| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Gotlieb, Heidi; Konecni, Vladimir J.; [Konečni] | The Effects of Instrumentation, Playing Style, and Structure in the Goldberg Variations by Johann Sebastian Bach. | MPerception | 3 | 1 | Fall 1985 | 87-102 | |
| Batt, Robert | Comments on 'The effects of instrumentation, playing, and structure in the Goldberg variations by Johann Sebastian Bach.' | MPerception | 5 | 2 | Winter 1987 | 207-213 | |
| Huron, David; Fantini, Deborah A. | The Avoidance of Inner-Voice Entries: Perceptual Evidence and Musical Practice. | MPerception | 7 | 1 | Fall 1989 | 43-48 | |
| Thompson, William Forde; Cuddy, Lola L. | Sensitivity to change in chorale sequences: A composition of single voices and four-voice harmony. | MPerception | 7 | 2 | Winter 1989 | 151-168 | |
| Huron, David | The Avoidance of Part-Crossing in Polyphonic Music: Perceptual Evidence and Musical Practice. | MPerception | 9 | 1 | Fall 1991 | 93-103 | |
| Huron, David | Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities. | MPerception | 9 | 2 | Winter 1991 | 135-154 | |
| Huron, David | Note-Onset Asynchrony in J. S. Bach's Two-Part Inventions. | MPerception | 10 | 4 | Summer 1993 | 435-443 | |
| Vos, Piet G; Geenen, Erwin W. van | A Parallel-Processing Key-Finding Model. | MPerception | 14 | 2 | Winter 1996 | 185-223 | |
| Temperley, David | What's Key for Key? The Krumhansl-Schmuckler Key-Finding Algorithm Reconsidered. | MPerception | 17 | 1 | Fall 1999 | 65-100 | |
| Verkaart, Paul P.; Vos, Piet G. | Inference of Mode in Melodies. | MPerception | 17 | 2 | Winter 1999 | 223-239 | |
| Collins, Denis; Schloss, Andrew | An Unusual Effect in the Canon per Tonos from J.S. Bach's Musical Offering. | MPerception | 19 | 2 | Dec 2001 | 141-153 | |
| Chaffin, Roger; Imreh, Gabriela; Lemieux, Anthony F.; Chen, Colleen | 'Seeing the big picture': Piano practice as expert problem solving. | MPerception | 20 | 4 | Jun 2003 | 465-490 | |
| Toiviainen, Petri; Snyder, Joel S. | Tapping to Bach: Resonance-Based Modeling of Pulse. | MPerception | 21 | 1 | Sep 2003 | 43-80 | |
| Davis, Stacey | Implied Polyphony in the Solo String Works of J. S. Bach: A Case for the Perceptual Relevance of Structural Expression. | MPerception | 23 | 5 | Jun 2006 | 423-446 | |
| Chaffin, Roger; Lemieux, Anthony F.; Chen, Colleen | 'It is different each time I play': Variability in Highly Prepared Musical Performance. | MPerception | 24 | 5 | Jun 2007 | 455-472 | |
| Thompson, Sam; Williamon, Aaron; Valentine, Elizabeth R. | Time-Dependent Characteristics of Performance Evaluation. | MPerception | 25 | 1 | Sep 2007 | 13-29 | |
| Gjerdingen, Robert O. | 'Historically informed' corpus studies. | MPerception | 31 | 3 | Feb 2014 | 192-204 | |
| Battcock, Aimee; Schutz, Michael | Acoustically expressing affect. | MPerception | 37 | 1 | Sep 2019 | 66-91 | |
18 matches.
