1987 | 55-78 | |
| Stauffer, George B. | Forkel's letters to Hoffmeister & Kühnel: A Bach Biographical Source Recovered. | JMcol | 5 | 4 | Autumn 1987 | 549-561 | |
| Marissen, Michael | A Critical Reappraisal of J. S. Bach's A-major Flute Sonata. | JMcol | 6 | 3 | Summer 1988 | 367-386 | |
| Stinson, Russell | Toward A Chronology Of Bach's Instrumental Music: Observations On Three Keyboard Works. | JMcol | 7 | 4 | Fall 1989 | 440-470 | |
| Schulenberg, David | Expression and Authenticity in the Harpsichord Music of J. S. Bach. | JMcol | 8 | 4 | Fall 1990 | 449-476 | |
| Sheldon, David A. | The Stretto Principle: Some Thoughts on Fugue as Form. | JMcol | 8 | 4 | Fall 1990 | 553-568 | |
| Butt, John | Bach's Mass in B Minor: Considerations of its Early Performance and Use. | JMcol | 9 | 1 | Winter 1991 | 109-123 | |
| Butler, Gregory G. | J. S. Bach and the Concord-Discord Paradox. | JMcol | 9 | 3 | Summer 1991 | 343-357 | |
| Ladewig, James | Bach and the 'Prima prattica': The Influence of Frescobaldi on a Fugue from the 'Well-Tempered Clavier'. | JMcol | 9 | 3 | Summer 1991 | 358-375 | |
| Miller, Leta E. | C.P.E. Bach's sonatas for solo flute. | JMcol | 11 | 2 | Spring 1993 | 203-249 | |
| Stinson, Russell | Some Thoughts on Bach's Neumeister Chorales. | JMcol | 11 | 4 | Autumn 1993 | 455-477 | |
| Corneilson, Paul | The case of J.C. Bach's Lucio Silla. | JMcol | 12 | 2 | Spring 1994 | 208-220 | |
| Schulenberg, David | Musical Allegory Reconsidered: Representation and Imagination in the Baroque. | JMcol | 13 | 2 | Spring 1995 | 203-239 | |
| Melamed, Daniel R. | J.F. Doles's Setting of a Picander Libretto and J.S. Bach's Teaching of Vocal Composition. | JMcol | 14 | 4 | Autumn 1996 | 453-474 | |
| Whaples, Miriam K. | Bach's Recapitulation Forms. | JMcol | 14 | 4 | Autumn 1996 | 475-513 | |
| Hill, David | The Time of the Sign: 'O Haupt voll Blut und Wunden' in Bach's St. Matthew Passion. | JMcol | 14 | 4 | Autumn 1996 | 514-543 | |
| Mercer-Taylor, Peter | Rethinking Mendelssohn's historicism: A lesson from St Paul. | JMcol | 15 | 2 | Spring 1997 | 208-229 | |
| Burrows, David | A dynamical systems perspective on music. | JMcol | 15 | 4 | Autumn 1997 | 529-545 | |
| Silbiger, Alexander | Bach and the Chaconne. | JMcol | 17 | 3 | Summer 1999 | 358-385 | |
| Zohn, Steven; Payne, Ian | Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1) | JMcol | 17 | 4 | Autumn 1999 | 546-584 | |
| Cammarota, Robert M. | On the Performance of 'Quia respexit ... omnes generationes' from J. S. Bach's Magnificat. | JMcol | 18 | 3 | Summer 2001 | 458-489 | |
| Bittmann, Antonius | Reconciling God And Satan: Max Reger's Phantasie und Fuge über den Namen B-A-C-H, Op. 46. | JMcol | 18 | 3 | Summer 2001 | 490-515 | |
| Butler, Gregory G. | The Printing History of J. S. Bach's Musical Offering: New Interpretations. | JMcol | 19 | 2 | Spring 2002 | 306-331 | |
| Telesco, Paula | Forward-Looking Retrospection: Enharmonicism in the Classical Era. | JMcol | 19 | 2 | Spring 2002 | 332-373 | |
| Leaver, Robin A. | Brahms's Opus 45 and German Protestant Funeral Music. | JMcol | 19 | 4 | Autumn 2002 | 616-640 | |
| Brown, A. Peter | Eighteenth-century traditions and Mozart's 'Jupiter' symphony K.551. | JMcol | 20 | 2 | Spring 2003 | 157-195 | |
| Wolff, Christoph | Images of Bach in the Perspective of Basic Research and Interpretative Scholarship. | JMcol | 22 | 4 | Autumn 2005 | 503-520 | |
| Bernstein, Lawrence F. | 'Singende Seele' or 'unsingbar'? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries. | JMcol | 23 | 1 | Winter 2006 | 3-61 | |
| Knyt, Erinn E. | 'How I compose': Ferruccio Busoni's Views about Invention, Quotation, and the Compositional Process. | JMcol | 27 | 2 | Spring 2010 | 224-263 | |
| Varwig, Bettina | Metaphors of time and modernity in Bach. | JMcol | 29 | 2 | Spring 2012 | 154-190 | |
| Ceballos, Sara Gross | Sympathizing with C.P.E. Bachs Empfindungen. | JMcol | 34 | 1 | Winter 2017 | 1-31 | |
| Steichen, James | Balanchine's 'Bach ballet' and the dances of Rodgers and Hart's On your toes. | JMcol | 35 | 2 | Spring 2018 | 267-293 | |
36 matches.
