Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
Frere, W. H. | Bach's 'Vorspiele' of 1739. | MLetters | 1 | 3 | Jul 1920 | 218-224 | |
Gray, Alan | Hymn Preludes. | MLetters | 1 | 3 | Jul 1920 | 224-227 | |
Brent Smith, Alexander | The Cantata in Being. | MLetters | 1 | 3 | Jul 1920 | 227-229 | |
Carse, Adam von Ahn | XVII Century Orchestral Instruments. | MLetters | 1 | 4 | Oct 1920 | 334-342 | |
Brent Smith, Alexander | The Workmanship of Bach. | MLetters | 3 | 3 | Jul 1922 | 229-236 | |
Chaplin, Nellie | The Harpsichord. | MLetters | 3 | 3 | Jul 1922 | 269-273 | |
Wilkinson, Norman | A Note on the Clavichord and the Harpsichord. | MLetters | 4 | 2 | Apr 1923 | 162-169 | |
Klein, Herman | The Appoggiatura. (b) In Mozart, Gluck, Bach, &c. | MLetters | 5 | 2 | Apr 1924 | 124-132 | |
Dearmer, Geoffrey | The Fall and Rise of the Hymn Tune. | MLetters | 6 | 1 | Jan 1925 | 35-45 | |
Adams, H. M. | Passion Music Before 1724. | MLetters | 7 | 3 | Jul 1926 | 258-264 | |
Truron, Walterus | The Rhythm of Metrical Psalm-Tunes. | MLetters | 9 | 1 | Jan 1928 | 29-33 | |
Dickinson, Alan Edgar Frederic | The Present Neglect of Bach. | MLetters | 10 | 2 | Apr 1929 | 189-196 | |
Bagenal, Hope | Bach's Music and Church Acoustics. | MLetters | 11 | 2 | Apr 1930 | 146-155 | |
Howes, Frank | The Philosopher and the Artist. | MLetters | 11 | 3 | Jul 1930 | 241-254 | |
Terry, Charles Sanford | Baron Bach [Carl Ernst Baron de Bagge] | MLetters | 12 | 2 | Apr 1931 | 130-139 | |
Galpin, Francis W. | Viola pomposa and Violoncello piccolo. | MLetters | 12 | 4 | Oct 1931 | 354-364 | |
Walker, Ernest | The Associated Board's edition of Bach's 'Forty-eight' | MLetters | 12 | 4 | Oct 1931 | 378-383 | |
Terry, Charles Sanford | Bach's 'Quodlibet'. | MLetters | 14 | 1, 2 | Jan; Apr 1933 | 1-17; 188 | |
Trend, J. B. | R. J. S. Stevens (1757-1837) and His Contemporaries. | MLetters | 14 | 2 | Apr 1933 | 128-137 | |
Terry, Charles Sanford | The Spurious 'Bach' 'Lucaspassion'. | MLetters | 14 | 3 | Jul 1933 | 207-221 | |
Grew, Sydney | The Significance of the Bach Chorale. | MLetters | 14 | 4 | Oct 1933 | 313-317 | |
Arnold, Frank Thomas | J. S. Bach and Consecutives in Accompaniment. | MLetters | 14 | 4 | Oct 1933 | 318-325 | |
Farmer, Archibald | An Introduction to Organ Music. | MLetters | 14 | 4 | Oct 1933 | 326-342 | |
Scott, Marion M. | The Violin Music of Handel and Bach. | MLetters | 16 | 3 | Jul 1935 | 188-199 | |
Wilson, Steuart | The Recitatives of the St. Matthew Passion. | MLetters | 16 | 3 | Jul 1935 | 208-225 | |
| Handel and Bach. Extract from the speech of the German Ambassador on opening an exhibition of autographs at Oxford. | MLetters | 16 | 3 | Jul 1935 | 226-229 | |
Einstein, Alfred | Bach through the ages. | MLetters | 16 | 3 | Jul 1935 | 230-237 | |
Harris, William H. | The Organ Works of Bach and Handel. | MLetters | 16 | 4 | Oct 1935 | 296-304 | |
Lockspeiser, Edward | French Influences on Bach. | MLetters | 16 | 4 | Oct 1935 | 312-320 | |
Brent Smith, Alexander | The Conventions of Bach. | MLetters | 16 | 4 | Oct 1935 | 321-324 | |
Terry, Charles Sanford | Portraits of Bach. | MLetters | 17 | 4 | Oct 1936 | 287-288 | |
Gradenwitz, Peter | Mid-Eighteenth-Century Transformations of Style. | MLetters | 18 | 3 | Jul 1937 | 265-275 | |
Grew, Eva Mary | Martin Luther and Music. | MLetters | 19 | 1 | Jan 1938 | 67-78 | |
Lenth, Bert | Bach and the English Oculist. | MLetters | 19 | 2 | Apr 1938 | 182-198 | |
Walker, Ernest | An Oxford Collection of Mendelssohniana. | MLetters | 19 | 4 | Oct 1938 | 426-428 | |
Dickinson, Alan Edgar Frederic | The Craftsmanship of Bach's Choral music. | MLetters | 20 | 3 | Jul 1939 | 266-277 | |
