| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Bent, Ian | The 'Compositional process' in music theory 1713-1850. | MAnalysis | 3 | 1 | Mar 1984 | 29-55 | |
| Drabkin, William | A lesson in analysis from Heinrich Schenker: the C Major prelude from Bach's Well-tempered Clavier, Book 1. | MAnalysis | 4 | 3 | Oct 1985 | 241-258 | |
| Wintle, Christopher | 'Skin and Bones': The C minor Prelude from J. S. Bach's Well-tempered Clavier, Book 2. | MAnalysis | 5 | 1 | Mar 1986 | 85-96 | |
| Street, Alan | The Rhetorico-Musical Structure of the 'Goldberg' Variations: Bach's Clavierübung IV and the Institutio Oratoria of Quintilian. | MAnalysis | 6 | 1-2 | Mar-Jul 1987 | 89-131 | |
| Cook, Nicholas | Structure and Performance Timing in Bach's C major Prelude (WTC I): An Empirical Study. | MAnalysis | 6 | 3 | Oct 1987 | 257-272 | |
| Plum, Karl-Otto | Towards a Methodology for Schenkerian Analysis. | MAnalysis | 7 | 2 | Jul 1988 | 143-164 | |
| Monelle, Raymond | Structural Semantics and Instrumental Music. | MAnalysis | 10 | 1-2 | Mar-Jul 1991 | 73-88 | |
| Renwick, William | Modality, Imitation and Structural Levels: Bach's Manualiter Kyries from Clavierübung III. | MAnalysis | 11 | 1 | Mar 1992 | 55-74 | |
| Puffett, Derrick | ... an Analytical Offering (A.G. 1992)...: On Goehr's Homage to Bach. | MAnalysis | 11 | 2-3 | Jul-Oct 1992 | 177-200 | |
| Siegele, Ulrich | Bach's Theological Concept of Form and the F major Duet. | MAnalysis | 11 | 2-3 | Jul-Oct 1992 | 245-278 | |
| Renwick, William J. | Hidden Fugal Paths: A Schenkerian View of Handel's F major Fugue (Suite II). | MAnalysis | 14 | 1 | Mar 1995 | 49-67 | |
| Cumming, Naomi | The Subjectivities of 'Erbarme Dich' | MAnalysis | 16 | 1 | Mar 1997 | 5-44 | |
| Renwick, William | Bach and the 'Old' Musicology. | MAnalysis | 16 | 2 | Jul 1997 | 255-269 | |
| McKee, Eric | Influences of the Early Eighteenth-Century Social Minuet on the Minuets from J. S. Bach's French Suites, BWV 812-17. | MAnalysis | 18 | 2 | Jul 1999 | 235-260 | |
| Anson-Cartwright, Mark | Elision and the Embellished Final Cadence in J. S. Bach's Preludes. | MAnalysis | 26 | 3 | Oct 2007 | 267-288 | |
| Butt, John | Emotion in the German Lutheran Baroque and the development of subjective time consciousness. | MAnalysis | 29 | 1-3 | Mar-Oct 2010 | 19-36 | |
| Bent, Ian D. | Schenker and Bach's French suite in E major. | MAnalysis | 34 | 2 | Jul 2015 | 155-174 | |
| Stoia, Nicholas R. | Triple counterpoint and six-four chords in Bach's sinfonia in F minor. | MAnalysis | 34 | 3 | Oct 2015 | 305-334 | |
18 matches.
