| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Town, Stephen | Toward an understanding of fugue and fugato in the Masses of Joseph Haydn. | JMcolResearch | 6 | 4 | 1986 | 311-351 | |
| Lessem, Alan | Schumann's arrangements of Bach as reception history. | JMcolResearch | 7 | 1 | 1986 | 29-46 | |
| Butler, Gregory G. | The engraving of J. S. Bach's six partitas. | JMcolResearch | 7 | 1 | 1986 | 3-27 | |
| Stinson, Russell | The 'critischer musikus' as keyboard transcriber? Scheibe, Bach, and Vivaldi. | JMcolResearch | 9 | 4 | 1990 | 255-271 | |
| Schmalfeldt, Janet | Cadential processes: The evaded cadence and the 'one more time' technique. | JMcolResearch | 12 | 1-2 | 1992 | 1-52 | |
| Rifkin, Joshua | Bach's Chorus: Some Red Herrings [Points of View] | JMcolResearch | 14 | 3-4 | 1995 | 223-234 | |
| Hill, David | Think of Damnation: J. S. Bach's Cantata 161 and Luther's Sermon on Preparing to Die. | JMcolResearch | 16 | 1 | 1996 | 17-39 | |
| Schulenberg, David | Tempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance-Studies Approach. | JMcolResearch | 18 | 2 | 1999 | 139-160 | |
| Currie, James Robert | Splinters in the eye: Interpreting Webern's Bach transcription. | JMcolResearch | 21 | 3 | Jul-Sep 2002 | 167-195 | |
| Swain, Joseph P. | Harmonic Rhythm in Bach's Ritornellos. | JMcolResearch | 22 | 3 | Jul-Sep 2003 | 183-222 | |
| Schulenberg, David | Recent Bach Studies. | JMcolResearch | 22 | 4 | Oct-Dec 2003 | 387-402 | |
| Hengel, Eduard van; Houten, Kees van | 'Et incarnatus': an afterthought? Against the 'Revisionist' view of Bach's B-Minor Mass. | JMcolResearch | 23 | 1 | 2004 | 81-112 | |
| Little, William A. | A Minor Mendelssohnian Mystery: The Curious Case of the Credo and the Nachspiel. | JMcolResearch | 29 | 2-3 | Apr 2010 | 148-158 | |
| Seaton, Douglass | Mendelssohn in 1825: A Snapshot with Two Canons. | JMcolResearch | 29 | 2-3 | Apr 2010 | 159-170 | |
| Cooper, John Michael; Todd, R. Larry | 'With True Esteem and Friendship': The Correspondence of Felix Mendelssohn Bartholdy and Louis Spohr. | JMcolResearch | 29 | 2-3 | Apr 2010 | 171-259 | |
| Warner, Michael Allen | A Little Prelude and the Scherzo That Almost Wasn't: Beethoven's 'New Path' and the Early-Nineteenth-Century Bach Revival. | JMcolResearch | 32 | 2-3 | Apr-Sep 2013 | 83-115 | |
| Rathey, Markus | The 'theology' of Bach's Cöthen cantatas: Rethinking the dichotomy of sacred versus secular. | JMcolResearch | 35 | 4 | 2016 | 275-298 | |
| Wiley, Christopher | Myth-making and the politics of nationality in narratives of J.S. Bach's 1717 contest with Louis Marchand. | JMcolResearch | 38 | 3-4 | 2019 | 193-215 | |
| Cypess, Rebecca | Arrangement practices in the Bach tradition, then and now: Historical precedent for modern practice. | JMcolResearch | 39 | 2-3 | 2020 | 187-212 | |
19 matches.