Whittaker, William Gillies | A Lost Bach Magnificat. | MLetters | 21 | 4 | Oct 1940 | 312-318 | |
Lloyd, Llewelyn S. | The Myth of Equal Temperament. | MLetters | 21 | 4 | Oct 1940 | 347-361 | |
Sutherland, Gordon | The Schweitzerian Heresy. | MLetters | 23 | 4 | Oct 1942 | 265-289 | |
Ashby, A. B. | Schweitzer on Bach. | MLetters | 26 | 2 | Apr 1945 | 102-112 | |
Somervell, D. C. | The Bach Passions and Greek Tragedy. | MLetters | 27 | 4 | Oct 1946 | 221-224 | |
Emery, Walter | The English Translator of Forkel. | MLetters | 28 | 3 | Jul 1947 | 301-302 | |
Platt, Peter | Melodic Patterns in Bach's Counterpoint. | MLetters | 29 | 1 | Jan 1948 | 48-56 | |
Emery, Walter | Bach's Symbolic Language. | MLetters | 30 | 4 | Oct 1949 | 345-354 | |
Francis, John | What Bach wrote for the Flute and Why. | MLetters | 31 | 1 | Jan 1950 | 46-52 | |
Walker, Frank | A Little Bach Discovery. | MLetters | 31 | 2 | Apr 1950 | 184 | |
Finlay, Ian F. | Bach's Secular Cantata Texts. | MLetters | 31 | 3 | Jul 1950 | 189-195 | |
Richardson, Constance | Mrs. Oom and the 'Forty-Eight'. | MLetters | 32 | 1 | Jan 1951 | 98-99 | |
Frank, Alan | 'Two Centuries of Bach'. | MLetters | 32 | 1 | Jan 1951 | 102 | |
Bell, William | Bach Improvising at the Organ. | MLetters | 32 | 2 | Apr 1951 | 115-117 | |
Godman, Stanley | Mrs Oom and the 'Forty-Eight'. | MLetters | 32 | 3 | Jul 1951 | 298-299 | |
Deutsch, Otto Erich | Mrs Oom and the 'Forty-Eight'. | MLetters | 32 | 3 | Jul 1951 | 299-300 | |
Dürr, Alfred | The New Bach Edition. | MLetters | 33 | 1 | Jan 1952 | 99 | |
Wishart, Peter | Bach's Prelude on 'Erbarm dich'. | MLetters | 33 | 3 | Jul 1952 | 215-216 | |
Richardson, Constance | The London Autograph of 'The 48'. | MLetters | 34 | 1 | Jan 1953 | 39-40 | |
Emery, Walter | The London Autograph of 'The Forty-Eight'. | MLetters | 34 | 2 | Apr 1953 | 106-123; (361-362) | |
Godman, Stanley | The London Autograph of 'The 48'. | MLetters | 34 | 2 | Apr 1953 | 182 | |
Paul, Leslie D. | Bach as Transcriber. | MLetters | 34 | 4 | Oct 1953 | 306-313 | |
Richardson, Constance | James Hutton and Bach. | MLetters | 34 | 4 | Oct 1953 | 361-362 | |
Hudson, Frederick; Dürr, Alfred | An Investigation into the Authenticity of Bach's 'Kleine Magnificat'. | MLetters | 36 | 3 | Jul 1955 | 233-236 | |
Sadie, Stanley | The Wind Music of J. C. Bach. | MLetters | 37 | 2 | Apr 1956 | 107-117 | |
Sterndale Bennett, R. | Three Abridged Versions of Bach's St. Matthew Passion. | MLetters | 37 | 4 | Oct 1956 | 336-339 | |
Godman, Stanley | Bach's Copies of Ammerbach's 'Orgel oder Instrument Tabulatur' (1571). | MLetters | 38 | 1 | Jan 1957 | 21-27 | |
Pook, Wilfrid | Bach's E major Violin Concerto reconsidered. | MLetters | 38 | 1 | Jan 1957 | 53-65 | |
MacArdle, Donald W. | Beethoven and the Bach Family. | MLetters | 38 | 4 | Oct 1957 | 353-358 | |
Crickmore, Leon | C. P. E. Bach's Harpsichord Concertos. | MLetters | 39 | 3 | Jul 1958 | 227-241 | |
Owen, Angela Maria | The Authorship of Bach's Cantata No. 15. | MLetters | 41 | 1 | Jan 1960 | 28-32 | |
Dart, Thurston | Bach's 'Fiauti d'Echo'. | MLetters | 41 | 4 | Oct 1960 | 331-341 | |
Tureck, Rosalyn | An introduction to Bach. | MLetters | 42 | 2 | Apr 1961 | 196-198 | |
Babitz, Sol | On using J. S. Bach's keyboard fingerings. | MLetters | 43 | 2 | Apr 1962 | 123-128 | |
Williams, Peter F. | J. S. Bach and English Organ Music. | MLetters | 44 | 2 | Apr 1963 | 140-151 | |
Blume, Friedrich | Outlines of a New Picture of Bach. | MLetters | 44 | 3 | Jul 1963 | 214-227 | |
Neumann, Frederick | A New Look at Bach's Ornamentation. | MLetters | 46 | 1, 2 | Jan; Apr 1965 | 4-15; 126-133 | |
Ferguson, Howard | Bach's 'Lauten Werck'. | MLetters | 48 | 3 | Jul 1967 | 259-264 | |
Neumann, Frederick | The Use of Baroque Treatises on Musical Performance. | MLetters | 48 | 4 | Oct 1967 | 315-324 | |
Stadlen, Peter | Beethoven and the Metronome. | MLetters | 48 | 4 | Oct 1967 | 330-349 | |
Collins, Michael | A Reconsideration of French Over-Dotting. | MLetters | 50 | 1 | Jan 1969 | 111-123 | |
Williams, Peter F. | Basso continuo on the Organ. | MLetters | 50 | 1, 2 | Jan; Apr 1969 | 136-152; 230-245 | |
[Westrup, Jack Allan] | Editorial. | MLetters | 50 | 3 | Jul 1969 | 329-330 | |
Leavis, Ralph | Bach's setting of Psalm CXVII (BWV 230). | MLetters | 52 | 1 | Jan 1971 | 19-26 | |
Talbot, Michael | The Concerto Allegro in the Early Eighteenth Century. | MLetters | 52 | 1, 2 | Jan; Apr 1971 | 8-18; 159-172 | |
Musgrave, Michael | Historical influences in the growth of Brahms' 'Requiem'. | MLetters | 53 | 1 | Jan 1972 | 3-17 | |
Parrott, Ian | Elgar's two-fold enigma: A religious sequel. | MLetters | 54 | 1 | Jan 1973 | 57-60 | |
Matthews, Betty | The Davies sisters, J.C. Bach and the glass harmonica. | MLetters | 56 | 2 | Apr 1975 | 150-169 | |
Schmidt, Henry | Bach's C major Orchestral Suite: a New Look at Possible Origins. | MLetters | 57 | 2 | Apr 1976 | 152-163 | |
Wollenberg, Susan | Changing views of C.P.E. Bach. | MLetters | 69 | 4 | Oct 1988 | 461-464 | |
Tatlow, Ruth | J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number Alphabet Theory. | MLetters | 70 | 2 | Apr 1989 | 191-205 | |
Marissen, Michael | Relationships between Scoring and Structure in the First Movement of Bach's Sixth Brandenburg Concerto. | MLetters | 71 | 4 | Nov 1990 | 494-504 | |
Wade, Rachel W. | The Carl Philipp Emanuel Bach Edition. | MLetters | 73 | 3 | Aug 1992 | 510-511 | |
Puffett, Derrick | A Nietzschean Libretto: Delius and the Text for 'A Mass of Life'. | MLetters | 79 | 2 | May 1998 | 244-267 | |
Garratt, James | Mendelssohn's Babel: Romanticism and the Poetics of Translation. | MLetters | 80 | 1 | Feb 1999 | 23-49 | |
Yearsley, David | Towards an Allegorical Interpretation of Buxtehude's Funerary Counterpoints. | MLetters | 80 | 2 | May 1999 | 183-206 | |
Melamed, Daniel R. | Constructing Johann Christoph Bach (1642-1703). | MLetters | 80 | 3 | Aug 1999 | 345-365 | |
Tomita, Yo | Bach Reception in Pre-Classical Vienna: Baron van Swieten's Circle Edits the 'Well-Tempered Clavier' II. | MLetters | 81 | 3 | Aug 2000 | 364-391 | |
Allen-Russell, Ann van | 'For instruments not Intended': The Second J.C. Bach Lawsuit. | MLetters | 83 | 1 | Feb 2002 | 3-29 | |
Riley, Matthew | Johann Nikolaus Forkel on the Listening Practices of 'Kenner' and 'Liebhaber'. | MLetters | 84 | 3 | Aug 2003 | 414-433 | |
Kerman, Joseph | Thematic Return in Late Bach Fugues. | MLetters | 87 | 4 | Nov 2006 | 515-522 | |
Tilley, Janette | Meditation and Consolatory Soul-God Dialogues in Seventeenth-Century Lutheran Germany. | MLetters | 88 | 3 | Aug 2007 | 436-457 | |
Cenciarelli, Carlo | 'What never was has ended': Bach, Bergman, and the Beatles in Christopher Münch's 'The hours and times'. | MLetters | 94 | 1 | Feb 2013 | 119-137 | |
Ward Jones, Peter | Mendelssohn's Performances of the 'Matthäus-Passion': Considerations of the Documentary Evidence. | MLetters | 97 | 3 | Aug 2016 | 409-464 | |
Greig, Donald | 'Somewhat of an affectation': Bach, Vivaldi, and the Early Films of Pier Paolo Pasolini. | MLetters | 103 | 1 | Feb 2022 | 116-149 | |
Phillips, Reuben | Handling Tovey's Bach. | MLetters | 103 | 3 | Aug 2022 | 464-492 | |
102 matches.